Treasure Island ~ Synetic Theater

Jordan Wright
July 23, 2019
Special to The Alexandria Times 

“Fifteen men on the dead man’s chest.  Yo-ho-ho and a bottle of rum!  Drink and the devil had done for the rest, yo-ho-ho and a bottle of rum!

Set sail for adventure with Synetic Theater’s lively production of Robert Louis Stevenson’s classic tale, Treasure Island, where the peg-legged pirate Long John Silver and his scurrilous band of buccaneers go in search of hidden riches on Skeleton Island.  Hired by Captain Smollet, Dr. Livesey, and Squire Trelawney who commissions the voyage, Silver, protégé of the notorious Captain Flint who hid the treasure, pretends to be a lowly cook.  Once aboard, Silver convinces the motley crew of scalliwags to switch allegiance, promising them riches beyond their wildest imaginings.  At first Silver befriends the beautiful orphan girl Jane Hawkins who has been gifted Flint’s treasure map by the late Billy Bones.  Fans of the late 19thcentury adventure novel will note that Jim Hawkins’ role in this production is a female character who develops the ferocity and fearlessness of any seafaring pirate.

Photo credit Brittnay Diliberto

Saving her from a life of servitude at the Admiral Benbow Inn, Silver promises Jane he will watch over her if she will give him the map, but once aboard the Hispaniola, she learns his scheme to keep the treasure for himself. Oh, he’s a wily one.  “Treasure is like a disease.  It infects the noblest of minds,” he cautions her.

Photo credit Brittnay Diliberto

Plotting to outfox our heroes, as well as the brave Jane Hawkins, Silver must figure out how to get the map that Hawkins has given to Dr. Livesey for safekeeping.  But nothing goes as planned for either side as it’s criss-cross and double-cross, foul treachery and maritime mutiny, framed by dangerous storms at sea.  Jane comes out the hero by turning on Silver one last time even though Silver saves her life from the clutches of his blood-thirsty crew who have locked up the Captain and Trelawney in the stockade.

Photo credit Brittnay Diliberto

Chris Daileader, a mashup of Leonardo DiCaprio and Johnny Depp, gives a fantastic performance replete with a British pirate’s accent as the crafty pirate Long John Silver.  And Anne Flowers’ portrayal of Jane Hawkins makes us believe that a girl can do anything against all odds if she sets her cap to it.  Seven more actors, each playing multiple roles, create the illusion that there is a huge cast.  Scenes of rum-swilling pirates dancing to Irish jigs will dispel any and all evil spirits of the deep.

Director Tori Tolentino, Set Designer Phil Charlwood, Movement Director Dallas Tolentino, and Sound Designer Thomas Sowers have taken this beloved pirate’s tale into the abstract with fantastical imagery and sheer athleticism, and made the pages of the book come alive with swashbuckling swordfights and fearless swagger.  Here, prophesy and foul play transform into a rollicking adventure tailor made for children and as well as their grownup captors!

Photo credit Brittnay Diliberto

With Karina Hilleard as Squire Trelawney; Da’Von T. Moody as Dr. Levesey; Billie Krishawn as Captain Smollett; Lee Liebeskind as Billy Bones/Israel Hands/Ensemble; Scott Whalen as Ben Gunn/Clem/Ensemble; Anna Lynch as Innkeeper/Morgan/Ensemble; Raven Lorraine as Pew/Merry/Ensemble; Irene Hamilton as Black Dog/Tommie/Ensemble; Conor Donahue as Flint/Gates/Ensemble; and Darius Johnson as Abraham Grey/Tarth/Ensemble.

Adapted by Tori & Dallas Tolentino; Resident Composer Konstantine Lortkipanidze; Costumes by Jeannette Christensen; and Lighting Design by Paul Callahan.

Highly recommended – especially coupled with a visit to Alexandria’s 18thcentury, replica tall ship ‘Providence’ permanently docked at the base of King Street where kids can indulge their own seafaring fantasies.

Through August 18that Synetic Theater, 1800 South Bell Street, Arlington, VA in Crystal City.  For tickets and information call 1-866-811-4111 or visit

Richard iii ~ Synetic Theatre

Jordan Wright
May 20, 2019 

Alex Mills as Richard iii ~ Photo Credit Brittany Diliberto

Artistic Director Paata Tsikurishvili calls this Richard iii “the most challenging production ever.”  That may well be an understatement, because since the company’s inception nearly 20 years ago, they have consistently broken ranks with theatrical stereotypes through their uniquely unparalleled, highly creative productions.  For his vision of Shakespeare’s Richard iii (note the lower case “I”), Tsikurishvili returns to the company’s “wordless Shakespeare”.

