What’s Onstage in the DMV for September and Early October 2026
Jordan Wright
August 19, 2026
 Steven Huynh (Oliver) and Claire Kwon (Claire) in the North American Tour of Maybe Happy Ending (Photo/Matthew Murphy and Evan Zimmerman).
Hippodrome Baltimore Maybe Happy Ending Sept 13 – 20 www.GoTickets.com
Workhouse Arts Center Bat Boy: The Musical Sept 5 – Oct 25 www.WorkhouseArts.org/theater-performances
1st Stage Betrayal Oct 6 – Oct 25 www.1stStage.org
Round House Theatre Ma Rainey’s Black Bottom Sept 9 – Oct 21 www.RoundHouseTheatre.org
Ford’s Theatre Come From Away Sept 10 – Oct 18 www.fords.org/performance/
Creative Cauldron Monsters of the Villa Diodati Oct 8 – Nov 1 www.CreativeCauldron.org
 Brian Cox (Bach) and Peter De Jersey (Voltaire) in The Score at Shakespeare Theatre Company (Photo/Manuel Harlan).
Shakespeare Theatre Company
The Score Sept 11 – Oct 18
Frida… A Self Portrait Oct 8 – Nov 8 www.ShakespeareTheatre.org
Spooky Action Theater with Solas Nua Hakawatis: Women of the Arabian Nights Sept 24 – Oct 18 www.SpookyAction.org
Dominion Stage A Midsummer Night’s Dream Oct 9 – 24 www.DominionStage.org
Mosaic Theater Somewhere Over the Border Sept 10 – Oct 4 www.MosaicTheater.com
MetroStage at The Lyceum Cousin Bella Sept 22 only www.MetroStage.org
Broadway at the National Maybe Happy Ending Oct 6 – 11 www.BoxOfficeTicketSales.com
 A Beautiful Blue Morning Sky via Keegan Theatre
Keegan Theatre
A Beautiful Blue Morning Sky Sept 11 – Sept 13
Hundred Days Oct 10 – Nov 8 www.KeeganTheatre.com
Maryland Ensemble Theatre Into the Woods Sept 11 – Oct 4 www.MarylandEnsembleTheatre.org
Olney Theatre Center Some Like It Hot Sept 18 – Nov 8 www.OlneyTheatre.org
Studio Theatre Wish You Were Here Sept 23 – Nov 1 www.StudioTheatre.org
NOVA Night Sky Theater The Curious Case of the Cottingley Fairies Oct 1 – 17 www.NOVANightSkyTheater.com
NextStop Theatre Company The Second Best School Shooting Sept 17 – Oct 11 www.NextStopTheatre.org
 Blithe Spirit via The Little Theatre
The Little Theatre of Alexandria Blithe Spirit through Sept 19 www.TheLittleTheatre.com
INSeries The M.A.K.A.do: Make America Kingly Again! at Atlas Theatre Oct 10 – 25 www.INSeries.org
Prince William Little Theatre Man of La Mancha Oct 9 – Oct 18 www.PWLT.org
GALA Hispanic Theatre Garbo: The Actor Who Saved the World Sept 3 – 27 www.GALATheatre.org
Woolly Mammoth Venus Sept 9 – Oct 4 www.WoollyMammoth.net
Theatre J The Flying Loves of Vitebsk Oct 7 – Nov 1 www.EDCJCC.org
 Melanie Field (Mary Flynn), Jason Gotay (Franklin Shepard), and Jake Loewenthal (Charley Kringas) in Merrily We Roll Along at Signature Theatre Photo/Christopher Mueller, Artwork/Anjali Nanda).
