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Can You Spell H-I-L-A-R-I-O-U-S? The 25th Annual Putnam County Spelling Bee at The Little Theatre of Alexandria

Jordan Wright
January 17th, 2012
Special to The Alexandria Times 
 

Amy Conley (Rona Lisa Perretti) and Jeff Davis (Vice Principal Douglas Panch) - Photos by Shane Canfield

Amy Conley (Rona Lisa Perretti) and Jeff Davis (Vice Principal Douglas Panch) - Photos by Shane Canfield

For those of us whose middle school memories harken to a time of anxieties, crushing insecurities and the dread of not fitting in, have I got a musical for you!  The 25th Annual Putnam County Spelling Bee will remind you that you have plenty of avatars in the challenging world of teenage angst.  Dorks, dweebs, do-gooders and overachievers will be your new BFFs in this uproarious production featuring the oddball world of spelling bee competitions.  (Note to parents of aspiring qualifiers: The annual Scripps National Spelling Bee is held right here in Washington, DC.)

That the characters in this musical are decidedly unique doesn’t get in the way of composer William Finn and conceptualizer Rebecca Feldman tapping into universal neuroses.  We really do feel their pain, squirming and agonizing over obscure words like capybara or hasenpfeffer.  Can you use that in a sentence?

The twist is that four actual audience members are brought on stage to join the “bee”.  Opening night had the beautiful blonde theatre reviewer, Jeanne Theismann, who when introduced by Vice Principal Panch, was skewered with an intro as, “the cheerleader who hopes to marry the quarterback,” a reference to her ex-husband former Washington Redskin, Joe Theismann.  She played along good-heartedly till her elimination when Panch declared,  “All the 7th Grade boys are in love with this brunette!”  Gales of laughter from the in-on-the-joke audience.

Carl Williams (Mitch Mahoney), Josh Goldman (Leaf Coneybear), Eric Hughes (Chip Tolentino), Matt Williams (William Barfee), Claire O’Brien (Marcy Park), Maureen Rohn (Olive Ostrovsky), Emily “EJ” Jonas (Logainne Schwartzandgrubenniere), and Amy Conley (Rona Lisa Perretti)   Photos by Shane Canfield

Carl Williams (Mitch Mahoney), Josh Goldman (Leaf Coneybear), Eric Hughes (Chip Tolentino), Matt Williams (William Barfee), Claire O’Brien (Marcy Park), Maureen Rohn (Olive Ostrovsky), Emily “EJ” Jonas (Logainne Schwartzandgrubenniere), and Amy Conley (Rona Lisa Perretti) Photos by Shane Canfield

Along with the six quirky students and their super-cool, jive-talking professional “Comfort Counselor”, Mitch Mahoney (Carl Williams), they share the stage with Vice Principal Douglas Paunch (Jeff Davis) and Secretary Rona Lisa Peretti (Amy Conley).

You’ll meet Chip (Eric Hughes) whose budding adolescent crush will dredge up all the awkwardness of early testosterone unpredictability and Logianne Schwartzandgrubenniere (Emily “E. J.” Jonas), a goofy pig-tailed Catholic School conformist who boasts a pair of bossy dads.  Her fail-safe technique: To pre-spell words on her arm.

And then there’s the pretty and terminally insecure, Olive Ostrovsky (Maureen Rohn), whose abandonment by her ashram-trotting mother and distant father, bonds her with a dictionary.  Olive talks into her hand to puzzle out the words, while the user-friendly, Leaf Coneybear (Josh Goldman) has successful eleventh-hour visions for memory aids.  Leaf is home-schooled and makes his own capes.  Are you reading a Charles Shultzian presence yet?

For the sestalingual Marcy Park (Claire O’Brien), rocking her cheerleader outfit, it’s all tediously beneath her.  The hyper-accomplished, classical piano playing, baton-twirler informs us, “I’m sick and tired of being the best!”

And you’ll want to meet the adorably gawky William Barfee (Matt Williams), “It’s pronounced Bar-fey, ”he corrects, employing the Gallic accent aigu.  He’s the personification of teenage bluff and bluster and a shoo-in representative for the Lollipop Guild.  But his peanut allergies seem to get the best of him until he’s given the word “antihistamine”.  “Luck of the draw,” he stammers before acing it.

