The Explorers Club
The Little Theatre of Alexandria
Jordan Wright
September 6, 2024
Special to The Zebra
 Lucius Fretway (Michael Townsend) tries to catch a drink from blue-skinned bartender Luigi (Omar Quintero) at The Explorers Club (Photo/Matt Liptak) When Lucius Fretway (Michael Townsend), a handsome young botanist, puts up a pretty female explorer for membership in the exclusive all-men’s club, all hell breaks loose in this nifty farce. The old codgers in The Explorers Club whose past conquests and ongoing research are decidedly questionable, rail against the mere hint of a woman in their tony club. Biblical scholar and serial misogynist, Professor Sloane (Richard Fiske), calls her a “harlot” for violating her feminine station and the doddering adventurer Sir Harry Percy (John Henderson), who claims to have discovered the “East Pole”, agrees wholeheartedly, that is until the lovely Phyllida Spotte-Hume (Rachel Hubbard) arrives, and he begins to challenge Fretway for her attentions. Professor Cope (Ricardo Padilla), a herpetologist whose snake has a mind of its own, is determined to keep her out.
The indelibly charming and brilliant explorer, Phyllida, has recently returned from the discovery of the lost city of NaKong where she has discovered a tribe of feral natives. Naturally, she brings back one of the savages whom she fondly calls Luigi (Omar Quintero). He is totally blue, as in skin color, as opposed to his daffy disposition.
 Professors Walling (Steve Rosenthal). Cope (Ricardo Padilla) and Sloane (Richard Fiske) speak no evil, hear no evil and see no evil (Photo/Matt Liptak) Phyllida has figured out how to tame Luigi by learning his language and recognizing that a common spoon represents his god. With this insight she plans to present him to Queen Victoria who has agreed to an audience – a fortuitous and equally absurd opportunity. You will love the puns and rapid-fire hilarity delivered by a crack cast who speak Brit Wit in upper crust British accents thanks to Co-Producer and Accent Coach, Carol Strachan.
Things go sideways (frequently!) as when the club receives Sir Bernard Humphries (Meghan Mohon), an emissary from the palace, to seek redress after a club member has slandered the Irish who send a well-armed contingent to destroy the club. To settle the naysayers, Luigi fills in as the club’s absentee barman serving drug-laced cigars and drinks which brings howls from the audience.
 Sir Bernard Humphries (Meghan Mohon), Beebe (Michael J Fischer), Professor Sloane (Richard Fiske) & Sir Harry Percy (John Henderson) relaxing over “brandy and cigars (Photo/Matt Liptak) The period costumes by Michelle Harris are spot on as is a gob-smacking set design by Tom O’Reilly. Huge props to Hubbard, Quintero and Townsend who take things over the top.
Playwright Nell Benjamin (award-winning playwright of the musical Legally Blonde and lyricist for Mean Girls and Because of Winn Dixie) sets this corker in Victorian London when women were relegated to rearing children while highborn gentlemen spent their time and money garnering support for far-flung adventures while exploiting the natives.
With Hubbard also playing Countess Glamorgan and Michael Fisher as Beebe and Irish Assassin.
Directed by Adam Konowe; Co-Produced by Alan Wray; Lighting Design by Myke Taister; Sound Design and opening musical number composed by William Chrapcynski; Hair and Makeup by Robbie Snow.
Highly recommended!
Through September 21st at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information call the box office at 703 683-0496 or visit www.TheLittleTheatre.com.
Mark Twain’s Hilarious Farce Is He Dead? at the Little Theatre of Alexandria
Mark Twain’s Is He Dead?
The Little Theatre of Alexandria
Jordan Wright
May 29, 2024
Special to The Zebra
 Sarah Keisler, Lanny Warkentien (Photo/Matthew Randall) How to pump up the audience and give them a taste of what’s to come? Open with the soundtrack of Lady Gaga’s “Bad Romance” and, bam! We’re in Paris. That’s how Director Joey Pierce prepares the audience for Mark Twain’s Is He Dead? Set in the Barbizon area, it’s a zany comedy about how an artists’ works are worth buckets more dough when he’s dead. The trick is convincing buyers that the artist is truly dead and not just on the Barbary Coast, which is their big, thankfully unchallenged, lie. Three friends and the artist himself, all very much in debt and needing money to escape jail, ignominy and poverty, conjure a way out of their fraught situation, offering up lots of absurdities for us to gobble up.