Signature Theatre Merrily We Roll Along through Nov 1 www.SigTheatre.org
Everyman Theatre Kim’s Convenience through Sept 27 www.EverymanTheatre.org
Voices Festival Productions Woody Sez: The Life and Music of Woody Guthrie Oct 8 – 25 www.VoicesFestivalProductions.com
The Puppet Company Little Red Riding Hood and the Three Little Pigs through Sept 20 www.ThePuppetCo.org
Imagination Stage Chicka Chicka Boom Boom The Musical Sept 26 – Oct 18 www.ImaginationStage.org
Folger Theatre Measure for Measure Sept 22 – Nov 1 www.Folger.edu
 Step Afrika: The Fruits of Our Labor via Arena Stage
Arena Stage Step Afrika: The Fruits of Our Labor Sept 10 – Nov 1 www.ArenaStage.org
Silver Spring Stage Bernhardt/Hamlet Sept 18 – Oct 4 www.SSStage.org
Arlington Players Bonnie & Clyde Sept 5 – 20 www.TheArlingtonPlayers.org
Toby’s Dinner Theatre Summer: The Donna Summer Musical through Nov 1 www.TobysDinnerTheatre.com
Providence Players of Fairfax Cactus Flower Oct 9 – 24 www.ProvidencePlayers.org
Washington Stage Guild The Legend of Sleepy Hollow Sept 24 – Oct 18 www.StageGuild.org
What’s Onstage in the DMV for August and Early September 2026
Jordan Wright
July 16, 2026
 The Notebook via National Theatre (Photo/ Roger Mastroianni)
Broadway at the National The Notebook – Aug 18 – Aug 30 www.BoxOfficeTicketSales.com
Mosaic Theater Somewhere Over the Border – Sept 10 – Oct 4 www.MosaicTheater.com
Shakespeare Theatre Company The Score – Sept 11 – Oct 18 www.ShakespeareTheatre.org
Studio Theatre Wish You Were Here – Sept 23 – Nov 1 www.StudioTheatre.org
Ford’s Theatre Come From Away – Sept 10 – Oct 18 www.Fords.org
 Gruesome Playground Injuries via Keegan Theatre
Keegan Theatre Gruesome Playground Injuries – Aug 15 – Sept 6 www.KeeganTheatre.com
Round House Theatre Ma Rainey’s Black Bottom – Sept 9 – Oct 21 [email protected]
Monumental Theatre Company at Dance Place The Rocky Horror Show – Aug 22 – Sept 6 www.MonumentalTheatre.org
The Little Theatre of Alexandria Blithe Spirit – Aug 29 – Sept 19 www.ThelittleTheatre.com
Signature Theatre Merrily We Roll Along – Aug 25 – Nov 1 www.SigTheatre.org
 The ensemble of “A Gentleman’s Guide To Love And Murder” at Olney Theatre Center (Photo/Teresa Castracane Photography)
Olney Theatre Center A Gentleman’s Guide to Love and Murder – through Aug 23
Some Like It Hot – Sept 18 – Nov 8 www.OlneyTheatre.org
1st Stage Logan Festival of Solo Performance – Aug 20 – Aug 30 www.1stStage.org
Adventure Theatre Sleeping Beauty: The Time Traveler – through Aug 23 www.AdventureTheatre-MTC.org
GALA Hispanic Theatre GARBO: El Actor Que Salvó Al Mundo – The Actor Who Saved the World – Sept 3 – Sept 27 www.GALATheatre.org
Woolly Mammoth Venus – Sept 9 – Oct 4 www.WoollyMammoth.net
Nu Sass Productions Brönte Sister House Party Aug 14 – Sept 12 www.NuSass.com
 Woody Guthrie’s American Song via Theater Alliance
Theater Alliance Woody Guthrie’s American Song – Aug 6 – Aug 29 www.TheaterAlliance.com
Arena Stage The Fruits of Our Labor – Sept 18 – Nov 1 www.ArenaStage.org
Rapid Lemon Productions Blood of the Lamb – Aug 28 – Sept 13 www.RapidLemon.org
Everyman Theatre Kim’s Convenience – Aug 30 – Sept 27 www.EverymanTheatre.org
Toby’s Dinner Theatre Mean Girls – through Aug 23
Donna Summer – The Donna Summer Musical – Aug 28 – Nov 1 www.TobysDinnerTheatre.com
 Bonnie & Clyde via Arlington Players
Arlington Players Bonnie & Clyde Sept 5 – 20 www.TheArlingtonPlayers.org
Creative Cauldron Passport Music Festival – through Sept 13 www.CreativeCauldron.org
Colonial Players (Annapolis) Our Town – Sept 11 – Oct 3 www.TheColonialPlayers.org
Port Tobacco Players Steel Magnolias – Sept 18 – Oct 4 www.PTPlayers.com
Hippodrome Baltimore All Things Equal: The Life & Trials of Ruth Bader Ginsburg Sept 16 – 19 www.Baltimore.Broadway.com
Silver Spring Stage Bernhardt/Hamlet Sept 18 – Oct 4 www.SSStage.org
Beetlejuice – The Musical Brings the Crazy Amazing World of the Dearly Departed to National Theatre
Beetlejuice – The Musical
The National Theatre
Jordan Wright
July 8, 2026
 David Wilson (Adam), Kaitlin Feely (Barbara), Leianna Weaver (Lydia) and Ryan Stajmiger (Beetlejuice) in Bettlejuice -The Musical (Photo/Matthew Murphy).