Maureen Rohn (Olive Ostrovsky) and Amy Conley (Rona Lisa Perretti) - Photos by Shane Canfield

Maureen Rohn (Olive Ostrovsky) and Amy Conley (Rona Lisa Perretti) - Photos by Shane Canfield

Crack cast members nail their character’s kooky persona to the letter, and the entire hyper-talented bunch sing their faces off through thirteen riotous numbers.  Watch for ingénue Maureen Rohn who tears the roof off with the heart-breaking “The I Love You Song”.

Producer Mary Beth Smith-Toomey, Director Frank D. Shutts II, and Music Director Christopher Tomasino can add another notch to Little Theatre’s long-standing mega-repertoire of successes!

At The Little Theatre of Alexandria 600 Wolfe Street through February 4th.  For tickets and information call 703 683-0496 or visit www.thelittletheatre.com.

Best Cookbooks of 2011

Jordan Wright
December 14, 2011

In no specific order, we read, cooked, gobbled down and swooned over this year’s prolific crop of cookbooks.  There were experiential books, back-to-the-farm books, compendiums, (Escoffier was reissued!) and books on baking that hitched their star to the cupcake craze.  I chose ones that are unusual and memorable, with an important voice that rose above the din and others that might change the culinary paradigm forever.

Through decades of preparing recipes from the teetering piles of cookbooks in my personal collection, as a former restaurateur and private chef, added to countless hours spent reviewing restaurants, I try to imagine the flavor profile of the combinations of ingredients and techniques in recipes, often without so much as lifting a ladle.  I use my culinary imagination, which is forever wired to my palate, reading a recipe for both flaw and flavor – a handy skill for evaluating the complex concoctions presented to a cookbook reviewer.

Winnowed down from the year’s abundant selection of enthusiastic chef/authors (save for a selection written by a scientist who has invented a new field of study called “neurogastronomy” and another marrying technology with kitchen wizardry), I selected nine from a veritable blizzard of tomes chock-a-block with photos luscious enough to make you want to gobble the pages.  Four local writers are also featured for their contributions.

Months of bedtime reading were clocked, winnowing out and chucking the ones that are repetitive or recklessly composed.  You won’t find those books listed here.  On a positive note several books broke new ground and belong on every collector’s shelf.

Below is a list of my favorite cookbooks of the year.  None are French.  Sacre bleu! One is a re-issue, but deserves revisiting all the same.

Goat: Meat, Milk, Cheese by Bruce Weinstein and Mark Scarbrough

Goat: Meat, Milk, Cheese by Bruce Weinstein and Mark Scarbrough

Goat: Meat, Milk, Cheese by Bruce Weinstein and Mark Scarbrough (Stewart, Tabori & Chang)

The authors of this book have penned over 20 cookbooks, including The Ultimate Ice Cream Cookbook so chances are you have at least one in your collection. Weinstein and Scarbrough remind us that not only are goats a sustainable commodity but that they are “the most widely eaten meat across the globe”, though decidedly less in US kitchens.

Riding on the crest of the artisanal goat cheese fad they are positioned perfectly to take us to the next level – how to prepare and serve goat meat.  In this latest of their ventures they provide a myriad of recipes (and humorous tales) celebrating goat cheeses and the now readily available goat’s milk.  But it is the introduction to the many cuts and uses of goat meat and the rich, deep flavors it brings to roasting, stewing and grilling that are exciting and new.

So strike up a friendship with your nearest halal butcher and try the Braised Goat Meatballs with Artichokes and Fennel, Goat Shanks with Cabbage, Port and Vanilla or the sweet dessert-like Goat Cheese Tamales, a Southwestern treat.

