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Stephen Sondheim’s Musical “Merrily We Roll Along” is a Hit at Signature Theatre
Merrily We Roll Along
Signature Theatre
September 6, 2026
 Jason Gotay (Franklin Shepard), Melanie Field (Mary Flynn), and Jake Loewenthal (Charley Kringas) in Merrily We Roll Along at Signature Theatre (Photo/Christopher Mueller).
Deliciously witty, snarky and cleverly tuneful, Sondheim’s musical lures us into a world of backstage and backstabbing – where composers, lyricists, producers, actors and their pals play a glamorous, throat-cutting game of oneupmanship fueled by booze and the sweet smell of success. Who’s in and who’s out? Who to adore and who to ignore? In the world of show biz, the “movers and shapers” crave fame and fortune or, at the very least, to share in the celebrity’s spotlight.
In Merrily We Roll Along the plot toggles between 1959 to 1973 – and not in chronological order. For instance, it’s not until the second act that we learn how Mary, Franklin and Charley began their friendship one starry night on a shared rooftop in New York City searching the sky for the Russian satellite Sputnik.
To set the stage, Franklin Shepard is a matinee-idol-handsome, young Broadway composer. His sidekick Charley writes the lyrics and magazine writer slash theatre critic and neighbor Mary, is their BFF. Mary is madly in love with Frank, yet keeps it on the QT, because Frank is soon to be married to and divorced from sweet, adorable Beth and hard-on-the-bottle Mary is not in his league as a love interest. However, Mary is the glue that keeps everything and everyone merrily rolling along.
 James Whalen (Joe Josephson), Kerstin Anderson (Beth Spencer), Jason Gotay (Franklin Shepard), Melanie Field (Mary Flynn), and Jake Loewenthal (Charley Kringas) (Photo/Daniel Rader).
Despite the vagaries of a friendship regularly sealed by pinky promises, Frank, Charley and Mary continue to navigate their fights and betrayals. Frank becomes a wildly successful film producer with a wealth of glamorous friends Charley raises a family, while Mary’s desire to remain in Frank’s orbit keeps his fawning fans in check – including Gussie, his seductive leading lady.
Co-written by composer and lyricist Stephen Sondheim with book by George Furth, Merrily We Roll Along is based on a 1934 play by Moss Hart and George S. Kaufman. Directed in 1981 by Hal Prince, it had a very short run but a relevant theme about the perils and pitfalls of success. Recently revived on Broadway to huge acclaim, it garnered a stack of Tony Awards. I say this to let you know that this is not a national touring company. It is directed and choreographed by Signature Theatre’s Artistic Director Matthew Gardiner whose work I greatly admire. I’m only to see him named in press releases as ‘Director’ that I will be first in line to see whatever he has put his hand to.
From page to stage this production is dripping with glitz and glam featuring a shiny, tight cast who fling the show into star-studded orbit with a wealth of brilliant production creatives who nail every opportunity to elevate the visuals, the choreography and the music. And speaking of the music, it is rich and layered, funny and passionate, tender and torpid. Twenty-six glorious numbers backed by award-winning conductor Jon Kalbfleisch’s terrific 12-piece orchestra.
 Maria Rizzo (Gussie Carnegie) and the cast of Merrily We Roll Along (Photo/Christopher Mueller),
Did I love this? Hell, yes! Consider buying two tickets per person – one for a later date. Because, as soon as you see it, you’ll want to see it again.
Starring Jason Gotay as Franklin; Jake Loewenthal as Charley; Melanie Field as Mary Flynn; Maria Rizzo as Gussie Carnegie; James Whelan as Joe Josephson and Kerstin Anderson as Beth Shepard. With Neal Gaensehals as Frank Jr., Joel Ashur as Jerome; Ben Beckley as Terry/Mr. Spencer; Lindsay Nicole Chambers as Scotty/Mrs. Spencer; Alonda Trinidad-Colon as Meg Kincaid/Make-up Artist; Eric Easter as Ru/Minister; Jonah Ho’okano as Tyler; Stephen Russell Murray as Bunker/Newscaster/Photographer; and Sarah Anne Sillers as KT.
Orchestrations by Jonathan Tunick; Scenic Design Wilson Chen; Costume Design Ivania Stack; Lighting Design by Cory Pattak; Sound Design by Eric Norris; Hair & Wig Design by Anne Nesmith; Fight Choreography by Casey Kaleba.
