Jordan Wright
April 19, 2012
Special to The Alexandria Times
Sam Sheinberg (Court Wader), Russell Silber (Leonard), Bruce Schmid (Barrister), Dan Beck (Clerk of the Court), Jeffrey Clarke (Justice Wainright), John Johnson (Barrister), and Mark Lee Adams (Sir Wilfred Robarts, QC) - photo credit to Doug Olmsted.
In a whodunit filled with more red herrings than a kettle of fish, veteran Little Theatre director Eddie Page takes a cast of nineteen actors and packages them into a tidy piece of silken stagecraft. That the plot may be familiar to those who remember the 1957 Billy Wilder-directed film of the same name, and that starred Tyrone Power, Charles Laughton and Marlene Dietrich, should in no way deter an appreciation of this well-acted version. The play, unlike the film of the same name, adheres to the original as written by Agatha Christie in 1953.
The likeable but enigmatic Leonard Vole is accused of murdering of a wealthy older lady. Or to be politically correct, allow me to amend it to “ a well-to-do senior citizen”. Miss French’s senior status should be noted here since, when it is revealed that she is 56 years old, it makes for some snickering in the audience, sounding as it does by today’s standards a rather archaic notion. Leonard becomes the main suspect when it is revealed that he is the chief benefactor in the lady’s recently revised will.
Robert Ford (Detective) and Russell Silber (Leonard) - photo credit to Doug Olmsted
Miss French, who befriends the impoverished mechanic after he chivalrously rescues her from being run over on a London city street, is neither seen nor heard during the three acts which, being quite dead should be reason enough, but for we amateur sleuths there’s not much to chew on save a haze of supposition, conflicting testimony and inexplicable evidence leading helter-skelter down a blind alley.
Mark Lee Adams deftly plays Leonard’s counselor Sir Wilfrid Robarts, Q.C. Robarts, who had up till then sworn off murder trials, agrees to take the case after becoming convinced of the poor man’s innocence.
As the case unfolds in the courtroom of the Old Bailey, we meet Miss French’s feisty yet devoted housekeeper, Janet McKenzie, played rivetingly by Cheryl Sinsabaugh whose spot-on Scottish brogue is as crusty as week-old haggis. Janet has reason to point the finger at the ambitious Leonard Vole. He’s usurped her territory and stolen her mistress’s affections. But we like the charismatic chap anyway.
Robin Zerbe (Romaine) and James McDaniel (Mr. Meyers, QC) - photo credit to Doug Olmsted.
Robin Zerbe (Romaine) and Mark Lee Adams (Sir Wilfred Robarts, QC) - photo credit to Doug Olmsted.
Russell Silber does a fine job of portraying the likeable Leonard in counterpoint to his wife Romaine, the Teutonic ice princess tautly acted by Robin Zerbe. Though Leonard marries her to facilitate her escape from wartime Germany, in an ironic twist Romaine becomes witness for the prosecution and against her adoring husband. “One can get tired of gratitude,” she stoically declares.
At times you may feel that you are in the middle of a game of Clue. There’s no rope here but a blood stained jacket, mountains of motives, a bludgeoned body and a large kitchen knife loom largely. Did I mention all the circumstantial evidence? Nothing appears to be indisputable, not least of all the exact time of the murder.
In Christie’s stage version the bewigged barristers address the audience as jury and you may feel quite invested in divining the outcome of this charming slice of skullduggery. Though your efforts may prove meaningless as the ending trumps the most invigorated mystery hounds among us. And isn’t that exactly what we adore about Agatha Christie?
Through May 12th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com
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