Noma: Time and Place in Nordic Cuisine by René Redzepi

Noma: Time and Place in Nordic Cuisine by René Redzepi

Noma: Time and Place in Nordic Cuisine by René Redzepi (Phaidon)

The most exquisitely elegant cocktail table-sized book this year harkens from René Redzepi, whose Copenhagen restaurant, Noma, is now considered the most innovative cuisine in the world, relegating the now-shuttered elBulli, his former employer, to the back burner.  Written in diarist style, Redzepi takes us on a “North Atlantic study tour” beginning three months before the opening of Noma in 2003 to the present.  We tromp along with the intrepid gastronome through Sweden for lingonberries and Blue Ducks; Denmark for birch sap, rowan shoots and bark; and Greenland for rosenrod, and campanula, a sweet tasting blue flower that grows along the moors and is used for vinegars, marmalades and parfaits.  Lavish photos by Ditte Isager .

Whether you will actually cook from this book is not the point, but you will be inspired, as I predict will all chefs worth their sea salt once they crack the spine – tripping over each other to source the exotica – Icelandic moss, spruce shoots and reindeer.  This is a love story – a romance of the Nordic land, sky and sea – and an inspiration to the forager inherent in us all.

Neurogastronomy – How the Brain Creates Flavor and Why It Matters by Gordon M. Shepherd

Neurogastronomy – How the Brain Creates Flavor and Why It Matters by Gordon M. Shepherd

Neurogastronomy – How the Brain Creates Flavor and Why It Matters by Gordon M. Shepherd (Columbia University Press)

Far be it from me to claim any knowledge of chemistry past the years-ago high school version I took, barely passing the class to the threat, “Here’s a C, now don’t come back!” But in a book on a subject he seems to have invented, neuroscientist, Gordon Shepherd, carves up a well-researched explanation for why Proust so craved the madeleine.  Apparently it’s all about “smell and flavor and their relationship to the neural basis of consciousness, ” the Yale professor convincingly claims – all without recipes.  If you can follow this weighty topic filled with references to the olfactory cortex, and if combinatorial interactions are in your vocabulary, you are going to have a lot of fun figuring out how to get the kids to eat their veggies and to look back in wonder at what an evocative experience it was.  This explanation of the science of flavor and memory might just fire up your receptors and synapses for a swell tour through the laboratory of your sensors!

Plenty by Yotam Ottolenghi

Plenty by Yotam Ottolenghi

Plenty by Yotam Ottolenghi (Chronicle Books)

At last this searingly-hot UK chef, whose has four traiteur-style delis and a single sit-down eponymously-named restaurant, has brought his latest book across the pond – thankfully translated from the metric system – to better serve the American cook.  Using a casually conceptual approach (chapters are organized by ingredients) he has blessed the reader with his stylishly imaginative approach to cooking.  He focuses on one central ingredient, which he then enhances, and as he says “elaborates” on, only to keep the ingredient at the center of the final dish.  The sleek line drawn cover belies its ramped-up vegetarian options and scrumptious desserts.

Ottolenghi, who was born in Israel to a German mother and Italian father and writes a column called “New Vegetarian” for Britain’s Guardian Weekend Section, provides many of his most intriguing recipes from his column (along with gorgeous photos from Jonathan Lovekin) like Turkey and Sweet Corn Meatballs with Red Pepper Sauce and Raspberry and Peach Tea Cakes or Sour Cherry Amaretti.  For a simple winter weekend dinner try the Caramelized Garlic Tart with Winter Cole Slaw made with apples and celeriac.

Ancient Grains for Modern Meals: Mediterranean Whole Grain Recipes for Barley, Farro, Kamut, Polenta, Wheat Berries & More by Maria Speck

Ancient Grains for Modern Meals: Mediterranean Whole Grain Recipes for Barley, Farro, Kamut, Polenta, Wheat Berries & More by Maria Speck

Ancient Grains for Modern Meals: Mediterranean Whole Grain Recipes for Barley, Farro, Kamut, Polenta, Wheat Berries & More by Maria Speck (Ten Speed Press)

As far as I’m concerned there are not enough chefs serving whole grains and pulses.  My sense is that they are not perceived to be posh enough ingredients for fine dining.  I hope that will change soon and proteins can take a lesser role in high-end restaurants.  Along comes Maria Speck who not only triumphs that notion but also offers plenty of recipes to guide you along – Barley Salad with Figs and Tarragon-Lemon Dressing, Leek Salad with Grilled Haloumi Cheese and Rye Berries, Lamb Stew with Wheat Berries in Red Wine Sauce, and Purple Rice Pudding with Rose Water.  This whole grain primer belongs on every nutritiously conscious cook’s shelf.

