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Discovering the Hip and Historic Side of Lancaster, Pennsylvania
Jordan Wright
June 14, 2025
Special to The Zebra
Founded in 1730, the city of Lancaster lies between the lush green fields of Amish farm country. Boys and bearded men sport suspenders, black trousers and straw hats in summer and black hats against cold winter days. Girls and women stroll by in long dresses with aprons – black bonnets for the single women and white for married women. It’s a striking and readily recognizable appearance. Look around and you’ll hear the sharp clip-clop of the one-horse buggys traveling country lanes.
This travelogue is about the other Lancaster, a burgeoning, hip and historic city easily accessed from Philadelphia – an hour’s train ride – or from the Washington Metro area – a 2-hour drive or 3-hour Amtrak ride into the heart of the city. The perfect weekend getaway.
My fascination with the city began with its remarkable architecture – Greek Revival, Tudor, Beaux Arts, Art Deco, Federal, Gothic, Germanic, Romanesque, Neo-Classical, Victorian, Colonial, Georgian, and Italian Renaissance. Tall multi-story structures decorated with elegant trim line the city streets. Many of these are beautifully preserved with plaques that reveal the history of the building or a notable occupant. Tucked into narrow alleyways you’ll discover log houses, carriage houses and early outhouses. A self-guided architectural walking tour can be accessed online at https://storymaps.arcgis.com/stories/9503b44fe06847b7b48a8865684ccec7.
Start your day at Lancaster Central Market in the heart of the city where you can stop for a bite and a coffee while checking out the many stalls featuring Amish cheeses, meats, farm fresh produce, Grasshopper’s Wicked Pickles (20 varieties!) and Mr. Bill’s Fresh Seafood for in-house smoked salmon. The market is a bonanza of locally canned fruit preserves. Pick up a scratch-made savory or sweet pie from Lancaster Pie & Coffee where you’ll find classic apple, peanut butter chocolate, bourbon pecan or a sour cherry latticed pie. Savory quiches are always on the menu.
 Local farm-made baked goods, apple butter and more from Kauffman Orchards at the Lancaster Central Market. (Photo/Jordan Wright)
Sample spirits from Lancaster Distilleries who make a variety of bourbons, whiskies, vodka and brandies. I know. It’s morning. But their booth was already busy with customers sipping and buying small batch bourbon. For nighttime fun the company runs a repertory cinema stillhouse called Zoetropolis with live music, local art and indie films.
 Customers enjoy the fresh produce at the Lancaster Central Market. (Photo/Jordan Wright)
Lancaster Central Market is the oldest indoor farmer’s market in the United States. In June the Strawberry Festival showcases piled-high strawberry pies topped with fluffy clouds of whipped cream, glistening strawberry shortcakes and cupcakes topped with strawberry and lemonade icing.
Once fueled up take a short stroll to the city’s art galleries. The Pennsylvania Guild of Craftsmen Store has local artists and artisans work – ceramics, carved wood objects, fine art and jewelry. Many of the galleries are close together on Prince Street. Be sure to visit the newly established Lancaster Art Vault on the corner of Orange and Queen Streets where owner Victoria Abadir presents revolving juried exhibits, workshops and live model figure drawing as well as local artists, some of whom work on site in a variety of mediums. Nearby, Redeux Vintage has stylish vintage clothing and unique accessories. Another fun stop is Space chock-a-block with mid-century furniture, clothing, vinyl records and video games.
A recent springtime visit coincided with the annual Rhubarb Festival held at Kitchen Kettle Village in Intercourse. Be sure to visit Jam & Relish Kitchen where you can watch the canning process and sample some of the jams, jellies, salsas and relishes they have stocked to the rafters. Over forty shops are dotted around this charming village. Seek out locally made heirloom quilts, homemade whoopie pies, hand-thrown pottery and artisan treasures.