Backstory: After a brief tryout here at the National Theatre in 2018, Beetlejuice headed to Broadway and the famed Winter Garden Theatre in 2019. The show had less than a year’s run before the pandemic hit shutting down all productions in early 2020. Nominated for eight Tony Awards in nearly every category and garnering a win for “Outstanding Set Design”, it proved to be a huge success. Luckily for us it’s back in town after a 2023 DC booking at the National Theatre and killin’ it. All that goes to say that the audience, some garbed in the black-and-white stripes favored by Beetlejuice, consisted of legions of fans of the quirky-cool story with its rock concert vibe.
Reality: It’s a show about death and the newly dead – in the best possible way, I promise – with an utterly irreverent script, electrifying rock music and hilarious lyrics fronted by a tremendously talented cast of singers and dancers, a blazing rock band and dazzling light show. Be prepared to embrace the far side. Can you love the living dead? They’ll prove you can and will.
 Ryan Stajmiger (Beetlejuice) and Beetlejuice North American Touring Company (Photo/Matthew Murphy).
The cast in this show is wonderful and totally in sync. From lead demon, Beetlejuice, played to the hilt and heavy on vaudevillian schtick by veteran improv comedian and rock singer, Ryan Stajmiger, to the breathtaking vocals of newcomer Leianna Weaver who plays young Lydia, the Goth-garbed daughter grieving the untimely death of her mother. Weaver has a stunning powerhouse voice tempered by an adorable sweetness that left me and my plus-one wide-eyed in its wake. Chills and thrills.
Picture a young couple, Barbara (Kaitlin Feely) and Adam (David Wilson) living in a decaying Victorian house longing for a child yet consumed with their individual hobbies. In an unfortunate incident in the dark of night, they accidently electrocute themselves and are banished to the netherworld. Beetlejuice, who is “dying” to return amongst the living, needs someone to say his name three times. He cajoles the couple into haunting their old house, so he can con the new homeowners. To accomplish his nefarious ends, this slippery, double-crossing, gravelly-voiced specter unleashes a crazy amazing world of pandemonium filled with dancing skeletons and singing zombies. Enter Delia (the delightful, scene-stealing Bailey Frankenberg), a guru-loving seductress accompanied by her business-obsessed lover and father of Lydia, Charles (Jeff Brooks), who buy the now-haunted house where Barbara and Adam have been studying “The Handbook for the Recently Deceased” and preparing to pounce on the unsuspecting trio with ghoulish abandon.
One of the funniest, most energetic, wonderfully choreographed shows and high praise for the endearingly creepy characters – this reviewer has ever seen. Schtick rules! And so does a healthy dose of political quips and topical humor. A huge cast propelled by a kick-ass band and rock star voices send this musical beyond the beyond.