Modernist Cuisine – The Art and Science of Cooking by Nathan Myhrvold, Chris Young, and Maxime Bilet (The Cooking Lab)

Three modern day Escoffiers set out to write the ultimate guide to cooking, replete with the nouvelle vague of high-flying molecular gastronomy acrobatics.  It will be eons before there will be anything more comprehensive than this six-volume compendium.  Dazzling, iconic and courageous!

Spirit of the Harvest – North American Indian Cooking by Beverly Cox and Martin Jacobs

Spirit of the Harvest – North American Indian Cooking by Beverly Cox and Martin Jacobs

Spirit of the Harvest – North American Indian Cooking by Beverly Cox and Martin Jacobs (Stewart, Tabori and Chang)

This reissue was a James Beard and IACP award-winner for good reason.  It is a well-researched book filled with over 150 traditional recipes from native cultures – Cherokee, Navaho, Comanche, Chippewa, Hopi and many others.

Recipes are accompanied by tribal lore and legends and include uses for indigenous ingredients like cholla cactus, chokecherries and Jerusalem artichokes.  Stunning photography by Jacobs incorporates artifacts and objects.  Divided into five major US regions, you’ll enjoy preparing Cherokee Pecan Soup and Oneida Sauteed Morels from the Northeast to Olympia Oyster-Potato Cakes from the Northwest.  Zuni Corn Soup, a specialty from the Southwest and Pueblo Roast Turkey with Pinon-Raisin Stuffing would be standouts on any holiday table.

FYI: The closest restaurant for sampling regional native cuisine is Mitsitam Café, at the Smithsonian’s National Museum of the American Indian (my all-time favorite lunch spot on the National Mall), serving up regional native cuisine.  Their popular Mitsitam Café Cookbook is filled with recipes from the café.

Food Trucks – Dispatches and Recipes from the Best Kitchens on Wheels by Heather Shouse (Ten Speed Press) 

A world away from the bastions of fine dining and haute cuisine comes the food truck – now establishing itself as the counterculture’s kitchen-on-wheels for foodies that eschew formal restaurants but love great food.  Shouse has been on a countrywide mission to find the “best of” and has done a bang up job uncovering this burgeoning underground food scene.  Follow her map and you could be chowing down on some the nation’s most creative gourmet-leaning fast food bites.

Filled with snapshots from the road, the book gives recipes for Winter Squash Soup from Oregon resident and Thai native, Nong Poonsukwattana’s sidewalk cart; Butter Chicken from DC chef Farhad Assari’s Sâuçá truck; and Laurent Katgely’s recipe for Braised Beef Cheeks Sandwich from his gleaming silver truck in San Francisco’s South of Market District.  This stuff is big on flavor light on formalities.  Use twitter to keep up with these chefs on the move.

The Sweets of Araby by Leila Salloum Elias and Muny Salloum (Countryman Press)

The Sweets of Araby by Leila Salloum Elias and Muny Salloum (Countryman Press)

The Sweets of Araby by Leila Salloum Elias and Muny Salloum (Countryman Press)

Channeling the “Tales of the 1001 Arabian Nights” and other medieval texts for inspiration, these Syrian sisters draw back the veil on some of the most delicious and elusively recorded recipes for Arabic sweets.  Culled from 10th century Arab culinary manuscripts the authors (who are also professional scholars and historians) tested and tweaked countless recipes to arrive at this exotic and authentic collection, the likes of which have never before been published.  With charming brightly colored art by Linda Dalal Sawaya, this beautiful, evocative book of recipes and ancient stories is a treasure as rich and mysterious as the alluring tales from Scheherazade’s lips to her husband King Shahryar’s ears.

Local and Notable

The Glorious Pasta of Italy by Domenica Marchetti

The Glorious Pasta of Italy by Domenica Marchetti

 The Glorious Pasta of Italy by Domenica Marchetti (Chronicle Books)

Spoiler alert.  This writer is partial to the author/chef whose cuisine she has sampled from Marchetti’s own hand.