 Rhubarb at the Rhubarb Festival in Kitchen Kettle Village. (Photo/Jordan Wright)
Within the Village have lunch at the Burnley family’s Kling House Restaurant. The restaurant has just reopened after shuttering for five years. You’ll dine in an historic house choosing from salads, housemade soups and entrées. We sat on the front porch overlooking the Amish Carriages for hire. Try the Shrimp & Crab “Cake”, Pork Barbecue, or Seared Pork Loin with Carolina Gold rice and black-eyed peas. Refreshing “Mocktails” are made with herbs, spices, rose blooms and/or lavender and fresh fruits. Executive Chef, Craig Longnecker helms the kitchen and designs the drinks.
 Kling House Restaurant at the Kitchen Kettle Village. (Photo/Jordan Wright)
After lunch, head off to The National Watch and Clock Museum in Columbia where you’ll gaze in wonder at a fascinating collection of hundreds of antique clocks, watches and elegant timepieces from around the world. The museum houses the Engel Clock, an extraordinary timepiece with moving characters synched up to the inner pipe organ. The massive clock sits 11 feet high and 8 feet wide. It was discovered in pieces in an old barn in Connecticut, then brought to the museum and restored by clockmakers and repair experts that came from all over the country. Be sure to take the tour when the guide brings the fantastical clock to life. Fun Fact: Founded in 1895, Lancaster was the headquarters of the Hamilton Watch Company for over seven decades.
Check in at the centrally located Lancaster Marriott at Penn Square before heading up to The Exchange, a modern rooftop lounge featuring drinks, small bites and a killer view of the city. You’ll find a lively scene packed nightly. Be sure to make reservations.
A few steps from the hotel is Josephine’s Downtown, an elegant, bespoke, white linen restaurant drenched in Hollywood glamour and located in an historic building. Chandeliers and candlelight bathe the well-spaced tables. The service is superb as are the wine list and the perfectly prepared cuisine. Deep blue walls are covered with gold-framed photos of famous stars of the Golden Age of Hollywood and the Broadway stage. We had fun putting names to the iconic images as we listened to a pianist play old standards. A destination restaurant, Josephine’s is an unforgettable lavish dining experience not to be missed.
 Elegant indoor dining at Josephine’s Downtown. (Photo courtesy of Josephine’s Downtown)
We slept in, savoring memories of our fabulous dining experience at Josephine’s, before heading out to the Hershey Farm Restaurant’s “Grand Smorgasbord” at the Hershey Farm Resort in Ronks where a twenty-foot Amish figure named Amos and holding a pitchfork, towers over the parking lot. Kitsch and cool at the same time.
 Amos the Amish farmer statue outside the Hersey Farm Restaurant. (Photo/Jordan Wright)
Suffice it to say, their buffet is epic and endless. In this newly decorated farmhouse style spot there’s something for everyone, kids and grownups alike. We checked out the lobby’s shops and found a boutique with a chic collection of affordable daywear, collectibles and accessories.
After brunch we headed over to the Railroad Museum of Pennsylvania. I don’t claim to know a single thing about trains, so I was a bit skeptical if it would hold my interest. What we discovered was breathtaking – a vast collection of one hundred antique locomotives, cabooses and train cars, polished and restored as if brand new and housed in a massive two-level building the length of two football fields. You’ll stroll along the platforms, as if you’re about to leave the station or greet a loved one.
 The long lines of antique trains at the Railroad Museum of Pennsylvania. (Photo/Jordan Wright)
On Main Street you’ll discover a re-created passenger depot from the early days of train travel, a train ticket booth and telegraph office, a roomful of model trains and railroad artifacts. We tried our prowess at a hands-on experience – shoveling coal into a train’s engine went well. Then climb aboard a train to be transported back in time. Our tour guide provided a wealth of information about the mechanics of each train and the early days of train travel.
 Recreated passenger depot at the Railroad Museum of Pennsylvania. (Photo credit Jordan Wright)
Driving past dairy farms and rolling fields of early corn crops, we headed off to the Haines’ family’s Grandview Vineyard. The tasting room overlooks acres of vines in a scene evocative of a European winery. Their wines are legit as are the charcuterie boards featuring local cheeses.