 Leianna Weaver (Lydia), Jeff Brooks (Charles), and Beetlejuice North American Touring Company (Photo/Evan Zimmerman for MurphyMade).
If I published all the bios of cast and crew, you would have a star-studded list of some of the best-known Broadway performers and designers, most notably Director Alex Timbers (Moulin Rouge!); Original Score by Eddie Perfect (King Kong); with Book by Scott Brown (Castle Rock) and Anthony King (Robbie); Choreography by Connor Gallagher (The Robber Bridegroom, Moana, Titanic); David Korins (Scenic Designer on Hamilton); Six-time Tony Award-winning Costume Designer William Ivey Long; Lighting Design by Tony Award winner Kenneth Posner (Kinky Boots, Wicked); with Sound Design by Peter Hylenski (Moulin Rouge!, Frozen); the fabulous projection design of Peter Nigrini (Dear Evan Hansen, Hell’s Kitchen, MJ); Puppet Design by Michael Curry (The Lion King, Cirque du Soleil); and Special Effects Design by Jeremy Chernick (Harry Potter and the Cursed Child, Hadestown)… to name but a handful of this extraordinary creative team.
With Dan Mason as Priest/Census Taker; Alessandra Casanova as Miss Argentina played by Carly Natania Grossman on opening night; Mai Caslowitz as Girl Scout; Da’Zaria Harris as Juno; Dan Mason as Otho; a 13-person ensemble and 7-person orchestra with searing synthesizers.
Drop dead fabulous! Snag your tickets while you can!
Through July 19, 2026 at The National Theatre, 1321 Pennsylvania Avenue, NW, Washington, DC 20004. For tickets and information call the box office at 202.628.6161 or visit https://www.broadwayatthenational.com/BroadwayAtTheNational.com
Arena Stage’s World Premiere of CrazySexyCool – The TLC Musical is the Hottest Show in Town!
CrazySexyCool – The TLC Musical
Arena Stage
Jordan Wright
June 29, 2026
 Jade Milan (Lisa ‘Left Eye’ Lopes), Stoney B. Woods (Rozonda ‘Chilli’ Thomas), and Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins) in CrazySexyCool – The TLC Musical at Arena Stage at the Mead Center for American Theater (Photo/Julieta Cervantes).
In the early 1990’s when male stars like MC Hammer (Christopher Henry Young) ruled the airwaves, an unlikely trio blazing with talent, attitude and sisterhood launched their girl group into the stratosphere. Eponymously named after their 1994 record-breaking album, CrazySexyCool – The TLC Musical is an emotionally lit bio musical about the lives and times of TLC, three young women whom fate brought together, lights up the stage in this world premiere musical.
Led by their manager, Christina (Felicia Curry), the East Atlanta trio continued to set the nascent hip-hop world on fire with their “Hat 2 da Back”, baggy boyish streetwear, pure harmonies and cheeky attitudes. Grammys and a host of top music awards followed their platinum-selling singles and albums as their styles and music choices continued to evolve into ever steamier, ever raunchier lyrics. Promoting girl power and safe sex in the days of HIV, these super music influencers and pop pioneers hit the airwaves like a typhoon.
 Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins), Jade Milan (Lisa ‘Left Eye’ Lopes), and Stoney B. Woods (Rozonda ‘Chilli’ Thomas) (Photo/Julieta Cervantes).
CrazySexyCool showcases the complicated personal lives and pioneering style successes of Tionne ‘T-Boz’ Watkins (Holli’ Gabrielle Conway), Lisa ‘Left-Eye’ Lopes (Jade Milan) and Rozonda ‘Chilli’ Thomas (Stoney B. Woods) in this blockbuster musical hoping for a Broadway debut. Promoted by MC Hammer after they crash his recording studio staging a rap battle, they begin their rocket ride to stardom. Left-Eye’s crusty attitude towards Blake Thomas (Josh A. Dawson), a major Atlanta pop music broadcaster, nearly derails their meteoric rise with trumped up slander against the girls. Happily, their avid fan base supersedes Blake’s vindictive tactics, and they get their career back on track. Through cheating boyfriends, personal struggles, drama and pathos, the intensity of touring, thieving agents and the death of Lisa Lopes while on a soul-searching mission in Guyana, the women prove that sisterhood and music can overcome all of life’s obstacles.