Rustic and approachable these dishes are bold, elemental and divinely delicious.  Not just another Italian cookbook, this is food to impress your guests as well as shine at a potluck supper.  Of course, if you bring one of these dishes, be prepared for an onslaught of impending invites.  Slow-cooked Pot Roast Papardelle; Maccheroni Alla Chitarra with Ragu All’Abruzzese and Palottine (mini ground veal meatballs); and dishes made for the holidays with sweet pasta dough – La Cicerchiata are tiny fried dough balls held together with honey and decorated with almonds.  These recipes highlight the many different styles of cooking in Italy and reveal the author’s passion for her roots.

Serve Yourself by Joe Yonan (Ten Speed Press)

Dinner for one (known in waiter-speak as DFO) has never seemed so appealing as when Yonan presents one of his ratcheted down recipes.  This James Beard Award-winning food editor of the Washington Post has found an underserved niche and filled the void with ethnically eclectic recipes that anyone can cook.

Let’s start with dessert, no one does but we all would like to.  I am all over the Cardamom-Brown Sugar Snickerdoodles, ditto for the Spicy Coconut Sorbet that uses a dash of tequila. Imagine that in your next margarita! But just try keeping a fellow diner at bay when you tell them you are home alone eating Duck Breast Tacos with Plum Salsa or Fig, Taleggio and Radicchio Pizza that can be made on the flipside of a cast iron pan.  There are lots more neat solo tricks and super healthful recipes to glean from this seasoned chef and writer of the delightful “Cooking for One” column.

For Cod and Country: Simple. Delicious. Sustainable. by Barton Seaver

For Cod and Country: Simple. Delicious. Sustainable. by Barton Seaver

For Cod and Country: Simple. Delicious. Sustainable. by Barton Seaver (Sterling Epicure)

Barton Seaver is a human lighthouse for the sustainable fishing industry.  A former DC area chef, he has taken his mission around the globe earning him recognition and kudos.  The National Geographic Society awarded him a fellowship, and he is a sought-after lecturer on topics ranging from sustainability to protecting the environment.

Seaver is well known in Washington for his career as a local chef, working with Jose Andres at Jaleo, Executive Chef of Café Saint-Ex, and later at Bar Pilar.  His sustainable seafood restaurant Hook in Georgetown, was named Bon Appétit’s Top 10 Eco-Friendly Restaurants.  In one year alone the restaurant had over 75 different species of seafood on its menu.  He was named Esquire magazine’s 2009 “Chef of the Year,” and in 2008, was honored as a “Seafood Champion” by the Seafood Choices Alliance and as “Rising Culinary Star of the Year” by the Restaurant Association of Metropolitan Washington.

His first book, organized by seasons (Yes! Most fish have seasons too!), is a collection of recipes based on seafood that hasn’t been overfished or harvested using destructive methods.  Seaver shows it can be done with simply prepared and flavorful dishes for the average cook.  Grilled Clams with Lemon-Chive Butter, Crab and Corn Toast and Smoked Bluefish Spread are a few of the seafood recipes that beckon.  But there are lots of side dish, grains and veggie recipes, perfect for pairing with the seafood.

Beyond the Red Sauce – Classic Italian Cooking Without Tomatoes by Matt Finarelli

Beyond the Red Sauce – Classic Italian Cooking Without Tomatoes by Matt Finarelli

Beyond the Red Sauce – Classic Italian Cooking Without Tomatoes by Matt Finarelli  (Self published by www.finarelli.com)

Using a novel approach to Italian cooking, by eliminating the use of one of its most familiar ingredients, this highly personable DC cooking instructor thinks out the proverbial box.  Emphatic about his love for the red fruit, he nonetheless challenges the reader with over 100 recipes that skirt around it.  That the tomato is primarily a Southern Italian ingredient, still leaves him with a plethora of Northern climes from which to source his recipes.  Star dishes include Farfalle with Mascarpone, Asparagus, Hazelnuts and Smoked Salt; Roasted Branzini with Arugula, Prosciutto and Lemon; and a lovely Orange Vanilla Panna Cotta.

