Jordan Wright
April 23, 2012
Special to The Alexandria Times
In the 2009 Tony award-winning play God of Carnage, French playwright and social satirist Yasmina Reza introduces us to two upwardly mobile New York couples whose rowdy sons have gotten into a scrap in the neighborhood park. At a meeting in the bourgeois book-filled apartment of the victim’s parents to discuss the incident, the couples seem to present a united front while exchanging pleasantries over coffee and Veronica’s home made pear clafouti.
Initially the well-mannered grownups appear to take responsibility for their children’s actions resolving to discipline the boys and urge them to make up. Veronica, a writer on atrocities in African culture, has high-minded principles and futilely attempts to steer her husband Michael into laying the blame on Annette and Alan’s son. “It could have been the other way around,” admits Michael, “Our son is a savage,” he adds trumping Veronica’s well-orchestrated plans.
Annette on the other hand is a straight-laced suit working in wealth management and married to Alan an attorney/spinmeister who’s more wedded to his business than his wife. Between persistent cell phone calls he tries to keep pace with the mounting diatribes. “People struggle until they are dead,” Alan philosophizes.
Initially Annette tries to stay above the fray, pleading with her husband to back off, but as she sits on the sofa leafing through some well-placed coffee table books she picks up a book on existentialist painter Francis Bacon, “Cruelty, majesty, chaos and balance,” she offers and with that small remark the play’s tone is set.
Soon all decorum is tossed aside as the confab turns into a verbal slugfest with the couples pushing each other’s emotional buttons and the parents quickly devolving from respectable middle class professionals into screaming, name-calling kids on a playground. “You can’t control the things that control you,” Michael offers.
After Michael confesses to tossing his daughter’s hamster out into the street, his credibility as the nice guy flies out the window and the women bond in their anger against him. Soothing his bruised ego he shares a bottle of his “well-aged Antiguan rum” and with that all the white gloves come off. Soon allegiances shift and the women gang up against their husbands as the men proudly profess to be Neanderthals. “Is alcohol bad for you?” Annette ponders.
Reza wields humor with a surgeon’s scalpel. Her observations of couples’ conflicts, and their ability to emotionally destroy each another, are just as incisive. And our laughter at their infantile antics is a universal response to the belief that we are all born into a culture of violence. “The God of Carnage has ruled since the beginning of time,” Alan reminds them.
Award-winning director Joe Calarco does a yeoman’s job of molding actors Andy Brownstein (Michael), Naomi Jacobson (Veronica), Vanessa Lock (Annette) and Paul Morella (Alan) into a cohesive unit of controlled stage mayhem.
Through June 24th at Signature Theatre (Shirlington Village), 4200 Campbell Avenue, Arlington, VA 22206. For tickets and information call 703 820-9771 or visit www.signature-theatre.org.
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