 Jason Gotay (Franklin Shepard) and the cast of Merrily We Roll Along (Photo/Christopher Mueller).
Through November 1st at Signature Theatre in Shirlington Village, 4200 Campbell Avenue, Arlington, VA. For tickets and information call the box office at 703.820.9771 or visit www.SigTheatre.org.
The Notebook – The Musical – A Tender Story of Love and Loss at the National Theatre
The Notebook – The Musical
Broadway at the National
National Theatre
Jordan Wright
August 22, 2026
 The Notebook North American Tour Company (Photo/Roger Mastroianni).
Readers and filmgoers of Nicholas Sparks’ romance novel turned movie turned musical were out in force for opening night of The Notebook – The Musical. For a book that came out in 1996 and soared to the New York Times ‘Bestseller List’, the story of an aging couple housed in an American nursing home has enjoyed 30 years of dedicated fans.
Its story is a tender journey encompassing three generations of a single family who navigated the shifting sands of enduring relationships amid familial strife through patience, hope and the power of love.
Unfolding through the eyes of Older Noah whose wife Allie has degenerative dementia and believes him to be a “friend”, we see them first as teens exploring a summer romance. Her parents disapprove of Young Noah, a cheerfully witty high school dropout with hazy plans for the future, while Young Allie hails from a prominent family and is bound for college after this seaside summer holiday. Nonetheless, like Romeo and Juliet, their secret romance flourishes fueled by dreams to be together forever and live in an old house he plans to restore for her. When Noah goes off to war, they lose touch until Allie discovers him living alone in the house he restored and they rekindle what was lost.
 Alysha Deslorieux (Middle Allie) and Ken Wulf Clark (Middle Noah) (Photo/Roger Mastroianni).
The device that stitches the story together is a notebook, really a diary, written by Allie throughout her life before her memory loss and which her husband tenderly reads to her each day hoping to jog her memory and recognize him as her husband. It’s a heart-wrenching story for those with loved ones suffering this incurable disease, but Sparks gives it compassion, vision and hope, plus a happy ending, at least as happy as anyone could hope for.
Moments of joy and humor buoy grief and hopelessness, but the reality of care homes and the cycle of love and loss color the helplessness of those who do the caring. Twenty-two musical numbers backed by an eight-piece orchestra lift this emotionally charged musical.
 The Notebook North American Tour Company (Photo/Roger Mastroianni).
With Beau Gravitte as Older Noah; Ken Wulf Clark as Middle Noah; Kyle Mangold as younger Noah; Yassmin Alers as Older Allie; Alysha Deslorieux as Middle Allie; Makena Jackson as Younger Allie; Anne Tolpegin as Mother/Nurse Lori; Connor Richardson as Johnny; Jesse Corbin as Lon/others; Jerome Harmann-Hardeman as Father/Son/others; Rayna Hickman as Nurse Joanna/others; Leonay Reina as Sarah/Granddaughter/others; Jordi Bertrán Ramírez as Fin/Grandson/others; Grace Ohwensadeyo Rundberg as Georgie/Concierge/others.
Directed by Michael Greif & Schele Williams; Choreography by Katie Spelman; Music and Lyrics by Ingrid Michaelson; Book by Bekah Brunstetter; Scenic Design by David Zinn & Brett J. Banakis; Costume Design by Paloma Young; Lighting Design by Ben Stanton; Sound Design Nevin Steinberg; Music Supervision & Arrangements by Carmel Dean.
Through August 30th at the National Theatre, 1321 Pennsylvania Avenue, NW, Washington, DC. For tickets and information call the box office at 202.628.6161 or visit www.BroadwayattheNational.com.
What’s Onstage in the DMV for September and Early October 2026
Jordan Wright
August 19, 2026
 Steven Huynh (Oliver) and Claire Kwon (Claire) in the North American Tour of Maybe Happy Ending (Photo/Matthew Murphy and Evan Zimmerman).
Hippodrome Baltimore Maybe Happy Ending Sept 13 – 20 www.GoTickets.com
Workhouse Arts Center Bat Boy: The Musical Sept 5 – Oct 25 www.WorkhouseArts.org/theater-performances
1st Stage Betrayal Oct 6 – Oct 25 www.1stStage.org
Round House Theatre Ma Rainey’s Black Bottom Sept 9 – Oct 21 www.RoundHouseTheatre.org
Ford’s Theatre Come From Away Sept 10 – Oct 18 www.fords.org/performance/
Creative Cauldron Monsters of the Villa Diodati Oct 8 – Nov 1 www.CreativeCauldron.org
 Brian Cox (Bach) and Peter De Jersey (Voltaire) in The Score at Shakespeare Theatre Company (Photo/Manuel Harlan).