Finarelli is a local chef with a huge fan base from the classes he conducts at Sur La Table in Pentagon Row, CulinAerie in DC, Open Table in Falls Church and the Adult Ed programs in Fairfax County.  Few cookbook authors spend real time answering basic cooking questions.  Even fewer have faced their readers in a kitchen setting.  In his young career he estimates he has taught over a thousand budding cooks who he continues to empower and encourage.  You won’t find glossy pages filled with alluring photos, but you will be guided by a gentle teacher with a terrific sense of humor whose driving force is sharing his knowledge and experience.

“A Song For The Horse Nation” Exhibit at the National Museum of the American Indian

Jordan Wright
November 26, 2011
Special to Indian Country Today Media Network

Crow War Pony painting by Kennard Real Bird, Crow

Crow War Pony painting by Kennard Real Bird, Crow

Out of the earth
I sing for them,
A Horse nation
I sing for them,
out of the earth
I sing for them,
the animals
I sing for them.

Sung by Lone Man of the Teton Lakota – From the book “A Song for the Horse Nation”, edited by Emil Her Many Horses (Oglaa Lakota) and George P. Horse Capture (A’aninin).

As much poem and prayer as personal tribute, this song shows the respect and reverence American Indians have accorded the horse. For the past three centuries this noble beast has been indispensable to their existence during times of war and peace, altering the landscape of daily life for its caretakers.

The bond between the horse and Native peoples is the focus of the National Museum of the American Indian’s recently opened exhibition, “A Song for the Horse Nation” in Washington, DC. Originally shown on a smaller scale in New York City in 2009, the show has grown to include a sixteen-foot tall Lakota tipi adorned with horse and warrior hand-painted pictographs and fifty additional objects, along with life-size horse and dog statues displaying a Tsisistas/So’taeo’o (Cheyenne) travois ca. 1880, a type of sled made of wood, pigment and hide, commonly used for transporting goods and people.

Rifles belonging to Geronimo (Chiricahua Apache), Chief Joseph (Nez Perce) and Chief Rain-in-the-Face (Hunkpapa Lakota) are also highlights of this spectacular exhibition.

Winter Count on cloth by Long Soldier (Hunkpapa Lakota), ca. 1902. Fort Yates, North Dakota. Muslin cloth.  With the advent of the domesticated horse came an unparalleled defense for the Plains warriors, who could ride great distances as well as provide an expeditious escape from the firepower of advancing troops. It served as a vehicle for transport of possessions and people and allowed tribes to roam more freely during hunting season affording them more leisure time to pursue art, spirituality and philosophy. Primitive pictographs of horses painted on muslin reflect daily life, showing the versatility of the horse for hunting and battle as well as horse raids and courtship.

Horses were bred not only for daily use – the hunting of bison was made considerably easier while mounted on horseback – but also for trade, proving to be an excellent commodity in exchange for food, eagle feathers and tobacco. We learn from the exhibit that in the 1800’s a single horse could be traded for 10 guns, 5 tipi poles or several pack animals.

Though the exhibition features objects predominantly from the 18th and 19th Centuries, two of the oldest objects on display are a Spanish Conquistador helmet from the late 1500’s-early 1600’s, on loan from the Autry National Center, and a Seneca comb from around 1600 made of antler with a carved figure of a horse from the George Gustav Heye collection.

Drawing from the museum’s extensive collection of horse trappings as well as artifacts, artwork and personal accounts, are a Menominee wood saddle carved in the shape of a horse ca. 1875; a Northern Cheyenne quilled horse mask; No Two Horns (Hankapapa Lakota) dance stick; a Lakota hide coat embroidered with horse motifs; and historic photographs from the museum’s archives. Along with elaborately beaded regalia and tribal objects, are also stunning works from contemporary artists.

Glass horse mask, 2008, by Marcus Amerman (Choctaw, b. 1959), New Mexico. Multicolored glass.  Read more:http://indiancountrytodaymedianetwork.com/2011/11/26/a-song-for-the-horse-nation-exhibit-at-the-national-museum-of-the-american-indian-63505 http://indiancountrytodaymedianetwork.com/2011/11/26/a-song-for-the-horse-nation-exhibit-at-the-national-museum-of-the-american-indian-63505#ixzz1gUiD84Q8

Glass horse mask, 2008, by Marcus Amerman (Choctaw, b. 1959), New Mexico. Multicolored glass.