 View from the tasting room at Grandview Vineyard. (Photo/Jordan Wright)
We enjoyed an excellent cabernet sauvignon and a merlot that was on point and brought home a chunk of the amazing local Smoked Galen’s farmstead gouda from Clover Creek Cheese Cellar. Enjoy the free concert series on Friday and Saturday nights.
 Local cheese at Grandview Vineyard. (Photo/Jordan Wright)
A quick ten-minute drive from the winery, in the tiny town of Mount Joy we found one of the most unique experiences at Bube’s Brewery – the first brewery in America to have a liquor license. Visitors come from all over the world to investigate the Old World brewing process and discover the original equipment still in use. It’s the nation’s only intact brewery from the 1800’s.
 Stepping back in time with the Victorian décor and furnishings. (Photo via Bube’s Brewery)
The extensive tour takes you through a series of underground rooms housing massive brewing vats, then up and down many narrow stairways to a ballroom overlooking the town and another room with the original pre-prohibition bar, still in use for special events. The lowest underground level features the Catacombs. A large, curved ceiling room for fine dining, it’s one of four restaurants onsite. The maximalist Victorian décor, furnishings and original art can be found throughout the 19th Century brick building. I’ve toured many breweries here and abroad and never seen any place as fascinating as this.
 Underground dining room at Bube’s Brewery. (Photo via Bube’s Brewery)
Bube’s is also an inn which, we were told, by law they must maintain to continue to operate as a brewery. Eight themed bedrooms accommodate guests – Moroccan, Southwestern, Asian and two Princess bedrooms to name a few. It would be fun to book a room on one of their murder mystery nights. Another area for dining is the expansive outdoor biergarten serving a selection of guest beers plus beers brewed on the property along with upscale pub food.
 Outdoor dining in the garden ay Bube’s Brewery. (Photo via Bube’s Brewery)
Ain’t Too Proud – The Life and Times of The Temptations
is 100% On Fire at The National Theatre
Ain’t Too Proud – The Life and Times of the Temptations
Broadway at The National
Jordan Wright
June 18, 2025
 Lowes Moore (Eddie Kendricks), Jameson Clanton (Melvin Franklin), Josiah Travis Kent Rogers (David Ruffin), Rudy Foster (Otis Williams), Bryce Valle (Paul Williams) from the National Touring Company of Ain’t Too Proud. (Photo/Joan Marcus)
With hot hits from America’s number one R&B/Soul/Funk/Pop group of the 50’s, 60’s and 70’s, this bio-musical from the Berkeley Repertory Theatre is a blast from the past jam-packed with 31 of their platinum hits. Told through the eyes of Otis Williams, the group’s founder, the story takes us on a top-of-the-pops journey from the original foursome’s Detroit roots through its heyday under record industry icon, Berry Gordy and songwriter Smokey Robinson. Through the years the group gained and lost members like David Ruffin, Eddie Kendricks, Melvin Franklin and Damon Harris.
Ain’t Too Proud – The Life and Times of the Temptations takes us through the headliners’ triumphs and tragedies, telling the stories of their lives and loves through their music. Expect the greatest hits from their extensive catalogue – hits that a generation of us danced to, made out to, and sometimes got married to. Don’t think for a minute that the audience was a bunch of aging baby boomers clinging to fond memories of their teen years. That couldn’t be further from the truth. I looked around to see who was there – who was tapping their toes, mouthing the lyrics and beat-bobbing their heads, and they were all ages. Because you just can’t sit still to this musical – certainly not while watching their highly choreographed, synchronized dance movements these polished showmen were known for.
