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The Nance ~ The Little Theatre of Alexandria

Jordan Wright
June 4, 2018 

Bravo to The Little Theatre of Alexandria for their bold choice of The Nance.

Chuck Dluhy as Chauncey Miles – Photo credit The Little Theatre of Alexandria

Opening just in time for Pride Month, this little gem tells the story of a performer who plays a gay performer, who is actually gay.  Just to explain, in 1930’s New York with Mayor Fiorello LaGuardia and the League of Decency in control, this was cause for prosecution.  These were fraught times for gays both in public and in the theatre where frequent police raids terrorized performers and foreshadowed the demise of burlesque.  If you think that sounds far-fetched, Alexandria had a Blue Law, still on the books in the 1980’s, that forbade homosexuals from being waiters.  Former Mayor Jim Moran struck it from the books when a resident threatened to sue a King Street restaurant that had pencil drawings of nude males on the wall.

Chuck Dluhy as Chauncey Miles – Photo credit The Little Theatre of Alexandria

The Nance, the three-time Tony Award-winning play, taped by PBS for its “Live From Lincoln Center” series, is enjoying its first DC-area production.  It stars Chuck Dluhy as Chauncey Miles, an endearingly elegant elderly “nance” whose mincing ways in comic musical parodies with stage sidekick and straight man, Efram (Jack B. Stein) are packing them in at the Irving Theatre in Greenwich Village.

As is his nightly habit, Chauncey is cruising the talent at Horn & Hardart’s, a gay pickup spot where he meets the handsome Ned (John Paul Odle).  Young Ned has been on the streets since he left his wife for the gay life.  Chauncey, thinking him “trade”, invites him home for a quickie.  But complications arise when Ned falls in love with his footloose benefactor.

(l-r) Sylvie (Charlene Sloan), Joan (Danielle Comer) and Carmen (Janice Rivera) ~ Photo credit The Little Theatre of Alexandria

On the marquee with Chauncey are strippers Sylvie (Charlene Sloan), Joan (Danielle Comer) and Carmen (Janice Rivera) whose risqué bumps and grinds are also being targeted by the Mayor and his morality police.  The girls know there are spies in the audience and warn Chauncey to tone down the “pansy” stuff so they can keep their jobs.  “Don’t camp it up!”  they plead.  But Chauncey’s not alarmed.  He calls himself a Conservative, hates Roosevelt, thinks all liberals are Commies and that LaGuardia is just on a temporary tear awaiting his re-election – until the night the theater gets raided and Chauncey winds up beaten, bloodied and in jail.

Frank D. Shutts II has assembled a terrifically capable cast, though I was particularly captivated by Dluhy’s strong performance on a par with that of original cast member Nathan Lane – shtick for shtick – replete with eyerolls, double takes and pratfalls.  No small feat!  A five-piece band provides bada-bing-bada-booms for the strippers who are sometimes center stage but can also be seen spotlighted while stripping off to the side, thanks to the clever three-sided revolving set design by Dan Remmers.  And a serious hat tip to Ken and Patti Crowley’s lighting that conceives the show-within-a-show as beyond the confines of the stage, as well as the property design by Kirstin Apker for the hilarious personality switcheroo machine and so much more.

With Sarah Gale and Sarah Holt as Rose, the Wardrobe Mistress.  Music Direction by Christopher A. Tomasino, choreography by Stefan Sittig and conducting by Matthew Popkin.

Kudos to LTA!

Through June 23rd at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

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