Glass horse mask, 2008, by Marcus Amerman (Choctaw, b. 1959), New Mexico. Multicolored glass.
Marcus Amerman’s (Choctaw) multicolored glass horse mask is a particularly dramatic piece that echoes the celebratory beaded masks still used in rodeos and mounted parades. The sculpture shares space with “Crow War Pony”, a spectacular photograph by Brady Willette of a war pony, painted in tribal symbols, by artist, rodeo bronco buster and horse whisperer, Kennard Real Bird (Crow) whose family’s ranch lies alongside The Little Big Horn River in Montana, and who is known for his annual reenactment of the Battle of Little Big Horn that draws visitors from around the world. The painted pony is named “Cool Whip”. Trained by Real Bird, the palomino was eventually sold to a family in Minnesota where he has garnered his own notoriety.

It is fitting that Emil Her Many Horses is the curator of this equine exhibit. A member of the Oglala Lakota nation of South Dakota, Her Many Horses is a specialist in Central Plains cultures. His paternal great-grandmother was called Many Horses Woman, meaning she owned many horses, a symbol of wealth and generosity.

“All horses used by Native Americans throughout North America and Canada originally descended from 25 Andalusian horses brought over by Christopher Columbus on his second voyage in 1493 to Hispaniola [now the Dominican Republic] in the West Indies, eventually making their way through Mexico and Florida and into North America where Plains peoples adopted the horse,” he explains.

“A display map shows California horses going up North, and then the French and Dutch to the East Coast later. With the Pueblo Revolt horses came into Native hands, and then it would be the Navaho, the Arapaho, the Pueblos and the Commanche who have horses. Then they are traded up North, but the Commanche are known to also trade them up to the Shoshone.

I think what we tried to show was really the impact of horses and hunting, because with horses you were able to secure more game such as buffalo and if you could secure more game you had more resources. Since if you didn’t have horses you were hunting buffalo on foot. So the thing that happens is that tipis become bigger because you have more time to make a tipi.

In warfare, other communities who may have been an ally in the past, if they had this resource and you wanted it, it would cause conflict with people that were once allies. But horses also helped in preventing the onslaught of the cavalry and settlers. It kept them at bay.

Possibly Chief Eagle of the Salish (at right), with an unidentified woman on horseback, ca. 1905, St. Ignatius, Montana, on the Flathead Reservation.

Possibly Chief Eagle of the Salish (at right), with an unidentified woman on horseback, ca. 1905, St. Ignatius, Montana, on the Flathead Reservation.

Horses also would have an impact on how you traveled. It was either the woman or the dog that would have to carry the material while the men were guarding as they moved camp, because at any time they could be attacked by an enemy scouting party. So it was either the dog or the woman that would carry the material. But when the horses came it made for a swifter getaway. You could be out of there much quicker than to try to wrangle a dog.”

When asked what he hoped visitors would take away from this exhibition, he offers, “It really is the close association with horses that we still have today. For some the horse is very vibrant, still a part of their communities. For some of us it will always be a part of us through our stories, our culture, and our artwork even though we no longer own any horses. But they’re still rich in our culture, our memory and our knowledge.

“A Song for the Horse Nation” runs through January 7, 2013 at the National Museum for the American Indian in Washington, DC. For more information visit www.AmericanIndian.si.edu/exhibitions/horsenation.

A Christmas Carol – At The Little Theatre of Alexandria

Jordan Wright
December 11, 2011
Special to The Alexandria Times

Brandon DeGroat (Ghost of Christmas Present) and Marcus Fisk (Scrooge)

Brandon DeGroat (Ghost of Christmas Present) and Marcus Fisk (Scrooge)

The Little Theatre of Alexandria celebrates the holiday season with a return of Charles Dickens’ heartwarming classic A Christmas Carol.  An endearing portrait of mid-nineteenth century England, the age-old tale features Ebenezer Scrooge, a miserly Victorian humbug, who travels with ghostly guides through Christmas past, present, and future to find the true meaning of the holidays.  Replete with special effects, lavish Victorian costumes and the ever-precious Tiny Tim, this family-friendly seasonal reprise is drawn from the original text and perfectly adapted for the stage by Donna Ferragut.  Under Robin Parker’s smooth direction this holiday special sparkles like freshly fallen snow.