 Jameson Clanton (Melvin Franklin), Josiah Travis Kent Rogers (David Ruffin), Lowes Moore (Eddie Kendricks), Rudy Foster (Otis Williams), Bryce Valle (Paul Williams). (Photo/Joan Marcus)
These were the tunes that backgrounded family BBQs, birthday parties, impromptu dance parties and early discos. Hot hits that were played in cars and sung on street corners where impromptu harmonizers would doo-wop the latest hits. There is joyful spirit in the early music – “My Girl”, “I Can’t Get Next to You”, “If You Don’t Know Me by Now”, “Cloud Nine” and so many more. Eventually though the scene changed with the death of Martin, Jack and Bobby, the Vietnam War and the group’s songs – “I Wish It Would Rain” and “Ball of Confusion” – reflected those politicly fraught days. Just as “Papa Was a Rollin’ Stone” reflected the psychedelic era. Ain’t Too Proud covers 31 of their chart-topping hits throughout the perils and pitfalls, loves and losses of their massive success culminating with their reunion tour included all seven of the original Temptations. The Temptations went on to be named the “Number One Group in America” and that’s why you can’t miss this exciting show.
The musical is backdropped with terrific period-centric projections by Peter Nigrini of Sponge Bob Square Pants and Amélie fame and choreographed to a gold standard by Sergio Trujillo known for his work on Jersey Boys and On Your Feet. Orchestrations are by the show’s veteran musical director, Harold Wheeler with music directed by the legendary Kenny Seymour. Multiple Tony Award-winning director, Des McAnuff, pulls the threads and it’s as tight as the group’s pegged trousers, sharkskin jackets and the sequin-gowns worn by Diana Ross and The Supremes who make a cameo appearance with Tammi Terrell. Costume designer and multi-Tony Award winner, Paul Tazewell, veteran designer of Hamilton, Suffs, MJ, The Color Purple and other blockbuster Broadway hits.
 Reyanna Edwards (Johnnie Mae/Mary Wilson), Rudy Foster (Otis Williams), Jamal Stone (Dennis Edwards), Lowes Moore (Eddie Kendricks), Jasmine Barboa (Diana Ross/Josephine), Jameson Clanton (Melvin Franklin), Bryce Valle (Paul Williams), Kaila Symone Crowder (Paul Williams). (Photo/Joan Marcus)
The only issue I have is why, oh why, were we teased with too brief solos by Jasmine Barboa’s heart-stopping voice on “If You Don’t Know Me by Now”, and Bryce Valle’s beautiful solo tenor on the ballad, “For Once in My Life”. Just when we had goosebumps.
Book by Dominique Morisseau. Based on the book “The Temptations” by Otis Williams with Patricia Romanowski. Music and lyrics from The Legendary Motown Catalog.
With Rudy Foster as Otis Williams; Bryce Valle as Paul Williams; Jameson Clanton as Melvin Franklin; Lowes Moore as Eddie Kendricks; Josiah Travis Kent Rogers as David Ruffin (played by Corey Mekell on opening night); Cedric Jamaal Greene as Slick Talk Fella/Smokey Robinson/Damon Harris; Mikey Corey Hassel as “Gloria” soloist/Interviewer/Delivery Man/Richard Street/Lamont; Robert Crenshaw as Al Bryant; Kaila Symone Crowder as Mama Rose/Florence Ballard/Tammi Terrell; Reyanna Edwards as Johnnie Mae/Mary Wilson; Kerry D’Jovanni as Berry Gordy; Jasmine Barboa as Diana Ross/Josephine; Colin Stephen Kane as Shelly Berger; Jamal Stone as Dennis Edwards.
Scenic Design by Robert Brill; Lighting Design by Ryan O’Gara; Music Direction/Conductor, Eli Bigelow; Sound Design by Jeff Human, Original Hair and Wig Design by Charles G. Lapointe.
Highly recommended! 100% on fire!!!
Through Sunday, June 21st at The National Theatre, 1321 Pennsylvania Avenue, NW, Washington. DC 20004. For tickets and information call the box office at 202.621.6161 or visit www.TheNationalDC.com.