Richard iii ~ Photo Credit Brittany Diliberto

It is the fourteenth they have employed this silent technique to ground-breaking effect and the first time it has been used to create a new story-telling style wherein disembodied voices occasionally speak by video projection grounding the plot by illustrating certain important moments.  Magnified by a powerful surround sound system to background Richard’s murderous reign, this production becomes a virtual, multi-media, full-on techno experience that is eerily bloodless.

Richard iii ~ Photo Credit Brittany Diliberto

After a serious battle injury and subsequent reconstruction, Richard accustoms himself to his new cyber body by using controls implanted into his robotic arm.  Using digital combat technology, he is able to kill his victims (all thirteen of them) by projecting them onto giant touchscreens where he can then drag and drop their images effectively vaporizing them.  I’ll skip the plot synopsis, that’s what CliffsNotes are for, but you can easily follow through the continuous video projections, as well as the performers’ interactions that show Richard evolving into the cruel, soulless monster he has been programmed to be.

Irina Tsikurishvili as Queen Elizabeth ~ Photo Credit Brittany Diliberto

Emotionally disconnected, his Orwellian rampage continues.  No one is spared – not his cohorts, nor his royal family.  “Deformed, unfinished… I am determined to prove a villain,” he asserts.  In Tsikurishvili’s futuristic world of cyborgs, zombies and warrior droids, Richard is a far more efficient killer than Shakespeare could ever have imagined.

The transformation of King Richard ~ Photo Credit Brittany Diliberto

As we have come to expect from this Georgian troupe’s dazzling performances, there are mind-blowing displays of sheer physicality, intricately choreographed dances, gravity-defying fights, touches of wry humor (the Duke of Buckingham vapes pot), as well as classic pantomime.  Award-worthy performances by Alex Mills as Richard, Phillip Fletcher as King Edward and Irina Tsikurishvili as Queen Elizabeth.

Artistically brilliant, visually riveting and provocative.  A five-star production with a flawless cast.

With Matt R. Stover as Buckingham, Maryam Najafzada as Lady Anne, Thomas Beheler as Clarence, Jordan Clark Halsey as Richmond, Tim Proudkii as Prince, Aaron Kan as Younger Prince, Nutsa Tediashvili as Princess Elizabeth, Ana Tsikurishvili as Tyrell, Scean Aaron as Ratcliffe.

Directed by Paata Tsikurishvili, Choreography by Irina Tsikurishvili, Resident Composer Konstantine Lortkipanidze, Scenic and Multimedia Design by Tennessee Dixon, Adapted by Nathan Weinberger, Lighting Design by Brian S. Allard, Costume Designs by Erik Teague, Sound Design by Thomas Sowers, Video Producer & Editor Scott Brown.

Through June 16th at Synetic Theater, 1800 South Bell Street, Arlington, VA in Crystal City.  For tickets and information call 800.494.8497 or visit

Cyrano de Bergerac ~ Synetic Theatre

Jordan Wright
February 14, 2019

Maryam Najafzaga as Roxanne – Photo credit is Johnny Shryock

Talk about drama!  With a scant 24-hour notice Vato Tsikurishvili was thrust into the role of Cyrano when leading man Justin Bell fell ill.  Vato, a consummate performer and teacher, has performed in countless Synetic productions – his parents, Paata and Irina Tsikurishvili, are co-founding Artistic Directors.  He has performed with the troupe since he was four and is a nine-time Helen Hayes Award nominee and five-time award-winning ensemble member with Synetic.  He is also the Director of this production of Cyrano de Bergerac and naturally knew all the scenes.  And since this is one of Synetic’s famed series wordless productions., at least he didn’t have to learn lines!  Crisis averted.

The Cast of Cyrano de Bergerac – Photo credit is Johnny Shryock

During the six years I have reviewed Synetic’s stagings, they have performed within many unique sets.  I once was blown away as they did the entire play in six inches of sand and another time for The Tempest the stage was constructed to hold six inches of water.  Once they surrounded the stage with tall plexiglass panels so the audience wouldn’t get drenched in Day-Glo paint that was splashed around in a massive hookah-smoking party scene.  But in this equally imaginative interpretation, one of their finest to date, there is no elaborate staging and no moving sets.  It is just pure theater – full of classical pantomime,  eye-popping dance and clever acrobatics.

Vato Tsikurishvili as Cyrano with Maryam Najafzada as Roxanne – Photo credit is Johnny Shryock

We all know the story of Cyrano.  Dismissed as a lover by his unappealing looks (the nose!), he nevertheless remains friends with Roxanne.  When his dashing friend Christian tells him of his love for the beautiful Roxanne, Cyrano takes a back seat, helping Christian write tender love letters while the men are off to war.  As a result, she falls madly in love with Christian and marries him only to discover after his death, that Cyrano is the author of those letters that so touched her heart.  Their re-uniting as old folks is what makes this an indelible and ageless love story.

