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What’s Onstage in the DMV For May and June 2026
Jordan Wright
April 14, 2026
 Cinderella via Washington National Ballet
Washington National Ballet www.WashingtonBallet.org
Cinderella May 8 – 10
Mosaic Theater www.MosaicTheater.org
Precarious Jun 4 – Jun 28
Arena Stage www.ArenaStage.org
The Motion May 6 – Jun 14
National Theatre www.BroadwayAtTheNational.com
The Great Gatsby May 12 – 24
Suffs June 16 – 28
Ford’s Theater www.Fords.org
1776 through May 16
 Or via Constellation Theatre Company
Constellation Theatre Company www.ConstellationTheatre.org
Or, May 15 – Jun 7
Dominion Stage www.DominionStage.org
Dead Air May 29 – Jun 13
Olney Theatre Center www.OlneyTheatre.org
I & You: The Musical through May 24
Carla Hall: Please Underestimate Me June 3 – Jul 12
Washington National Opera www.WashNatOpera.org
West Side Story May 8 – May 15
The Little Theatre of Alexandria www.TheLittleTheatre.com
The Drowsy Chaperone May 16 – Jun 6
Still We Rise: A Broadway Cabaret to Celebrate America’s 250th Jun 11 – Jun 21
 How Shakespeare Saved My Life via Folger Shakespeare Theatre
Folger Shakespeare Theatre www.Folger.edu
How Shakespeare Saved My Life Jun 9 – Jul 5
Creative Cauldron www.CreativeCauldron.org
Little Women: The Musical May 14 – Jun 7
Woolly Mammoth Theatre Company www.WoollyMammoth.net
A Fine Madness May 30, 31 – June 5-7, June 11-14, June 25-28 in different locations
Capital One Hall www.CapitolOneHall.com
Meredith Wilson’s The Music Man May 29 – 31
Next Stop Theatre www.NextStopTheatre.org
Once May 21 – Jun 21
 Pippin via Signature Theatre
Signature Theatre www.SigTheatre.org
Pippin May 12 – Jul 26
Follies May 18 – Jun 20 (at STC’s Harman Hall)
What Became of Us Jun 16 – Jul 26
Round House Theatre www.RoundHouseTheatre.org
Sally & Tom May 27 – Jun 28
Avant Bard www.AvantBard.org
Ghost Limb through May 25
The Puppet Company www.ThePuppetCo.org
The Forest of the Witch May 2 – May 24
INSeries www.InSeries.org
The Song of Sakuntala Jun 6 and 7
 The Wizard of Oz via Toby’s Dinner Theatre
Toby’s Dinner Theatre www.TobysDinnerTheatre.com
The Wizard of Oz through Jun 7
Hexagon Revue www.Hexagon.org/tickets
Lollapalosers! Apr 17 – 26
GALA Hispanic Theatre www.Ci.OvationTix.com
Aguardiente – Where Magic Transcends Borders Apr 30 – May 24
Shakespeare Theatre Company www.ShakespeareTheatre.org
Othello May 19 – Jun 28
44: The Musical through May 10
Momentum Collective Inc. www.MomentumCinc.org
Little Shop of Horrors May 14, 15, 16
 A Mirror via Prologue Theatre
Prologue Theatre www.PrologueTheatre.org
A Mirror through May 17
Studio Theatre www.StudioTheatre.org
Purlie Victorius May 6 – Jun 21
Feeling Afraid As If Something Terrible Is Going To Happen June 4 – Jul 12
Rorschach Theatre www.RorschachTheatre.com
Dragon Play through May 17
1st Stage www.1stStage.org
Indecent June 4 – 21
The Colonial Players www.TheColonialPlayers.org
Poor Clare through May 10
 The Secret Garden via Arlington Players
Arlington Players www.TheArlingtonPlayers.org
The Secret Garden May 15 – 31
Port Tobacco Players www.PTPlayers.com
Lend Me a Soprano May 15 – 31
Silver Spring Stage www.SSStage.org
The Effect of Gamma Rays on Man-in-the-Moon Marigolds May 8 – 24
Everyman Theatre www.EverymanTheatre.org
Emma May 17 – Jun 14
Adventure Theatre www.MyAdventureTheatre-MTC.org
Aesop’s Fables through May 24
St. Marks Players www.StMarksPlayers.org
Spring Awakening – A Rock Musical through May 16
Mosaic Theater Company Soars with “Young John Lewis: Prodigy of Protest” as an Epic History Lesson in Rap, Rhyme and Song
Young John Lewis: Prodigy of Protest
Mosaic Theater
Jordan Wright
April 5, 2026
 Michael Bahsil-Cook (Young John) and Christian Emmanuel (Emmett Till) in Mosaic Theater Company’s Young John Lewis: Prodigy of Protest. (Photo/Teresa Castracane Photography)
Mosaic’s premiere production of the life and times of former Congressman John Lewis has finally come to fruition. With music and lyrics by the brilliant award-winning composer, director and playwright Psalmayene 24 and music by Grammy-nominated composer Kokayi, this gripping, often funny, deeply emotional and beautifully performed musical is a history lesson in Rap, rhyme and song and one of my favorite productions this year. And, in light of the current state of affairs (we hear you Minnesota), and the groundswell of citizen activists’ support, this deep dive into Lewis’s legacy could hardly be more appropriate, or timely.