Shakespeare Theatre Company
The Score Sept 11 – Oct 18
Frida… A Self Portrait Oct 8 – Nov 8 www.ShakespeareTheatre.org
Spooky Action Theater with Solas Nua Hakawatis: Women of the Arabian Nights Sept 24 – Oct 18 www.SpookyAction.org
Dominion Stage A Midsummer Night’s Dream Oct 9 – 24 www.DominionStage.org
Mosaic Theater Somewhere Over the Border Sept 10 – Oct 4 www.MosaicTheater.com
MetroStage at The Lyceum Cousin Bella Sept 22 only www.MetroStage.org
Broadway at the National Maybe Happy Ending Oct 6 – 11 www.BoxOfficeTicketSales.com
 A Beautiful Blue Morning Sky via Keegan Theatre
Keegan Theatre
A Beautiful Blue Morning Sky Sept 11 – Sept 13
Hundred Days Oct 10 – Nov 8 www.KeeganTheatre.com
Maryland Ensemble Theatre Into the Woods Sept 11 – Oct 4 www.MarylandEnsembleTheatre.org
Olney Theatre Center Some Like It Hot Sept 18 – Nov 8 www.OlneyTheatre.org
Studio Theatre Wish You Were Here Sept 23 – Nov 1 www.StudioTheatre.org
NOVA Night Sky Theater The Curious Case of the Cottingley Fairies Oct 1 – 17 www.NOVANightSkyTheater.com
NextStop Theatre Company The Second Best School Shooting Sept 17 – Oct 11 www.NextStopTheatre.org
 Blithe Spirit via The Little Theatre
The Little Theatre of Alexandria Blithe Spirit through Sept 19 www.TheLittleTheatre.com
INSeries The M.A.K.A.do: Make America Kingly Again! at Atlas Theatre Oct 10 – 25 www.INSeries.org
Prince William Little Theatre Man of La Mancha Oct 9 – Oct 18 www.PWLT.org
GALA Hispanic Theatre Garbo: The Actor Who Saved the World Sept 3 – 27 www.GALATheatre.org
Woolly Mammoth Venus Sept 9 – Oct 4 www.WoollyMammoth.net
Theatre J The Flying Loves of Vitebsk Oct 7 – Nov 1 www.EDCJCC.org
 Melanie Field (Mary Flynn), Jason Gotay (Franklin Shepard), and Jake Loewenthal (Charley Kringas) in Merrily We Roll Along at Signature Theatre Photo/Christopher Mueller, Artwork/Anjali Nanda).
Signature Theatre Merrily We Roll Along through Nov 1 www.SigTheatre.org
Everyman Theatre Kim’s Convenience through Sept 27 www.EverymanTheatre.org
Voices Festival Productions Woody Sez: The Life and Music of Woody Guthrie Oct 8 – 25 www.VoicesFestivalProductions.com
The Puppet Company Little Red Riding Hood and the Three Little Pigs through Sept 20 www.ThePuppetCo.org
Imagination Stage Chicka Chicka Boom Boom The Musical Sept 26 – Oct 18 www.ImaginationStage.org
Folger Theatre Measure for Measure Sept 22 – Nov 1 www.Folger.edu
 Step Afrika: The Fruits of Our Labor via Arena Stage
Arena Stage Step Afrika: The Fruits of Our Labor Sept 10 – Nov 1 www.ArenaStage.org
Silver Spring Stage Bernhardt/Hamlet Sept 18 – Oct 4 www.SSStage.org
Arlington Players Bonnie & Clyde Sept 5 – 20 www.TheArlingtonPlayers.org
Toby’s Dinner Theatre Summer: The Donna Summer Musical through Nov 1 www.TobysDinnerTheatre.com
Providence Players of Fairfax Cactus Flower Oct 9 – 24 www.ProvidencePlayers.org
Washington Stage Guild The Legend of Sleepy Hollow Sept 24 – Oct 18 www.StageGuild.org
What’s Onstage in the DMV for August and Early September 2026
Jordan Wright
July 16, 2026
 The Notebook via National Theatre (Photo/ Roger Mastroianni)
Broadway at the National The Notebook – Aug 18 – Aug 30 www.BoxOfficeTicketSales.com
Mosaic Theater Somewhere Over the Border – Sept 10 – Oct 4 www.MosaicTheater.com
Shakespeare Theatre Company The Score – Sept 11 – Oct 18 www.ShakespeareTheatre.org