Mark Twain (pen name of the great American writer, Samuel Clemens) represents all the irreverence and general societal nose-thumbing I found exquisitely redeeming as a young reader. Like me, many of his fans are unfamiliar with his little-known foray into playwriting. This recently unearthed comedy should set the record straight and serve to bring new fans to his work.
 Hanlon Smith-Dorsey, Brendan Chaney, Zachary Litwiller, Lanny Warkentien (Photo/Matthew Randall) Discovered by Twain scholar, Shelley Fisher Fishkin, in an archive of his works at UC Berkeley, the farce was brought to Broadway in 2007 with the help of contemporary playwright, David Ives, who adapted the production.
It tells a fictional story of the famed pastoral painter, Jean-Francois Millet (Lanny Warkentien), who is in love with the beautiful Marie Leroux (Sarah Keisler) but in debt to Bastien Andre (Kirk Lambert). If Millet can’t come up with the dough, Andre wants to marry Marie. The action opens at Millet’s studio where he and his pals, Agamemnon Buckner “Chicago” (Brendan Chaney), Phelim O’Shaughnessy (Zachary Litwiller) and Hans von Bismarck “Dutchy” (Hanlon Smith Dorsey) are plotting to get Millet out of imminent danger. This trio of copains are as disparate as could ever be conjured up. Here’s where the plot is hatched to fake Millet’s death. They will rake up the prices and invite Basil Thorpe (Justin Beland), a villainous British art dealer art dealer to return. Naturellement, nothing goes as planned and that’s when the fun begins.
They invite him to return on the pretext of announcing the terrible news and he falls for it, buying up all the paintings at hugely inflated prices. Disguising Millet as Millet’s grieving widow is the first step and Warkentien steals the show in a hot pink satin frock with over-sized paniers. I thought of Milton Berle and Jonathan Winters – both comedians well-known for their cross-dressing characters. Two elderly ladies, Mdme. Bathilde (Beverly Gholston) and Mdme. Caron (Anne Shively), friends of the artist who know nothing about the switcheroo, come for tea with the “widow” and pass off “her” odd behavior as a woman grieving the loss of her husband.
 Kirk Lambert, Brendan Chaney, Lenny Warkentien, Sarah Keisler, Alayna Theunissen (Photo/Matthew Randall) From a humble artist’s atelier in the first act to a lavish set design of a drawing room in Act Two of the now, well-to-do widow’s 19th century maison attended by her nutty butler Charlie (Justin Beland), we are privy to a sea change in Millet’s fortunes. Drawing on burlesque this witty comedy exposes the perils and deceptions of the art world.
This cast clicks, but it’s Brendan Chaney as Chicago and Lanny Warkentien who are both the glue and the energy that take this farce to the next level.
Great fun and a terrific summer romp!
With the cast in multiple roles and a slew of costume changes. Alayna Theunissen as Cecile Leroux; Leo Mairena as Papa Leroux; Lanny Warkentien as Jean-Francois Millet and the Widow Tillou; Beverly Gholston as Madame Bathilde and Emperor of Russia; Anne Shively as Madame Caron and the Sultan of Turkey; Justin Beland as Basil Thorpe, Reporter, Charlie and the King of France. Understudy Justin von Stein plays Millet/Tillou on May 22, 31and June 1.
Original adaption by David Ives; Set Design by Matt Liptak; Lighting Design by Adam Konowe; Sound Design by Alan Wray and Christine McShay; Costume Design by Jean Schlichting and Kit Sibley; Makeup and Hair Design by Sue Pinkman.
Through June 8th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information visit www.The Little Theatre.com or call the box office at 703 683-5778.