Twenty-six numbers include many of their biggest hits like “Creep”, “Perfect Girls”, “Waterfalls” and “Unpretty” and the powerhouse “Dance Again”, a moving spiritual sung by Chilli and the Ensemble.
 Stoney B. Woods (Rozonda ‘Chilli’ Thomas), Jade Milan (Lisa ‘Left Eye’ Lopes), Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins), and the company of CrazySexyCool – The TLC Musical (Photo/Julieta Cervantes).
Speaking of the ensemble, the singers and dancers are absolutely, freakin’, jaw-dropping phenomenal!!! Tearing up the stage with eye-popping talent, hard bodies and heart-stopping endurance, the dancers and Chloe O. Davis’s choreography will take your breath away. Huge, huge, huge props to writer and director Kwame Kwei-Armah for shepherding this massive musical to the stage as well as the dozens of creatives involved in seeing it to fruition.
This show is lit! Highly recommended!!!
With Felicia Curry in dual roles as Christina and Dr. Nzinga; Ciara Alyse Harris as Rikara/Ensemble; Trenton McKenzie Beavers as Tommy/Ensemble; Darius Jordan Lee as Michael/Ensemble; Malik Shabazz Kitchen as Kavonne/Ensemble; Aaron Bliden as Danny/Ensemble; Deon’te Goodman as Rain/Ensemble; Nichole Forde, Ensemble; Bethany Hemmans, Ensemble; Kennedy Holmes, Ensemble; Lindsey Jolyn Jackson, Ensemble and Dance Captain; Madison McBride, Ensemble.
Huge props to Dramaturg Hana S. Sharif, Hair and Wig Designer, Nikiya Mathis, Costume Designer Dede Ayite, Lighting Designer Japhy Weideman and Set Designer David Zinn with a blazing orchestra led by Jaret Landon.
Through August 9th at Arena Stage, 1101 Sixth Street, NW, Washington DC 20024. For tickets and information call the box office at 202.488.3300 or visit www.ArenaStage.org.
Signature Theatre’s Pippin Brings Medieval Swagger with Sassy Steampunk, Magical Illusions and Steamy Burlesque
Pippin
Signature Theatre
Jordan Wright
June 22, 2026
 Cedric Neal (Leading Player) and the cast of Pippin at Signature Theatre (Photo/Daniel Rader).
Oh, Pippin, you adorable, self-entitled, properly Paduan University-educated idealist! What a wild, oft catastrophic, medieval adventure you take us on!
Prince Pippin has friends, but mostly he takes his cues from “Leading Player”, a character so entirely magical, and yet insistently believable, in a most demanding way. Where the odd couple goes, we go, in company with a fantastical and hyper-sexual coterie of “Players”, as they’re referred to in the cast list. The Players will steal your heart, but they are not to be trusted. They are unpredictable spirits, though they ultimately kowtow to Leading Player and will trot off with their tails between their legs when chastised.
Pippin has arrived home after his studies to greet his father, the autocratic King Charlemagne aka Charles, his voluptuous mother Queen Fastrada, and his super macho, entirely witless half-brother Lewis who prefers to slay the Visigoths with the encouragement of his beloved mother.
 Brayden Bambino (Pippin), Hank von Kolnitz (Player), Calvin L’mont Cooper (Player), and Ben Bogen (Player) (Photo/Daniel Rader).