A Christmas Carol runs through December 18th.  For tickets and information call 703 683-0496 or visit www.TheLittleTheatre.com.

Brandon DeGroat (Ghost of Christmas Present) and Marcus Fisk (Scrooge)

Brandon DeGroat (Ghost of Christmas Present) and Marcus Fisk (Scrooge)

Full Cast

Full Cast

A Second Chance – Signature Theatre

Jordan Wright
November 28, 2011
Special to The Alexandria Times
 

Dan (Brian Sutherland) and Jenna (Diane Sutherland) both admiring a Rothko painting at the Museum of Modern Art in "A Second Chance". At Virginia’s Signature Theatre through December 11, 2011. www.signature-theatre.org. Photo: Christopher Mueller.

Dan (Brian Sutherland) and Jenna (Diane Sutherland) both admiring a Rothko painting at the Museum of Modern Art in "A Second Chance". At Virginia’s Signature Theatre through December 11, 2011. www.signature-theatre.org. Photo: Christopher Mueller.

Not only is this delicious show a world premiere, but it also marks the auspicious debut of a new talent, Ted Shen, a businessman and arts patron that might better qualify for full retirement.  That he is celebrating the opening of his first show as writer, composer and lyricist, is rather astounding, unless you notice that his bio reveals he is a Taiwanese financier educated at the posh
Phillips Exeter Academy and Yale University and foundation president and board member for both Yale University and the Art Commission of the City of New York.  And that’s just the tip of the iceberg.  Shen’s foundation has also provided funding support for major productions by Stephen Sondheim, who happens to be Mr. Shen’s musical theatre hero.  But whatever his curriculum vitae or his tony connections his breakthrough musical, A Second Chance, can more than stand on its own two legs.

Billed as a lyrical duet the musical is a modern love affair as much for its characters as its audience. Two top-drawer Broadway stars, Brian and Diane Sutherland, sing rather than speak their parts.  Both have the most exquisitely controlled, pitch perfect voices that gently express the emotional dynamics of a budding relationship.  Jenna, coming off a divorce, gives voice to her demons in “Damaged Goods”.  She is broken and unsure of their new love, especially since Dan is a recent widower and photos of his late wife fill his apartment.  Dan is still communicating telepathically with his dearly departed, seeking approval to pursue his new life and love of Jenna.  In an effort to break with the past he sings, “Tell Me When.”

A simple stage set with clear plexiglass chairs and tables allow the audience to mesh with each scene change while following the
progression of the mid-life couple’s personal evolution.  Projected black and white photos of New York’s Central Park, his brownstone and her therapist’s office, afford a simple sense of place.  And that’s enough because it’s all about the music here – lush atmospheric songs by an astonishing songwriter whose elegant stylings borrow from the Sondheim tradition with shades of Judy
Collins and The Fantasticks.   Top notch musicians capture the mood for a New York evening as familiar as a martini served straight up while basking at The Oak Room at The Plaza or listening to Bobby Short at the Café Carlyle.

Enchantingly sophisticated and emotionally aware.

Through December 11th at Signature Theatre – 4200 Campbell Avenue, Arlington, VA in the Shirlington neighborhood. For tickets and information call 703 820-9771 or visit www.signature-theatre.org.

A Broadway Christmas Carol at MetroStage

Jordan Wright
November 28, 2011
Special to The Alexandria Times
 

Natalie Berk  as Juliet and Alex Mills as Romeo - Photo Credit:  Graeme B. Shaw

Natalie Berk as Juliet and Alex Mills as Romeo - Photo Credit: Graeme B. Shaw

Deck the halls with lots of show tunes for MetroStage’s A Broadway Christmas Carol.  This delicious dose of Christmas spoof  playing through December 18th highlights holiday irreverence with a hilarious and campy send up of Charles Dicken’s classic tale featuring 31 well-known Broadway show tunes, 23 wig changes, 20 separate costume changes and 4 sprightly cast members.

At MetroStage – 1201 North Royal Street, Alexandria, VA. For tickets and information call 1 800 494-8497 or visit www.metrostage.org.