Agatha Christie’s Murder on the Orient Express is a Standout at The Little Theatre of Alexandria
The Little Theatre of Alexandria
Jordan Wright
March 26, 2024
Special to The Zebra
 (L – R) Michael Kharfen (Hercule Poirot), Brianna Goode (Countess Andrenyi) and Brian Lyons-Burke (Monsieur Bouc). (Photo/Matt Liptak) “Touch nothing!” is the no-nonsense command given by writer Agatha Christie’s über-detective, Hercule Poirot (Michael Kharfen who inhabits Poirot with an absolutely brilliant performance). A man is found murdered in his stateroom and everyone’s a suspect. For those who love crime drama and murder mysteries with a soupçon of humor, it’s the first order of business when investigating a fresh crime. Without DNA or CCTV an old-fashioned detective needed to have mad deductive skills. That said, it’s not only fun to play along with the Belgian gumshoe’s innate ability to seek out liars like a truffle-hunting pig, but to try and puzzle it out for ourselves. Even if you’ve seen this dramedy before, you’ll still thrill to its witticisms and this marvelous cast.
Set in the 1930’s, ten passengers traveling on the posh Orient Express are under deep suspicion. Who had the motive? Who had the means? Who had a provable alibi? Who was closest to the scene? And, who had the most to gain? As clues and red herrings spring up like weeds, Poirot must unravel truth from fiction.
 (L – R) Brian Lyons-Burke (Monsieur Bouc), Michael Kharfen (Hercule Poirot), Brianna Goode (Countess Andrenyi) and Paul Donahoe (Head Waiter/Michel) (Photo/Matt Liptak) With so many suspects on board, who could be the perpetrator? Alibis abound. Was it the Russian Princess Dragomiroff (Patricia Nicklin)– a feisty noble traveling with Swedish missionary, Greta Ohlsson (Julia Rudgers); Helen Hubbard (Eleanore Tapscott), an American heiress on the hunt for her fourth husband; Michel the conductor (Paul Donahoe), whose uniform button was found beside a body; Scottish Colonel James Arbothnot (John Paul Odle) or his illicit paramour, the English governess Mary Debenham (Danielle Comer); Monsieur Bouc (Brian Lyons-Burke), Poirot’s dear friend, fellow Belgian and director of the Orient Express company Wagon-Lits; the pretty Hungarian doctor, Countess Andrenyi (Briana Goode); or Samuel Ratchett (Paul Caffrey), the rough and tumble American businessman traveling with his secretary, Hector McQueen (Avery Lance). When Ratchett turns up dead in his bed, everyone is questioned as to their whereabouts the night before.
 (Seated L-R) Brianna Goode (Countess Andrenyi), Eleanore Tapscott (Helen Hubbard), Patricia Nicklin (Princess Dragomiroff), Julia Rudgers (Greta Ohlsson)
(Standing L-R) Brian Lyons-Burke (Monsieur Bouc), Paul Caffrey (Samuel Ratchett), John Paul Odle (Colonel Arbuthnot), Michael Kharfen (Hercule Poirot), Danielle Comer (Mary Debenham), Avery Lance (Hector MacQueen) and Paul Donahoe (Head Waiter/Michel) (Photo/Matt Liptak) The stunning opening conjured up by Director Stefan Sittig, Lighting Designers, Ken and Patti Crowley, Sound Designer Janice Rivera and Set Designer Matt Liptak sets the perfect tone in the pitch dark of the theatre featuring a realistic-appearing, whistleblowing, Mars light ablaze locomotive roaring onto the stage. Creating an alluring ambiance for intrigue, the full-stage revolving set design features an elegantly furnished dining car for the passengers – insert audible audience’s gasp here – the second reveals a cutaway view of the passengers’ bedrooms. It’s quite dramatic and remarkably effective.
To all the amateur sleuths out there, I pose this question. Can you name the killer before the dénouement? Alors, mes amis, imagine yourself on a train bound for London in the middle of a blizzard and trapped by a massive snowdrift in the mountains of Yugoslavia with no way out. As Poirot might say, “Bonne chance!”
A clear winner for The Little Theatre!
 (L – R) Patricia Nicklin (Princess Dragomiroff) and Julia Rudgers (Greta Ohlsson). (Photo/Matt Liptak) Adapted by Ken Ludwig; Dialect Coach, Alden Michels; 1930’s period Costume Design by Jean Schlichting and Kit Sibley; Fight Choreography by Stefan Sittig; Makeup and Hair Design by Larissa Norris.
Through April 13th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information call the box office at 703 683-5778 or visit www.TheLittleTheatre.com.