“I’m going to live a life that’s extraordinary… and completely fulfilling,” Pippin announces ingenuously with the song, “Corner of the Sky”, one of composer and lyricist Stephen Schwartz’s most memorable and frequently covered songs. Determined to find his niche without his overbearing father, he murders him, (which thankfully for the character and the audience is only temporary as the king is later resurrected) and takes over the country, vowing to end all wars, tax the rich and gift land to the serfs. Very noble, you’d say. But the aristocracy revolts, countries invade, sack and pillage and our sweet, disillusioned Pippin realizes he’s not cut out for such things as ruling the country. And after a brief stint as a soldier, involving slaughter and mayhem and a disembodied talking head, off he scurries off to the countryside where amid pastoral joys he meets a fair maiden, Catherine, her little boy, Theo, and finds his free-wheeling grandmother, Berthe, whose sage advice comes via the song “No Time At All”.
There Pippin is introduced to an orgiastic lifestyle by Berthe and the Players. The musical Hair popped into my head, though that was far tamer than this hyper-erotic approach to free love as portrayed by the Players cavorting in every imaginable coupling. Pippin, ever the seeker, tries all the combinations and is left bereft. “It wasn’t fulfilling,” he declares.
I have to say, in the end, I was left disappointed by Pippin in his campaign to find himself. He caved far too quickly when he was king, conceded too readily to his scheming mother and took the easy way out by killing off his challengers.
 Naomi Jacobson (Berthe) and Brayden Bambino (Pippin) with the cast of Pippin (Daniel Rader).
What you will take away is a razzle-dazzle, helluva show with 14 wonderful musical numbers, terrific performances by all, powerhouse voices backed by a 12-piece orchestra, stage magic, comic highs, burlesque, and quirky characters who absolutely slay costumed in Victorian Steampunk lace and leather living la vida loca and dancing their tailfeathers off on a glassy circular stage… in France! Did I mention the duck? Holy wow!!!
Go! Have fun!!!
With Cedric Neal as Leading Player; Brayden Bambino as Pippin, Eric Hissom as Charles (King Charlemagne); Maria Rizzo as Fastrada; Ryan Sellers as Lewis; Naomi Jacobson as Berthe; Awa Sal Secka as Catherine; and Ellison Bihm as Theo.
The Players: Ben Bogen, Calvin L’mont Cooper, Candice Hatakeyama, Georgia Monroe (Dance Captain), Alanna Sibrián, Jacob Taylor Starks, Emily Steinhardt and Hank von Kulnitz.
Book by Roger O. Hirson; Music and Lyrics by Stephen Schwartz; Originally Directed and Choreographed on Broadway by Bob Fosse; Directed by Matthew Gardiner; Choreographed by Rachel Leigh Dolan; Music Direction by Jon Kalbfleisch; Scenic Design by Christopher & Justin Swader; Costume Design by Eric Teague; Lighting Design by Adam Honoré; Wig Design by Anne Nesmith; Sound Design by Eric Norris; Fight Choreography by Casey Kaleba; Intimacy Choreography by Chelsea Pace; Illusions Consultant and Fight Captain Ryan Sellers.
Through July 26th at Signature Theatre, Shirlington Village, 4200 Campbell Avenue, Arlington, VA. For tickets and information call the box office at 703.820.9771 or visit www.SigTheatre.org.
Suffs Brings the Must-See Story of the Suffragists Struggles to Get the Vote for Women to The National Theatre with a Tony Award-Winning Score and a Brilliant Cast
Suffs
Broadway at The National
Jordan Wright
June 20, 2026
 Monica Tulia Ramirez (Inez Milholland) and company in the First National Touring Company of SUFFS (Photo/Joan Marcus).
Some women of today do not know the struggles our grandmothers and great-grandmothers went through to get the right to vote. Suffs is a captivating musical that tells the story of the selfless women who pleaded, protested, marched, starved, and literally put their lives on the line to achieve parity in the American voting booth. And it’s all set in Washington, DC.