Directed brilliantly by Mosaic’s Artistic Director, Reginald L. Douglas, the story begins in 1955 in Pike County, Alabama with Lewis in his early teens living with his parents plus ten brothers and sisters. We see his visceral response to the news of the brutal lynching of Emmett Till at the hands of racist murderers and Lewis’s desire to fight back by joining the youth movement led by the Student Non-Violent Coordinating Committee (SNCC). During that fraught period the South was mired in Jim Crow laws whose systemic apartheid was enforced by the KKK and ordinary White citizens, and Blacks were being actively, and illegally, restricted from voting. Black preachers took to the pulpits urging people to boycott the buses and Lewis joined up.
As a mentee of the Reverend Martin Luther King, Jr. and eager to follow King’s mission to bring about desegregation, young Lewis defies his parents’ wishes and joins the movement full throttle. We hear the call to action known by the powerful anthem, “God’s Gonna Trouble the Waters” and with that introductory song the mood is set for the Civil Rights Movement.
 Montel B. Butler (Jim Lawson) with the cast of Young John Lewis: Prodigy of Protest. (Photo/Teresa Castracane Photography)
A few of the actors vividly portray the racists’ roles, taunting the non-violent protesters at the famous lunch counter demonstrations and sending in police to crack heads. For Lewis’s first night in jail, we hear his emotions spill out with the song, “I’m Free”.
Soon he is to meet Black power revolutionary and firebrand anti-Capitalist, Stokely Carmichael who is working inside SNCC. It’s here we come to witness the inside squabbles of SNCC’s leaders depicted as a Rap battle between Lewis and Carmichael deciding whether it’s more important to march, fight Capitalism or register Blacks to vote. History smiled when they agreed to do both. This is the man who advocated for “good trouble” and lived it to his grave.
As this national movement evolves and CORE (Congress of Racial Equality) becomes a key player, other seminal players are depicted – from Bobby Kennedy and Medgar Evers to Bayard Rustin, Ella Baker and others – backgrounding Lewis’s rise to power and his legendary efforts to change the laws affecting African Americans with his contribution to the historic Voting Rights Act and, ultimately, his work on human rights during his 33-years as U.S. Congressman from Georgia. From Nashville to DC to Selma and Memphis, this musical leaves nothing out as it urges us to “say their names”.
Twenty-eight powerful numbers from Rap to Rock to Gospel inform the period’s struggles and celebrations. Stylishly choreographed by Tony Thomas with period costume design by Moyenda Kulemeka, a three-piece onstage band plus DJ keep the place rockin’.
 Michael Bahsil-Cook (Young John) and the cast of Young John Lewis: Prodigy of Protest. (Photo/Teresa Castracane Photography)
The perfect cast consists of Michael Bahsil-Cook as Young John; Montel Butler as Jim Lawson/A. Philip Randolph/Ensemble; Christian Emmanuel as Emmett Till/Ensemble; Jordan Essex as Stokely Carmichael/Bayard Ruskin/Ensemble; Kit Krull as Joan T. Mulholland/Waitress/Ensemble; Vaughan Ryan Midder as Medgar Evers/Eddie/Ensemble; Latrice Pace as Ella Baker/Willie Mae/Ensemble; Solomon Parker as Reverend Doctor/Hosea Williams/Ensemble; Nia Savoy-Dock as Diane Nash/Mamie Till/Ensemble; and Harrison Smith as Bobby Kennedy/Ensemble.
Highly recommended! See it and take everyone you know!!!