Two on the Aisle, Three in a Van – A Zany Spoof with 100 Laughs at The Little Theatre of Alexandria
Two on the Aisle, Three in a Van
The Little Theatre of Alexandria
Jordan Wright
September 12, 2023
Special to The Zebra
 Patrick Gallagher, Teresa Preston, and John Paul Odie (Photo/Fred Lash) In Mary Lynn Dobson’s comedy Two on the Aisle, Three in a Van we become witness to the antics of a zany theatre troupe at The Neighborhood Actors Summer Fun Repertory Theatre. Due to the limited space in the troupe’s playhouse, the company spends time backstage and in a parking lot where volunteer and resident aging hippie, Vondo (Paul Donahoe), who has a predilection for playing the intro to Iron Butterfly’s Smoke on the Water and lives out of his van with fellow techie and volunteer Jeannie.
As they prepare for their production of Hello Dolly led by Eric (Ian Wade), an artistic director with a knack for turning every musical into a murderous, sex-crazed horror show, things immediately start to go awry. “See beyond the words!” Eric tells the cast coming up with bizarre alternate realities for the plot. There’s hilarious conflict aplenty when Mike, the director, tries futilely to rein Eric in telling Meredith who’s playing Dolly Levy that, contrary to what Eric has told her, Dolly is most assuredly not meant to be portrayed as a pimp.
 Ian Wade (Eric) and Ann Brodnax (Meredith) (Photo/Fred Lash) Meanwhile chorus boy Daniel (well played by Joe Neff) is determined to suck up to Jeff, the theater’s producer, begging him to produce his silent play, “Mime: The Musical”. Some of the play’s funniest bits are Daniel racing around miming and tap dancing and driving them all crazy. Think Pee Wee Herman.
 John Paul Odie and Joe Neff (Daniel) (Photo/Fred Lash) This is the broadest sort of comedy with tons of sight gags, pratfalls, silly costumes and daffy shenanigans. Think Mel Brooks meets Monty Python while keeping all the balls in the air. There’s Meredith (Ann Brodnax) an over-the-hill diva who desperately wants the part of the ingenue in The Sound of Music. The ingenue, Robyn (Naomi Bertha), who is cast as Medea, in a dress fitted out with exploding entrails. And calm, cool and collected Harriet (Eleanore Tapscott), a counterpoint to the angsty Robyn, who gets miscast in everything yet has the sassiest comeback lines to put everyone in their proper place. Mike offers the best description of Scott (Patrick Gallagher), the Wardrobe Master, “He knows the difference between purple and aubergine.”
 Kirk Lambert (Jeff) and Eleanore Tapscott (Photo/Fred Lash) Thanks to a wonderfully lovable cast, Director Mike Donahue does a terrific job keeping the pace at breakneck speed in this outrageously funny farce that skewers anyone who has ever put on a show, experienced prop mayhem, or bolloxed up the sound cues with a nod to Charles Dragonette and Jenya Holbert for the wacky set design. Cheers to all actors and backstage crew who love the theater life and are celebrated in this madcap spoof.
See it for a hundred laughs.
Lighting Design by Ken and Patti Crowley; Sound Design by Janice Rivera; Costume Design by Robbie Snow and Ali Zaikouk.
 Paul Donahoe (Vondo), Teresa Preston (Jeannie), John Paul Odie (Mike), and Eleanore Tapscott (Harriet) (Photo/Fred Lash) Through September 30th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information call the box office at 703 683-5778 or visit www.TheLittleTheatre.com.
Freaky Friday – The Musical – A Solid Winner at The Little Theatre of Alexandria
Freaky Friday
The Little Theatre of Alexandria
Jordan Wright
July 26, 2023
Special to The Zebra
 (L-R) Sofia Cruz and Kristina Friedgen. (Photo/Matt Liptak) Having seen and loved Disney’s Freaky Friday when it premiered at Signature Theatre seven years ago in its debut from film-to-stage production, I have been beside myself to revisit this wonderful musical collaboration between composer Tom Kitt and lyricist Brian Yorkey. Kitt, best known for his scores of If/Then, Next to Normal, SpongeBob SquarePants and Jagged Little Pill draws from a panoply of musical themes and rhythms to create indelibly catchy tunes – the kind you find yourself humming all the way home. Yorkey partnered with Kitt on Next to Normal and If/Then and both men are stalwarts of the Broadway musical scene. Blessed by top-notch crew and cream-of-the-crop local talent, Director Joanna Henry has made the best of this engaging and heartwarming musical.