The story seems drawn from a galaxy far, far away – but it isn’t. Suffs opens in 1913 with a group of suffragists headed by the formidable Carrie Chapman Catt, who led a movement of well-coiffed and genteel ladies who spent years seeking a meeting with President Woodrow Wilson and decades trying politely to present their case. Despite his refusal to meet, the ladies continue in their quest by selling doughnuts and holding ladylike tea parties in fancy dresses. They’ve been trying to get the vote for 60 years – yes, you read that right – with zero success, when along comes young Swarthmore graduate Alice Paul, an inspired, take-no-prisoners, all-or-nothing activist to shake things up. (And please, the correct terminology is suffragists, not suffragettes. They deplore the cutesy -ette ending.)
Alice soon breaks ranks with Carrie and forms her own organization bringing in a deeply committed and radical group of women activists – women unafraid to make personal sacrifices to the cause. Alice conceives of a massive women’s march on Washington to include Ida B. Wells, a co-founder of the NAACP and advocate for African American women, and Mary Church Terrell, Well’s cohort, two formidable African American women who had been sidelined by Carrie Catt. The historic march of 200,000 women from around the United States is led by a shield-carrying, helmet-wearing Inez Milholland, a labor lawyer and socialite, riding atop a magnificent white steed.
 Joyce Meimei Zheng (Ruza Wenclawska) and the the First National Touring Company of SUFFS (Photo/Joan Marcus).
The musical stars an impressive cast of actors portraying the most influential women activists of the century and gifts us with 33 powerhouse numbers – some stirring, others with a comical touch, especially in the sweet number with Doris Stevens, the organization’s young secretary and Dudley Malone, Wilson’s administrative aide who becomes her ally. The two fall in love despite their differences sealing their commitment with the tune. “If We Were Married”.
Women eventually got the right to vote in 1920, but you may not know about the ongoing struggles to achieve parity for women in all aspects of American life. Women are still waiting for the Equal Rights Amendment to be ratified! These early fights are truly an eye-opener delivered with both brio and aplomb by the show’s brilliant creatives and this tremendous cast.
If you have ever had to fight for your rights, marched to be heard, been sidelined as a woman, or want to teach your children and grandchildren what women went through to achieve the vote, this show is a must see. I can report that the audience of young, old, women, children, and men too, went wild with every song and every joke. This 2024 Tony Award-winning “Best Book of a Musical” and “Best Original Score”, both won by Shaina Taub, offers a history lesson cleverly presented with humor, pathos, vigor and a Broadway-worthy cast.
 Marya Grandy (Carrie Chapman Catt) and the First National Touring Company of SUFFS (Photo/Joan Marcus).
The all-female cast features Marya Grandy as Carrie Chapman Catt; Maya Keleher as Alice Paul; Livvy Marcus as Doris Stevens; Brandi Porter as Dudley Malone; Monica Tulia Ramirez as Inez Milholland; Danyel Fulton as Ida B. Wells; Gwynne Wood as Lucy Burns; Joyce Meimei Zheng as Ruza Wenclawska; Victoria Pekel as Phyllis Terrell/Robin; Trisha Jeffrey as Mary Church Terrell; Laura Stracko as Alva Belmont/Phoebe Burn; Tami Dahbura as Mollie Hay; Jenny Ashman as President Woodrow Wilson; Anna Bakun as Speaker of the House; Jenna Lea Rosen, Ensemble/Major Sylvester/Senator Burn; and Gretchen Shope, Ensemble/Mrs. Herndon.
Directed by Leigh Silverman; Book, Music & Lyrics by Shaina Taub; Choreography by Mayte Natalio; Music Supervisor, Andrea Grody; Original Broadway Scenic Design by Ricardo Hernandez; Tour Scenic Design by Christine Peters; Music Director Dani Lee Hutch; Costume Design by Paul Tazewell; Lighting Design by Lap Chi Chu; Makeup Design by Joe Dulude II; Sound Design by Jason Crystal; Hair & Wig Design by Charles G. LaPointe; Orchestrations by Michael Starobin; Vocal Arrangements by Shaina Taub & Andrea Grody.
Through June 28th at The National Theatre DC, 1321 Pennsylvania Avenue, NW, Washington, DC 20004. For tickets and information call the box office at 202.628.6161 or visit www.BroadwayatTheNational.com.
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