Studio Theatre Wish You Were Here – Sept 23 – Nov 1 www.StudioTheatre.org
Ford’s Theatre Come From Away – Sept 10 – Oct 18 www.Fords.org
 Gruesome Playground Injuries via Keegan Theatre
Keegan Theatre Gruesome Playground Injuries – Aug 15 – Sept 6 www.KeeganTheatre.com
Round House Theatre Ma Rainey’s Black Bottom – Sept 9 – Oct 21 [email protected]
Monumental Theatre Company at Dance Place The Rocky Horror Show – Aug 22 – Sept 6 www.MonumentalTheatre.org
The Little Theatre of Alexandria Blithe Spirit – Aug 29 – Sept 19 www.ThelittleTheatre.com
Signature Theatre Merrily We Roll Along – Aug 25 – Nov 1 www.SigTheatre.org
 The ensemble of “A Gentleman’s Guide To Love And Murder” at Olney Theatre Center
(Photo/Teresa Castracane Photography)
Olney Theatre Center A Gentleman’s Guide to Love and Murder – through Aug 23
Some Like It Hot – Sept 18 – Nov 8 www.OlneyTheatre.org
1st Stage Logan Festival of Solo Performance – Aug 20 – Aug 30 www.1stStage.org
Adventure Theatre Sleeping Beauty: The Time Traveler – through Aug 23 www.AdventureTheatre-MTC.org
GALA Hispanic Theatre GARBO: El Actor Que Salvó Al Mundo – The Actor Who Saved the World – Sept 3 – Sept 27 www.GALATheatre.org
Woolly Mammoth Venus – Sept 9 – Oct 4 www.WoollyMammoth.net
Nu Sass Productions Brönte Sister House Party Aug 14 – Sept 12 www.NuSass.com
 Woody Guthrie’s American Song via Theater Alliance
Theater Alliance Woody Guthrie’s American Song – Aug 6 – Aug 29 www.TheaterAlliance.com
Arena Stage The Fruits of Our Labor – Sept 18 – Nov 1 www.ArenaStage.org
Rapid Lemon Productions Blood of the Lamb – Aug 28 – Sept 13 www.RapidLemon.org
Everyman Theatre Kim’s Convenience – Aug 30 – Sept 27 www.EverymanTheatre.org
Toby’s Dinner Theatre Mean Girls – through Aug 23
Donna Summer – The Donna Summer Musical – Aug 28 – Nov 1 www.TobysDinnerTheatre.com
 Bonnie & Clyde via Arlington Players
Arlington Players Bonnie & Clyde Sept 5 – 20 www.TheArlingtonPlayers.org
Creative Cauldron Passport Music Festival – through Sept 13 www.CreativeCauldron.org
Colonial Players (Annapolis) Our Town – Sept 11 – Oct 3 www.TheColonialPlayers.org
Port Tobacco Players Steel Magnolias – Sept 18 – Oct 4 www.PTPlayers.com
Hippodrome Baltimore All Things Equal: The Life & Trials of Ruth Bader Ginsburg Sept 16 – 19 www.Baltimore.Broadway.com
Silver Spring Stage Bernhardt/Hamlet Sept 18 – Oct 4 www.SSStage.org
Beetlejuice – The Musical Brings the Crazy Amazing World of the Dearly Departed to National Theatre
Beetlejuice – The Musical
The National Theatre
Jordan Wright
July 8, 2026
 David Wilson (Adam), Kaitlin Feely (Barbara), Leianna Weaver (Lydia) and Ryan Stajmiger (Beetlejuice) in Bettlejuice -The Musical (Photo/Matthew Murphy).
Backstory: After a brief tryout here at the National Theatre in 2018, Beetlejuice headed to Broadway and the famed Winter Garden Theatre in 2019. The show had less than a year’s run before the pandemic hit shutting down all productions in early 2020. Nominated for eight Tony Awards in nearly every category and garnering a win for “Outstanding Set Design”, it proved to be a huge success. Luckily for us it’s back in town after a 2023 DC booking at the National Theatre and killin’ it. All that goes to say that the audience, some garbed in the black-and-white stripes favored by Beetlejuice, consisted of legions of fans of the quirky-cool story with its rock concert vibe.