What’s Onstage in the DMV – July 2025
Jordan Wright
Special to The Zebra
 Harry Potter and the Cursed Child North American Tour (Photo/Matthew Murphy)
The National Theatre – Harry Potter and the Cursed Child – July 8th – Sept 6th – www.TheNationalDC.org
Arena Stage – A Wrinkle in Time – through July 20th – www.ArenaStage.org
Faction of Fools – How the Sausage Gets Made – Jul 17th – Aug 9th – www.FactionofFools.org
Contemporary American Theater Festival – Shepherdstown, WV – July 11th – August 3rd [email protected]
 Summer Passport Music Festival via Creative Cauldron
Creative Cauldron – Summer Passport Music Festival – June 20th – Sept 14th –
www.CreativeCauldron.org
Olney Theatre – Kim’s Convenience – June 25th – July 27th
A Midsummer Night’s Dream (a Synetic Theater production) – July 17th – Aug 10th – www.Tickets.olneytheatre.org
Theatre J – The Rise of the Superhero – July 21st – Aug 25th www.EDCJCC.org
 The cast of The Untitled Unauthorized Hunter S. Thompson Musical at Signature Theatre (Photo/Christopher Mueller)
Signature Theatre – The Untitled Unauthorized Hunter S. Thompson Musical – through Jul 13th
You’ve Got a Friend – Women Pop Rock: Women Songwriters – July 2nd – July 13th
Broadway in the Park at Wolf Trap – June 28th one night only
www.SigTheatre.org
Keegan Theatre – Apropos of Nothing, A Comedy – Jul 12th – Aug 3rd – www.KeeganTheatre.com
 Cast of Dungeons & Dragons The Twenty-Sided Tavern US Tour
The Kennedy Center – Les Miserables – through July 13th
Sesame Street the Musical – July 10th – Aug 31st
Dungeons & Dragons The Twenty-Sided Tavern – July 22nd – Aug 3rd
www.Kennnedy-Center.org
Toby’s Dinner Theatre – Disney’s The Little Mermaid – through Aug 17th – www.TobysDinnerTheatre.com
 Wipeout via Studio Theatre
Studio Theatre – Wipeout – through July 27th – www.StudioTheatre.org
Shakespeare Theatre Company – Duel Reality – July 1st – July 20th – www.ShakespeareTheatre.org
Imagination Stage – Dory Phantasmagory – through Aug 3rd – www.ImaginationStage.org
 Bye Bye Birdie via Port Tobacco Players
Adventure Theatre – The Lightning Thief – through Aug 17th – www.AdventureTheatre-MTC.org
Port Tobacco Players – Bye Bye Birdie – July 11 – Aug 3rd – www.PTPlayers.com
The Little Theatre of Alexandria – Kinky Boots – July 26th – Aug 16th – www.TheLittleTheatre.com
Woolly Mammoth – Dead Inside – July 9th – July 27th – www.WoollyMammoth.net
Signature Theatre Wins Big with The Untitled Unauthorized Hunter S. Thompson Musical
The Untitled Unauthorized Hunter S. Thompson Musical
Signature Theatre
Jordan Wright
June 12, 2025
 Eric William Morris (Hunter S. Thompson) and Giovanny Diaz De Leon (The Kid) with the cast of The Untitled Unauthorized Hunter S. Thompson Musical at Signature Theatre. (Photo/Christopher Mueller)
You might say the country was as polarized during the 1960’s as it is today and you wouldn’t be far off. When Nixon was president a powerful youth-driven counterculture began emerging. Heavily armed police squads were combatting student protests and shutting down university campuses. MLK, JFK and RFK had been assassinated leading to fear and malaise. For a nation battered by the McCarthy hearings of the ‘50’s and the never-ending Vietnam War, there was no clear direction of where the country was headed.
Enter journalist Hunter S. Thompson whose passion for drugs, booze and poking the bear fueled his creative juices. In The Untitled Unauthorized Hunter S. Thompson Musical we meet the man, the myth, the iconoclast. Eighteen years in the making, this show has all the relevance of today’s headlines.