Mosaic Theater Company at the Atlas Performing Arts Center through May 3rd at 1333 H Street, NE, Washington, DC 20002. For tickets and information check hours for the box office and call 202.399.7993 ext. 501 or visit www.MosaicTheater.org
Folger Theatre’s As You Like It Brings the DC Culture Scene to Shakespeare’s Classic Rom-Com
As You Like It
Folger Shakespeare Theatre
Jordan Wright
March 22, 2026
 The cast of As You Like It at the Folger Shakespeare Theatre. (Photo/Brittany Diliberto)
Artistic Director Karen Ann Daniels has a story to tell and in her re-imagining of Shakespeare’s classic rom-com she has chosen to lean into DC style with Costume Designer Celeste Jennings for the funky cool streetwear; Composer KOKAYI to frame it in seven musical numbers using rap and DC’s go-go sound plus at least one Elizabethan ballad; Miki Vale writing the original lyrics; Choreographer Tony Thomas putting hip-hop and breakdance to the music and Director Timothy Douglas dovetailing the characters’ eclectic modern vibe to mesh seamlessly.
So, step into the world of The Bard in hip-hop style straight from the super cool, multi-generational streets of DC. This version employs the popular contemporary approach of introducing audiences to Shakespeare’s relevance as translated into our modern age while keeping the universal themes alive and entirely relatable. I, for one, loved it.
 Joey Collins (Silvius), Manu Kumasi (Orlando), Tsilala Brock (Rosalind), Jefferson A. Russell (Duke Senior) and Raven Lorraine (Phebe). (Photo/Brittany Diliberto)
Meet Orlando (Manu Kumasi) an artist who totes a sketch pad and wears his brushes like bullets in a bandolier. He’s madly in love with the fair Rosalind (Tsilala Brock) whose father has been banished from the kingdom. There’s Charles (Nikkole Salter also as Jaques/First Lord) feeling the vibe in a red and white polyester track suit; Rosalind’s cousin, Celia (Sabrina Lynne Sawyer); Monsieur LeBeau (John Sygar also as Amiens/Musician); Touchstone (Ahmad Kamal) an uproariously silly jester; Duke Frederick (Jefferson A. Russell also as Duke Senior) a super fly older guy and uncle to Rosalind who sports a 1970’s slick three-piece maroon suit. Love is in the air… elusive love, unrequited love, massive confusion and gender-switching which makes for ridiculousness on steroids. When Ollie (Terrance Fleming), Orlando’s eldest brother, organizes a wrestling match between Charles and Orlando, the captivatingly comic Touchstone announces the rumble to the audience with, “Are you ready for some bone-crushing action?”. We are!
Later Frederick banishes Celia and Rosalind from the kingdom, the girls set off to the countryside of Arden to find Duke Senior. To pass through this strange land they disguise themselves as boys thus deceiving the villagers as well as their paramours. Realizing his Ros has left the kingdom, lovelorn Orlando sets off to find her bringing along Adam (Joey Collins also playing Silvius), a geriatric wanderer who travels with a zip-lock bag filled with his myriad of meds. Are we having fun yet? We are falling out of our seats!
 The cast of As You Like It. (Photo/Brittany Diliberto)
The audience is not only in on it, they’re actually in on it, when Orlando asks us to help write a love note to Rosalind and Celia recites the odes with references to Beyoncé and Taylor Swift. Of course, Phebe finds Adam aka Silvius, and Corin (Raven Lorraine as the wise old shepherd and also as Phebe) capitulates to Touchstone wearing his blinged-out name necklace (they’re now “going steady”) all while we are encouraged to shout, applaud and call out when summoned by the actors for a response. Fun for us and fun for the cast.
Super clever and hilarious!
Through April 12th at the Folger Shakespeare Theatre, 201 East Capitol Street, SE, Washington, DC 20003. For tickets and information call 202.544.4600 or visit www.GoTickets.com.
Inherit the Wind at Arena Stage Defies Gravitas
Inherit the Wind
Arena Stage
Jordan Wright
March 20, 2026
 The company of Inherit the Wind at Arena Stage. (Photo/Daniel Rader)
In a time when political tensions couldn’t be more fraught and the country seems to be devolving into fearmongering and racist stereotypes, a new staging of Inherit the Wind opens at Arena Stage. Just when we need to remind our citizenry that the bravest of activist attorneys bucked the Old Guard while the bell was tolling, along comes a corny version of one of America’s most important legal cases – one which defined the country’s identity, forced a sea change in the laws of the land and elevated an unknown White attorney to historic legal prominence.
Unfortunately, this version seems to downplay its significance or, shall I say, highlights comedy over a transformative national event. I felt as though I was at a hoedown instead of a courtroom. Haystacks, swaths of white fabric indicating a tent revival, and light-colored wooden pallets form the spare set, serving as the only visual aids. Costumes are more in line with Minnie Pearl’s straw hat, while musical interludes serve only to denigrate the weight of the subject matter.