Reality: It’s a show about death and the newly dead – in the best possible way, I promise – with an utterly irreverent script, electrifying rock music and hilarious lyrics fronted by a tremendously talented cast of singers and dancers, a blazing rock band and dazzling light show. Be prepared to embrace the far side. Can you love the living dead? They’ll prove you can and will.
 Ryan Stajmiger (Beetlejuice) and Beetlejuice North American Touring Company (Photo/Matthew Murphy).
The cast in this show is wonderful and totally in sync. From lead demon, Beetlejuice, played to the hilt and heavy on vaudevillian schtick by veteran improv comedian and rock singer, Ryan Stajmiger, to the breathtaking vocals of newcomer Leianna Weaver who plays young Lydia, the Goth-garbed daughter grieving the untimely death of her mother. Weaver has a stunning powerhouse voice tempered by an adorable sweetness that left me and my plus-one wide-eyed in its wake. Chills and thrills.
Picture a young couple, Barbara (Kaitlin Feely) and Adam (David Wilson) living in a decaying Victorian house longing for a child yet consumed with their individual hobbies. In an unfortunate incident in the dark of night, they accidently electrocute themselves and are banished to the netherworld. Beetlejuice, who is “dying” to return amongst the living, needs someone to say his name three times. He cajoles the couple into haunting their old house, so he can con the new homeowners. To accomplish his nefarious ends, this slippery, double-crossing, gravelly-voiced specter unleashes a crazy amazing world of pandemonium filled with dancing skeletons and singing zombies. Enter Delia (the delightful, scene-stealing Bailey Frankenberg), a guru-loving seductress accompanied by her business-obsessed lover and father of Lydia, Charles (Jeff Brooks), who buy the now-haunted house where Barbara and Adam have been studying “The Handbook for the Recently Deceased” and preparing to pounce on the unsuspecting trio with ghoulish abandon.
One of the funniest, most energetic, wonderfully choreographed shows and high praise for the endearingly creepy characters – this reviewer has ever seen. Schtick rules! And so does a healthy dose of political quips and topical humor. A huge cast propelled by a kick-ass band and rock star voices send this musical beyond the beyond.
 Leianna Weaver (Lydia), Jeff Brooks (Charles), and Beetlejuice North American Touring Company (Photo/Evan Zimmerman for MurphyMade).
If I published all the bios of cast and crew, you would have a star-studded list of some of the best-known Broadway performers and designers, most notably Director Alex Timbers (Moulin Rouge!); Original Score by Eddie Perfect (King Kong); with Book by Scott Brown (Castle Rock) and Anthony King (Robbie); Choreography by Connor Gallagher (The Robber Bridegroom, Moana, Titanic); David Korins (Scenic Designer on Hamilton); Six-time Tony Award-winning Costume Designer William Ivey Long; Lighting Design by Tony Award winner Kenneth Posner (Kinky Boots, Wicked); with Sound Design by Peter Hylenski (Moulin Rouge!, Frozen); the fabulous projection design of Peter Nigrini (Dear Evan Hansen, Hell’s Kitchen, MJ); Puppet Design by Michael Curry (The Lion King, Cirque du Soleil); and Special Effects Design by Jeremy Chernick (Harry Potter and the Cursed Child, Hadestown)… to name but a handful of this extraordinary creative team.
With Dan Mason as Priest/Census Taker; Alessandra Casanova as Miss Argentina played by Carly Natania Grossman on opening night; Mai Caslowitz as Girl Scout; Da’Zaria Harris as Juno; Dan Mason as Otho; a 13-person ensemble and 7-person orchestra with searing synthesizers.
Drop dead fabulous! Snag your tickets while you can!
Through July 19, 2026 at The National Theatre, 1321 Pennsylvania Avenue, NW, Washington, DC 20004. For tickets and information call the box office at 202.628.6161 or visit https://www.broadwayatthenational.com/BroadwayAtTheNational.com
Arena Stage’s World Premiere of CrazySexyCool – The TLC Musical is the Hottest Show in Town!