 Lorinda Lisitza (Virginia) and the cast of The Untitled Unauthorized Hunter S. Thompson Musical. (Photo/Christopher Mueller)
Apart from the juicy lifestyle gems Thompson’s world provides, Joe Iconis, (Book Writer, Lyricist and Composer) and Gregory S. Moss (Book) had to wrangle that material into a musical with characters as disparate as Hunter’s long-suffering wife, Sandy; his nemesis, President Richard Nixon, leader of the Silent Majority, “I’m gonna use my writing to take down a president,” Thompson crows and his barbed writing succeeds; a gaggle of flower children fans and freaks; assorted Hell’s Angels compatriots; editors from his work at Time Magazine, Scanlon’s and the Rolling Stone; Oscar, his cohort and human rights attorney; his neglected son, Juan; and his feisty enabling mother, Virginia.
Virginia’s job as a librarian included stealing books for Hunter. These classic novels sparked his imagination. “You can change the world. You can write it,” she tells her wayward teen. He fell hard for Scott Fitzgerald and spent a year typing out “The Great Gatsby” to get a feel for his style of writing, using the novel as his inspiration for seeking ‘the green light’ as a metaphor for finding love and truth. Throughout his drug-addled and booze-fueled career he chased his dream, creating the ground-breaking style of writing later dubbed Gonzo journalism in which the writer is at the center of the story. The musical echoes that journey with some of the wackiest, most wonderful scenes and songs concocted for stage.
 Eric William Morris (Hunter S. Thompson) and the cast of The Untitled Unauthorized Hunter S. Thompson Musical. (Photo/Christopher Mueller)
From the A-list actors to the production design, this musical is a stunner with a fuse-blowing wow factor beginning with the arcana-rich set design of Hunter’s oddities and collectibles to the poignant finale. A wealth of standout songs captures Thompson’s wild ride from fame to failure, all supported by candy-colored, tangerine-flake, electric Kool-Aid acid characters. Okay, I cribbed those last descriptors from Tom Wolfe, another ground-breaking writer of the period.
The musical is broken down into nine parts with a prologue, epilogue and two interludes. Standout moments for this reviewer, were Richard Nixon in the entr’acte, played in hilarious over-the-top Vaudeville style by George Abud with the song-and-dance tune, “Richard Nixon’s Big Number” in Another (Stolen) Moment with Richard Nixon (The Swine); “Jann Wenner” and “Song of the Brown Buffalo” in The Fertile Ground of San Francisco; Sandy’s song of her dreams; and Juan’s heart-breaking ballad, “Hey, Dad”.
 George Abud (Nixon) and the cast of The Untitled Unauthorized Hunter S. Thompson Musical. (Photo/Daniel Rader)
Throughout this wild and beautiful musical, there is poignancy, love, fear and loathing, hope and hilarity. See it, feel it, love it!!!
Highly recommended! Five stars, if I gave them out, which I do not.
The fantastic cast stars Eric William Morris as Hunter S. Thompson; Lorinda Lisitza as Virginia; George Abud as Richard Nixon; Tatiana Wechsler as Sandy; George Salazar as Oscar/Dance Captain; Ryan Vona as Juan; Jason SweetTooth Williams as Steadman/Fight Captain; Meghan McLeod as Flower Child; Darlesia as Jann; Giovanny Diaz de Leon as The Kid; Josiah Rey Cajudoas Puppeteer.
Brilliantly directed by Christopher Ashley with breathtaking Scenic Design by Wilson Chin; Music Supervised by Rick Edinger; Costume Design by Toni-Leslie James; Lighting Design by Amanda Zieve; Sound Design by Justin Stasiw; Choreography & Musical Staging by John Rua; Hair & Wig Design by Matthew Armentrout; Puppet Design by Animal Cracker Conspiracy; Orchestrations by Charlie Rosen; Vocal Arrangements by Rick Edinger; Sensitivity Specialist, Anne James.
Through July 13th at Signature Theatre, 4200 Campbell Avenue in Shirlington Village, Arlington, VA. For tickets and information contact the box office at 703.820.9771 or visit www.SigTheatre.org.