Matt R. Stover as Christian with Maryam Najafzada as Roxanne – Photo credit is Johnny Shryock

Vato uses the 19th century play by Edmond Rostand as backdrop for this magnificent action ballet and pantomime starring Maryam Najafzada, a young classically-trained Azerbaijan ballerina.  We saw and raved about her last October in Synetic’s production of Sleepy Hollow.  Najafzada is as liquid as poured mercury.  She first appears as a swan bathed in a golden light.  Her dance is en pointe in a tutu that releases downy white feathers when she flutters.  Her facial expressions speak more words than words could.  She is magnificent.

Vato Tsikurishvili as Cyrano – Photo credit Johnny Shyrock

An invented character called Time is played by another Synetic regular, Ana Tsikurishvili, the daughter of Paata and Irina.  A thoroughly captivating dancer clad in harlequin tights and a tutu, she signifies the passage of time and the futility of hours wasted in unrequited love.  This delicate enchantress beckons Cyrano to make haste while life passes him by, appearing with fluttering doves in her attempt to end the war.

Ana Tsikurishvili as Time ~ Photo credit Johnny Shyrock

This action play owes much of its lyrical allure to Irina Tsikurishvili’s choreography, especially in the pas de deux with Cyrano and Roxanne, and another with Time and Roxanne, as well as its immersive mood created by Konstantine Lortipanidze who weaves techno-pop with tango.

A feast for the eyes and heart.   Highly recommended.

With Matt R. Stover as Christian; Phillip Fletcher as De Guiche; and Anne Flowers as Priest.

Resident Composer & Sound Designer, Konstantine Lortkipanidze; Lighting Designer, Brian S. Allard; Adapter, Nathan Weinberger; Scenic Designer, Phil Charlwood; and Costume Designer, Alison Samantha Johnson.
Through March 10th at Synetic Theater, 1800 South Bell Street, Arlington, VA in Crystal City.  For tickets and information call 1-866-811-4111 or visit

Sleepy Hollow ~ Synetic Theater

Jordan Wright
October 10, 2018

Warning: This is not your childhood storybook version of Sleepy Hollow.  Thanks to Director Paata Tsikurishvili, Washington Irving just got woke.  This reimagining foretells a far darker, far cooler, swashbuckling horror story of a headless horseman and his nemesis, Ichabod Crane.  Zombie lovers, this one’s for you.

Photo credit : Synetic

Adding to their ever-popular wordless series of dramas, Synetic gives us a wholly different dynamic to ponder.  And, hey, it works.  You didn’t really expect the Headless Horseman to talk.  Did you?  Here the HH is presented in a more sympathetic light after he is beheaded by the marauding Ichabod in a bloody battle against Hessian troops.  Not only does the HH return to haunt and torment Ichabod, but he messes up Ichy’s romance with the beautiful and feisty Katrina Van Tassel.

Suitably ghoulish and intentionally macabre, Ichy finds the HH’s head and, clutching it like a trophy, dances with it.  There are hauntings by the ghosts of dead soldiers and a relentless chase to hunt down Ichabod and his cohorts.  The darker scenes are lifted by a lavish banquet, comical drinking scenes, and a passionate love scene between Ichabod and Katrina in which he pledges his troth.

Vato Tsikurishvili as Ichabod ~ Photo credit : Synetic

Acts of war and death seen through Katrina’s eyes become slow motion flashbacks. These vigorous fights are executed with the soldiers moving backwards and it is quite spectacular.  There is nothing like murder and mayhem done in slo-mo.

Vato Tsikurishvili as Ichabod cuts a most imposing figure.  His massive size and glowing bald head belie his graceful abilities in the fight scenes, but even more so in the height he achieves with his leaps, tumbles and lifts, striking a perfect contrast to the delicate Katrina.

Maryam Najafzada as horse puppet – Photo credit Synetic

But there is another fantastical creature that commands our attention in this fast-paced, riveting tale and it is the giant metal puppet of the horse portrayed with great expressiveness by Maryam Najafzada and her three puppeteers.  To watch her mimic the characteristic movements of a horse, twitching her long tail and pawing the air, is mesmerizing, and adds an important element of charm and vulnerability.

Phil Charlwood’s rafters-high, twisted metal ‘trees’ and branch-covered organ provide escape routes for the many chases, while Konstantine Lortkipanidze’s eerie electronica music and spooky sound effects put us in mind that Halloween is just over the horizon.