CrazySexyCool – The TLC Musical
Arena Stage
Jordan Wright
June 29, 2026
 Jade Milan (Lisa ‘Left Eye’ Lopes), Stoney B. Woods (Rozonda ‘Chilli’ Thomas), and Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins) in CrazySexyCool – The TLC Musical at Arena Stage at the Mead Center for American Theater (Photo/Julieta Cervantes).
In the early 1990’s when male stars like MC Hammer (Christopher Henry Young) ruled the airwaves, an unlikely trio blazing with talent, attitude and sisterhood launched their girl group into the stratosphere. Eponymously named after their 1994 record-breaking album, CrazySexyCool – The TLC Musical is an emotionally lit bio musical about the lives and times of TLC, three young women whom fate brought together, lights up the stage in this world premiere musical.
Led by their manager, Christina (Felicia Curry), the East Atlanta trio continued to set the nascent hip-hop world on fire with their “Hat 2 da Back”, baggy boyish streetwear, pure harmonies and cheeky attitudes. Grammys and a host of top music awards followed their platinum-selling singles and albums as their styles and music choices continued to evolve into ever steamier, ever raunchier lyrics. Promoting girl power and safe sex in the days of HIV, these super music influencers and pop pioneers hit the airwaves like a typhoon.
 Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins), Jade Milan (Lisa ‘Left Eye’ Lopes), and Stoney B. Woods (Rozonda ‘Chilli’ Thomas) (Photo/Julieta Cervantes).
CrazySexyCool showcases the complicated personal lives and pioneering style successes of Tionne ‘T-Boz’ Watkins (Holli’ Gabrielle Conway), Lisa ‘Left-Eye’ Lopes (Jade Milan) and Rozonda ‘Chilli’ Thomas (Stoney B. Woods) in this blockbuster musical hoping for a Broadway debut. Promoted by MC Hammer after they crash his recording studio staging a rap battle, they begin their rocket ride to stardom. Left-Eye’s crusty attitude towards Blake Thomas (Josh A. Dawson), a major Atlanta pop music broadcaster, nearly derails their meteoric rise with trumped up slander against the girls. Happily, their avid fan base supersedes Blake’s vindictive tactics, and they get their career back on track. Through cheating boyfriends, personal struggles, drama and pathos, the intensity of touring, thieving agents and the death of Lisa Lopes while on a soul-searching mission in Guyana, the women prove that sisterhood and music can overcome all of life’s obstacles.
Twenty-six numbers include many of their biggest hits like “Creep”, “Perfect Girls”, “Waterfalls” and “Unpretty” and the powerhouse “Dance Again”, a moving spiritual sung by Chilli and the Ensemble.
 Stoney B. Woods (Rozonda ‘Chilli’ Thomas), Jade Milan (Lisa ‘Left Eye’ Lopes), Holli’ Gabrielle Conway (Tionne ‘T-Boz’ Watkins), and the company of CrazySexyCool – The TLC Musical (Photo/Julieta Cervantes).
Speaking of the ensemble, the singers and dancers are absolutely, freakin’, jaw-dropping phenomenal!!! Tearing up the stage with eye-popping talent, hard bodies and heart-stopping endurance, the dancers and Chloe O. Davis’s choreography will take your breath away. Huge, huge, huge props to writer and director Kwame Kwei-Armah for shepherding this massive musical to the stage as well as the dozens of creatives involved in seeing it to fruition.
This show is lit! Highly recommended!!!
With Felicia Curry in dual roles as Christina and Dr. Nzinga; Ciara Alyse Harris as Rikara/Ensemble; Trenton McKenzie Beavers as Tommy/Ensemble; Darius Jordan Lee as Michael/Ensemble; Malik Shabazz Kitchen as Kavonne/Ensemble; Aaron Bliden as Danny/Ensemble; Deon’te Goodman as Rain/Ensemble; Nichole Forde, Ensemble; Bethany Hemmans, Ensemble; Kennedy Holmes, Ensemble; Lindsey Jolyn Jackson, Ensemble and Dance Captain; Madison McBride, Ensemble.
Huge props to Dramaturg Hana S. Sharif, Hair and Wig Designer, Nikiya Mathis, Costume Designer Dede Ayite, Lighting Designer Japhy Weideman and Set Designer David Zinn with a blazing orchestra led by Jaret Landon.
Through August 9th at Arena Stage, 1101 Sixth Street, NW, Washington DC 20024. For tickets and information call the box office at 202.488.3300 or visit www.ArenaStage.org.
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