A Rollicking Brit Sendup Delivers in Spades with The Play That Goes Wrong at The Little Theatre of Alexandria
The Play That Goes Wrong
The Little Theatre of Alexandria
Jordan Wright
June 9, 2025
Special to The Zebra
 Sydné Marie Chesson (Annie), Justin Beland (Robert Grove), Jermaine Mitchel (Trevor Watson), Andy Izquierdo (Jonathan Harris), and Suzy Alden (Sandra Wilkinson) in The Play That Goes Wrong at The Little Theatre of Alexandria. (Photo/Bob Aronstam)
Take a deep breath or two, then prepare to fall down laughing. Oh, righto, dear reader, thankfully you’re already well seated. From start to rollicking finish this hilarious play-within-a-play on steroids never misses a comedic beat as this splendid twelve-member cast proves that anything that can go wrong, will… spectacularly. You’ll recall the old chestnut of Murphy’s Law, well, its tidy aphorism is cheekily born out here. Someone must have said the forbidden word, “Macbeth” backstage, because the Cornley Drama Society proceeds to offer up a shining example of the ineptest group of actors to ever tread the boards.
In trying to stage “The Murder at Haversham Manor”, this cockeyed amateur troupe shows that the play’s the thing – until it isn’t. Pratfalls, mishaps, blown cues and botched exits abound, dead bodies won’t stay dead and malapropisms are the order of the day, all done with a straight face and a stiff upper lip. That we, the audience, are in on the farcical nonsense, is the clever conceit.
 Adam R. Adkins (Inspector Carter) (Photo/Bob Aronstam)
It is the night of the engagement party of Florence Colleymore (Suzy Alden) to Charles Haversham (Andy Izquierdo) who has been found murdered. When Inspector Carter (Adam R. Adkins) arrives at the manor to interrogate the estate’s fashionable guests, he doesn’t know whether to point the finger at Florence the seductress; her supercilious brother Thomas (Justin Beland); Charles’ cuckolding brother Cecil (Cameron McBride); Perkins the bumbling Butler (William Wheat); or Arthur the absent gardener (Cameron McBride) But it hardly matters in this whodunnit. With all the mayhem and mischief, everyone is under the microscope.
The only ones who remain relatively unscathed from accusation in this twisted mystery are Trevor Watson (Jermaine Mitchell), the Lighting and Sound Operator and Duran Duran fanboy, whose miscues and mishaps add to the cast’s confusion, and the Stage Manager (Sydné Marie Chesson) who tickles the audience when both of them wind up on stage to fill in for cast members who have been knocked unconscious by falling portraits or hidden behind secret revolving doors and the fourth wall is irretrievably open for business.
 Cameron McBride (Cecil) and Justin Beland (Thomas) (Photo/Bob Aronstam)
If you’ve ever acted in or staged a production, you’ll commiserate with props that aren’t where they’re supposed to be, actors who are self-absorbed hams, sets that fall apart, and doors that won’t open. Especially funny are the ongoing, dueling divas’ scenes when Florence revives from an accident only to discover her role has been taken over by the totally inept, Stage Manager, who becomes feverishly attached to Florence’s femme fatale role.
Highly recommended!!! This excellent cast nails their upper crust British accents in a hugely physical comedy that gallops along at lightning speed. It’s a rollicking goofball sendup that’s guaranteed to keep you guffawing long after you’ve left your seat.
 Andy Izquierdo (Charles Haversham), William Wheat (Perkins), and Justin Beland (Thomas) (Photo/Bob Aronstam)
Written by Henry Lewis, Jonathan Sayer & Henry Shields; Directed by Frank D. Shutts II; Set Design by Dan Diesz and Dan Remmers; Lighting and Special Effects by Ken and Patti Crowley; Costume Design by Jean Schlichting and Kit Sibley; Fight Director Ian Claar; Dialect Coach Carol Strachan; Sound Design by Alan Wray.
Through June 28th at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA 22314. For tickets and information call the box office at 703.683.0496 or visit www.TheLittleTheatre.com.