The bizarro premise of a mother and daughter switching roles for one day after an accident with an hourglass may be familiar to those of you who recall the movie that opened in 1976. Based on the novel by Mary Rodgers, it starred the adorable Jody Foster as the daughter and Barbara Harris as her mother. A later version in 2003 had the ever-talented Jaimie Lee Curtis and Lindsay Lohan as the mother/daughter duo.
 Patrick Byrns, Luke Martin, Joshua Mutterperl, Tucker Eskew, Michelle Stein, Kai Avila, Hannah Taylor, Eileen Parks and Sofia Cruz. (Photo/Matt Liptak) Single-mom-with-issues Katherine (Kristina Friedgen) and her feisty daughter Ellie (Sofia Cruz) magically switch roles for a day. Katherine, who is about to marry the adoring Mike (Paul Caffrey) wants to shed the day-to-day responsibilities of parenting an angsty teen, and Ellie has had it with the restrictions and emotional upheavals of being a high schooler with a helicopter mom. When the roles are switched and Katherine takes Ellie’s place, she experiences the day-to-day bullying and body shaming her daughter endures and Ellie sees the daily grind of running a catering business while raising two kids without a father.
 Tucker Eskew, Patrick Byrns, Kai Avila, Luke Martin, Sofia Cruz, Naja Bates and Eileen Parks. (Photo/Matt Liptak) Eighteen glorious numbers, backed by Conductor Christopher A. Tomasino’s sixteen-piece band, fill the two acts, giving us a diverse score of touching ballads, 50’s rock styles and Latin beats sung by a cast with big, expressive voices. Stefan Sittig’s choreography is seamless even with a couple dozen actors on stage at the same time. It’s a massive cast who morph into their quirky roles with aplomb. Shining above all others is Sofia Cruz who manages not only to inhabit her role as if born to it, but Kristina Friedgen who brings both sweet emotion and the manic desperation of a mom at her wit’s end. In the same category of excellence is Lourdes Turnblom as Katherine’s Catering Assistant, Torrey, who dials up the wit’s end confusion while trying to decipher why Katherine is acting like a child and Ellie is bossing her around. And endearing as heck is Joshua Mutterperl as Adam, the high school cutie and scavenger hunt list master with a secret crush on Ellie – or is it for her mom’s sandwiches?
It’s everything we want from musical theater – laughs, beautifully sung, funny or meaningful tunes, and characters you can relate to. Special kudos to Costume Designers, Judy Whelihan and Robin Worthington, who perfectly capture the funky-cool energy of teen styles and grown-up outfits.
Highly recommended.
 Kiril French and Kristina Friedgen. (Photo/Matt Liptak) With James Campione or Kiril French as Fletcher Blake; Naja Bates or Eileen Parks as Savannah; Peter Fannon as Grandpa Gordon/Mr. Blumen/Parker’s Dad/Señor O’Brien/Security Guard; Brandy Reece as Grandma Helene/Gretchen’s Mom/Mrs. Luckenbill/Mrs. Time; Brenda Parker as Catering Staff/Danielle/Savannah’s Mom/Ms. Meyers/Officer Sitz; Michelle Stein as Hannah; Hannah Taylor as Gretchen; Patrick Byrns as Catering Staff/Louis; Tucker Eskew as Catering Staff/Student; Lourdes Turnblom as Torrey/Adam’s Mom; Eileen Parks as Florist/Laurel/Catering Staff; Luke Martin as Student/Fish Vendor/Dr. Ehrin/Pastor Bruno/Well’s Dad/Officer Kowalski; Kai Avila as Catering Staff/Wells.
Book by Bridget Carpenter; Hair and Makeup by Natalie Turkevich; Lighting by JK Lighting (Jeffery Scott Auerbach and Kimberly Crago); Sound Design by Alan Wray; Set Design by Myke Taister; Dance Captain Eileen Parks.