 Noah Plomgren (Cates) and Billy Eugene Jones (Drummond). (Photo/Daniel Rader)
Where am I? Why, Ma! Pa! it’s Hokey Land in Hee-haw County where ordinary country folk are depicted in an insulting and insensitive manner. We count on Arena to deal fairly, or humorously, in the most salient political issues and to present a thinking person’s wakeup call when necessary. And it is necessary now. The importance of the Scopes trial of Darwinism (i.e. accepted science) versus a Tennessee backwoods, church-driven, moralistic position is not a topic to make light of – – most especially today when the country’s intellectuals, artists and scientists are under siege and pitted against bible-toting Christian fundamentalists eager to return to the Dark Ages.
In its favor is a willingly flexible cast who take on numerous roles and multiple quick costume changes in earnest. Standout performances by Broadway royalty Billy Eugene Jones as Drummond in the Clarence Darrow role, Noah Plomgren as Cates the reluctant defendant, Dakin Matthews as Brady the Prosecutor, and Alyssa Keegan as the Baltimore journalist covering the trial, elevate what could have been, and should have been, one of the most important and timely plays of the season.
 Dakin Matthews (Brady), Rebecca Madeira (Rachel), and the company of Inherit the Wind. (Photo/Daniel Rader)
If only the fabulous and brilliantly choreographed Chez Joey had been done in the round in the more expansive Fichandler Stage, and this production been mounted in the smaller, more intimate Kreeger stage, switching the theater spaces, I think it might have come off better. Then again, maybe not, when the gravitas of this play is drowned out by pure unadulterated cornball.
With Rebeca Madeira as Rachel; and Jordan Friend, Natalya Lynette Rathnam, Todd Scofield, Tristan Turner and Holly Twyford fulfilling the ensemble’s multiple roles.
Written by Jerome Lawrence and Robert E. Lee and directed by Ryan Guzzo Purcell. Set Design by Tanya Orellana; Costume Design by An-Lin Dauber; Lighting Design by Xavier Pierce; Composer & Sound Designer Paul James Prendergast.
Through April 5th at Arena Stage, 1101 6th Street, SW, Washington, DC 20024. For tickets and information call the box office at 202.488.3300 or visit www.ArenaStage.org.
Hamnet – the Best-Selling Novel and Academy Award-Winning Movie – Comes Alive at the DC’s Shakespeare Theatre Company Starring London’s Royal Shakespeare Company Cast
Hamnet
Shakespeare Theatre Company
Jordan Wright
March 20, 2026
 Rory Alexander (William) and Kemi-Bo Jacobs (Agnes) in the Royal Shakespeare Company’s Hamnet. (Photo/Kyle Flubacker)
Anticipation has been high for the Royal Shakespeare Company’s inaugural appearance at STC since the announcement came from Shakespeare Theatre Company’s Artistic Director, Simon Godwin, that Maggie O’Farrell’s best-selling novel, Hamnet; Director Chloé Zhao’s award-winning eponymously named movie; later adapted from the original novel by Lolita Chakrabarti into play form, was listed for a DC run, the excitement has been at fever pitch.
In London, Hamnet’s West End reviews have been full of acclaim for this play, and with this month’s Academy Award for “Best Actress in a Leading Role” win for movie actress, Jessie Buckley, this theatrical production has been wildly anticipated.
Here are my takeaways from the adaptation which have their basis in both fact and fiction.
 Saffron Dey (Judith) and Ajani Cabey (Hamnet). (Photo/Kyle Flubacker)
William Shakespeare’s wife Anne Hathaway (here named Agnes) is presented as an herbalist, naturist, falconer and visionary. “I hear voices all the time,” Agnes reveals. Her passions attempt to explain how Will’s plays make countless references to animals, faeries, herbs and flowers – implying Agnes was his inspiration. As for Will’s chilly response to the death of his son, an early line from the play seems to sum up his emotions, “I write what I cannot say.”
In the play, Will’s curmudgeonly father, John, is of poor repute as a gambler, drunkard and debtor who lost their family properties through unwise money management. It is presented that he was not paying Will’s school fees, yet curiously Will is portrayed as a Latin scholar and tutor at the age of seventeen. Ultimately, John is forced to capitulate when Will’s marriage to Agnes wipes out his debt to Agnes’ brother and Will becomes wildly successful. And though the play presents Agnes’ pre-marital pregnancy as scandalous and religiously damning, it was not uncommon to be pregnant before marriage in the 16thcentury.
Whether much of this is drawn from historical documentation is questionable. Whether it informs or influences a good story, is for the viewer to decide. That it makes for good theatre with a brilliant cast of prominent actors from stage, film and TV, stunning choreography, and a fascinating script is assured.