Humor, Drama and Pathos Combine in Andy Warhol in Iran at Mosaic Theater
Andy Warhol in Iran
Mosaic Theater
Jordan Wright
June 2, 2025
 Nathan Mohebbi (Farhad) and Alex Mills (Andy Warhol) in Mosaic Theater’s Andy Warhol in Iran. (Photo/Iwan Bagus)
In our digital age, an artist with a Polaroid camera and a penchant for telephone chitchat, seems rather quaint, but that’s exactly how Warhol started before achieving his massive empire. An awkward Polish kid from Pittsburgh brings his artistic interests to New York City and whammo! Within a few years he’s moved into his film and recording studio, The Factory, managed the band Velvet Underground, and is hanging out with artists, celebrities, socialites, wealthy patrons and odd ducks.
I’d often see Andy in Max’s Kansas City, where artists from the Lower East Side would congregate. He was always with an entourage. Ghostlike he would swan in while his colorful followers would captivate the room flitting from table to table. Though his shock of white hair and sunglasses would make him instantly recognizable, he would shrink into a back booth to watch the effect. Andy was a voyeur, an archivist, an artist, and social catalyst.
Andy Warhol in Iran opens with a few small familiarizing scenes that touch on his early life and his penchant for the telephone. “I just love talking on the phone,” he coyly confesses. Video projections reveal the Pop Art pieces that brought him fame – the Campbell’s soup can and later, silk screen portraits of Elizabeth Taylor, the dress designer Diane Von Furstenburg, Chairman Mao, Elvis, Marilyn Monroe, a politically insulting one of Richard Nixon that got him in trouble, and Jackie Kennedy, to name a few of his iconic silkscreen images. Fairly quickly, Warhol realized that these could be reproduced, and along with the business savvy of friend and confidant, Fred Hughes, the money and social influence rolled in.
 Alex Mills (Andy Warhol). (Photo/Chris Banks)
This one-act play imagines a moment in time when Warhol was summoned to Iran to do a photo shoot with Empress Farah Pahlavi who was married to the Shah of Iran. The royal couple were the darlings of American high society. although the Shah had built one of the most repressive police states in history – responsible for propping up British and American oil interests in Iran through the torture, arrest and murder of its citizens. All this is cleverly examined in the play and sets the stage for the planned kidnapping of Warhol from his Teheran hotel by a small radical group seeking international publicity for their cause.
The action really begins to ramp up when room service arrives to Andy’s hotel room. After cordial exchanges, the waiter points a gun at Warhol and tells him he is being kidnapped for political reasons. Warhol protests that he is apolitical, “I find politics really abstract,” he insists. But Farhad is wild-eyed and desperate and over the course of the play they fight about art, politics and humanity. I won’t go any further into the plot which expands and deepens their relationship in ways increasingly electrifying and suspenseful. And although the kidnapping or threat of it never happened, the story reveals the precariousness of human and political relationships
 Nathan Mohebbi as (Farhad) and Alex Mills (Andy Warhol). (Photo/Chris Banks)
Veteran actor Alex Mills inhabits the spirit of Warhol, segueing effortlessly from light-hearted, self-absorbed humor to a portrait of an artist with a tragic backstory and fierce sense of survival. He is evenly matched by Nathan Mohebbi’s dark and dangerous portrayal Farhad, a university student and Iranian revolutionary. When the two men eventually bond over their respective tragedies, emotions shift.
This is a fascinating play filled with drama, humor and pathos. Kudos to Playwright Brent Askari and Director Serge Seiden for bringing it to life.
Scenic Design by Andrew Cohen, Lighting Design by Alberto Segarra, Costume Design by Jeannette Christensen, Wig & Makeup Design by Larry Peterson, Sound Design by David Lamont Wilson, Projections Design by Mona Kasra, Assistant Director and Stage Manager Anahita Sepehri and Intimacy and Violence Director Sierra Young.
Through July 6th at Mosaic Theater at the Atlas, 1333 H Street, NE, Washington, DC 20002. For tickets and information call the box office at 202.399.7993 or visit www.MosaicTheater.org.
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