Through August 12th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information call the box office at 703 683-5778 or visit www.TheLittleTheatre.com
High Jinks and Hilarity with an All-Black Cast in The Nacirema Society at The Little Theatre of Alexandria
Jordan Wright
June 6, 2023
Special to The Zebra
 (L to R): Jacquel Tomlin, Robin Lynn Reaves (Photo by Matt Liptak) When scandal hits the Nacirema Society’s celebratory year of presenting debutantes at their posh ball in Montgomery Alabama, all hell breaks loose in this prim and proper world of Black high society. To the mannerly matrons even the slightest whiff of unsavory behavior is utterly unspeakable. The society’s creed is “Honor, Chastity and Truth” and it will prove to be this august society’s undoing if word gets out that there’s been a breach in all three categories. As the program tells us it’s “a glamorous world where folks still dress for dinner and strong-willed grandmothers work behind the scenes” as the ladies’ social club is determined to keep social standards up to snuff at the height of the civil rights era.
Gracie (Selina Tom-Johnson), granddaughter of the society’s grande dame, Grace (Lisa Hill-Corley), knows she’s expected to attend HBCU Fisk College and follow in the family tradition, but that’s not what the delightfully independent budding author Gracie has in mind. She’s determined to pursue a writer’s bohemian life in New York City and her mother, Marie (Kellie Santos DeJesus), is sworn to secrecy so as not to upset Grace’s high-minded plans.
 (L to R): Selina Tom-Johnson, Jummy Lash (Photo by Matt Liptak) The play reads like a TV sit-com (in the best way) as the story unfolds to reveal a blackmail plot and the scandal of an extra-marital affair between the late Dr. Dunbar and the family’s former housekeeper, Alpha Campbell Jackson (Jacquel R. Tomlin), who intends to soak Grace for the dough to underwrite her daughter, Lillie’s (Jummy Lash) college dreams to become a doctor.
But when the New York Times announces the engagement of Gracie to Bobby Green (Evin Howell), a handsome young doctor and Gracie’s childhood playmate, Gracie must do her best to squelch the story and keep secret the romance between Bobby and Lillie.
The shiniest character is Catherine Adams Green (Robin Lynn Reaves, veteran actor in a number of our top local theater productions), best friend to Grace and Bobby’s addlepated mother who gets in over her head when she is asked to secretly broker the sub rosa deal with Alpha before it reaches the ears of New York Times reporter Janet Logan (Kamilah Lawson). Janet’s arrived to report on the historic cotillion and is a guest on Grace’s well-staffed home. Keeping the deal on the down low from Janet triggers a whole host of shenanigans from the ladies and leading to a ton of laughs from the audience.
 (L to R): Robin Lynn Reaves, Lisa Hill-Corley (Photo by Matt Liptak) The all-Black cast keeps it light and breezy amid the high jinks and hilarity of what is expected to be an auspicious event for the Nacirema Society (which by the way spells America backwards). There’s even a soupçon of mystery as family secrets are revealed in this very American drawing room comedy. A good bit of sherry-sipping rounds out the sharp edges of the family dynamic and soon we’re caught up in all the sparkly silliness.
Handily directed by Eleanor Tapscott, writer Pearl Cleage’s convolutedly clever comedy comes alive. It’s a treat for LTA to have selected this work by Cleage who gave us Blues for an Alabama Sky and the New York Times best seller, What Looks Like Crazy on an Ordinary Day.
With Barbara Cooper as Jessie Roberts.
Assistant Director, Aracely Ode; Lighting Design by JK Lighting Design – Jeffrey Scott Auerbach and Kimberly Crago; Costume Design by Jean Schlichting and Kit Sibley; Sets by Ken Brown and Peter Mumford; Sound Design by Dr. Victoria Brown and Ruben Vellekoop.
 Front Row (L to R): Jummy Lash, Jacquel Tomlin, Lisa Hill-Corley, Selina Tom-Johnson
Back Row (L to R): Barbara Cooper, Tiffany Morina, Kamilah Lawson, Kellie Santos-DeJesus, Juanisha Brooks, Robin Lynn Reaves, Evin Howell (Photo by Matt Liptak) The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First 100 Years through June 24th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information visit www.TheLittleTheatre.com or call the box office at 703 683-0496.
|