 Heather Forster (Eliza) and Kemi-Bo Jacobs (Agnes). (Photo/Kyle Flubacker)
Starring Kemi-Bo Jacobs as Agnes and Rory Alexander as William; with Troy Alexander as Bartholomew; Nigel Barrett as John/Will Kempe; Ajani Cabey as Hamnet/Thomas Day; Saffron Dey as Judith; Penny Layden as Mary; Ava Hinds-Jones as Susanna; Heather Forster as Eliza; Elizabeth Connick as Tilly; Bert Seymour as Burbage/Father John; Matilda McCarthy as Jude/Physician’s Wife & Will’s Landlady/Caterina; Nicki Hobday as Joan/Elizabeth Condell; Karl Haynes as Ned/Henry Condell/Physician.
Directed by Erica Whyman; Set and Costume Design by Tom Piper; Lighting by Prema Mehta; Music by Oğuz Kaplangi; Fight Captain Bert Seymour; Dance Captain Matilda McCarthy; Movement by Ayşe Tashkiran.
Through April 12th at the Shakespeare Theatre Company’s Harman Hall, 610 F Street, NW, Washington, DC 20004. For tickets and information call the box office at 202.547.1122 or visit www.ShakespeareTheatre.org.
Safety Not Guaranteed at Signature Theatre is the
Wild Ride Rock Musical We All Need Right Now
Safety Not Guaranteed
Signature Theatre
Jordan Wright
March 21, 2026
 Gunnar Manchester (Kenneth) and Mia Pak (Darius) in Safety Not Guaranteed at Signature Theatre. (Photo/Daniel Rader)
Intrigued by a classified ISO ad in the local Ocean View Examiner that reads, “Someone to go back in time with me. Must bring your own weapons. SAFETY NOT GUARANTEED.”, a group of young interns from a California-based marketing company hunt down the writer. Bored with their dead-end jobs creating clickbait on strict orders from Jeff the manager, the group’s aspiring journalist Darius follows clues to unmask the writer and solve the mystery.
Based on the movie by the same name, the musical follows a madcap, ill-planned odyssey into the ad writer’s bizarre query. That’s the premise. The thrill is the blind faith adventure and the oddball characters who buy into it. It’s not hard to imagine what could very quickly go very wrong.
 Tyler Dobies (Arnau), Mia Pak (Darius), and Preston Truman Boyd (Jeff). (Photo/Christopher Mueller)
Set to a fantastic score and backed by a kickass band, our heroine Darius, who knows a good story when she sees it, and her newly revealed ad writing guide, Kenneth Calloway, a grocery store stock boy and hipster intellectual, lead us on one of the strangest odysseys ever set to an indie-rock music score. Think rock operas like “Tommy” and “Hair” coupled with the fantasy-driven, dark comedies, “Ride the Cyclone” and “Freaky Friday” the musical. The Mission: Go back in time and alter a disastrous moment in their youth to have a happy ending. Wouldn’t we all?
When a particle accelerator, a time machine, a Moog synthesizer, a laser and a suspected bomb feature into a love story, you know you’re on a wild ride. I loved every aspect of this musical – clever lyrics, catchy tunes (16 numbers played by a 5-piece onstage band), a terrific cast, quirky characters, unique story lines, eye-popping set design, dynamic lighting effects, rock concert sound and superb staging all rolled into one crazy fun musical.
 Mia Pak (Darius) and Gunnar Manchester (Kenneth) with Preston Truman Boyd (Jeff), Erin Weaver (Liz/Others), Tyler Dobies (Arnau), and Joshua Morgan (Tristan/Others). (Photo/Daniel Rader)
With Preston Truman Boyd as Jeff; Mia Pak as Darius; Gunnar Manchester as Kenneth; Tyler Dobies as Arnau; Joshua Morgan as Tristan & others; Erin Weaver as Liz and others.
Directed by Oliver Butler with Music & Lyrics by Ryan Miller; Book by Nick Blaemire; Based on the motion picture written by Derek Connolly; Scenic Design by Arnulfo Maldonado; Costume Design by Shahrzad Mazaheri; Lighting Design by Jason Lyons; Sound Design by Eric Norris; Music Direction by Jeff Tanski; Music Supervision, Orchestrations & Arrangements by Bill Sherman; Choreographed by Lisa Fagan.
Highly recommended. Go! And take everyone you know!
Through April 12th at Signature Theatre in Shirlington Village, 4200 Campbell Avenue, Arlington, VA 22206. For tickets and information call the box office at 703.820.9771 or visit www.SigTheatre.org.
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