McLean Jesse as Katrina and the Puppeteers/Ensemble cast of Jordan Clark Halsey, Anne Flowers, Megan Khaziran and Matt Stover. ~ Photo credit: Synetic

Recommended for ghosts and goblins and those who love them.

With the beautiful McLean Jesse as Katrina, Scott S. Turner as the Headless Horseman, Justin J. Bell as Brom, Thomas Beheler as Van Tassel/Ensemble, and the Puppeteers/Ensemble cast of Jordan Clark Halsey, Anne Flowers, Megan Khaziran and Matt Stover.

Choreography by the inimitable Irina Tsikurishvili, Assistant Direction by Tori Bertocci, costumes by Erik Teague and lighting by Brian S. Allard.

Through November 4th at Synetic Theater, 1800 South Bell Street, Arlington, VA in Crystal City.  For tickets and information call 1-866-811-4111 or visit

Titus Andronicus ~ Synetic Theatre

Jordan Wright
April 28, 2018 

Shakespeare’s first play, Titus Andronicus, was written for pure shock value. It’s considered a revenge play and his purpose was to get noticed and to one up his competition.  A sort of revenge of the playwright, if you will.  It worked.  In today’s world, it would probably be categorized in the fantasy genre along with Game of Thrones.  With fourteen murders, six severed limbs and two acts of cannibalism involving meat pies, there’s nothing tame about it.  It’s the most gruesome, grotesque Elizabethan potboiler ever conceived for a two-hour play.  Never a dull moment.

Scott Whalen and Dan Istrate with the ensemble in Titus Andronicus. Photo by Johnny Shryock.

Synetic’s approach is to render the bloodiest scenes, bloodless and Shakespeare’s lines, wordless.  It is one of Synetic’s hallmarks.  By using reams of red silk, elbow-length red satin gloves and a stage bathed in vivid red spotlights during each murder (I lost count after the tenth), they have achieved all the thrill and all the horror without shedding a single drop of stage blood.

The play opens with a horde of Roman soldiers gripping their lances and galloping towards the audience at full tilt.  That they’re not actually riding horses is incidental – it’s visceral.   In one of the most thrilling productions this year, Artistic Director Paata Tsikurishvili has crafted an edge-of-your-seat interpretation of the classic that will blow your mind.

The story of King Titus is drenched in power struggles, betrayal, violence and intrigue.  They are all fighting for the crown.  It’s a deliciously complex battle of forces between the Goths, here intricately costumed by Erik Teague to reflect modern-day goths replete with metal-studded clothing, and the Romans, whose military toga-like costumes are exquisitely detailed.  The women wear diaphanous multi-pleated gowns come hell or high water and the courtiers sport faceless metallic masks.

Alex Mills, Irina Tsikurishvili, Irina Kavsadze, and Dallas Tolentino in Titus Andronicus. Photo by Brittany Diliberto

Titus is played magnificently by Philip Fletcher to Irina Tsikurishvili’s Tamora, Queen of the Goths in one of her finest performances to date.  The 15-member troupe is spectacular, especially Irina Kavsadze as Lavinia, Tori Bertocci as Marcia Andronicus and Audrey Tchoukoua as Aaron who does a torrid tango with the Queen.  Phil Charlwood’s massive rotating sets of monoliths and amorphous castle walls serve well to background the evil of their murderous deeds and the sounds of their clashing swords.

It’s impossible to describe the many crimes of passion and struggles for power.  Suffice it to say, they are fiercely intense and hyper imaginative with action that explodes at the speed of a super collider housed in an erupting volcano – all set to Konstantine Lortkipanidze’s fantastical sound track ranging from electronica to Gregorian and Phillip Glass to the interior of a wind tunnel.  It’s a well-orchestrated madness that can only be described as electrifying from the opening scene to the climax.

And though I won’t give away the banquet scene – remember the meat pies? – it’s a stunner set to the flowery notes of carousel music.  Insider tip: Black Panther fans look for Titus to give the Wakanda salute.

Five stars.  Highly recommended.

With Chris Galindo as Lucius, Alex Mills as Chiron, Dan Istrate as Saturnius, Matt Stover as Quintus, Dallas Tolentino as Demetrius, Scott Whalen as Bassianus and Scott Turner as Alarbus.  Choreography by Irina Tsikurishvili, Sound Design by Thomas Sowers, Fight Choreography by Vato Tsikurishvili and Alex Mills.

Through May 27th at Synetic Theater, 1800 South Bell Street, Arlington in Crystal City.  For tickets and information call 1 800 494-8497 or visit online.