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Crazy for You ~ Signature Theatre

Jordan Wright
November 17, 2017
Special to The Alexandria Times

Is there such a thing as a ‘tapa-palooza’?  If no one’s yet invented this neologism, I offer it up as a descriptor for Signature’s shiny, splashy production of Ken Ludwig and Mike Ockrent’s musical comedy, Crazy for You.  It’s the only way to explain the sensational tap extravaganza you’ll see from Director Matthew Gardiner and Choreographer Denis Jones.

Ashley Spencer as Polly Baker, Danny Gardner as Bobby Child ~ Photo Credit – C. Stanley Photography

Ashley Spencer as Polly Baker, Danny Gardner as Bobby Child ~ Photo Credit – C. Stanley Photography

Danny Gardner and Ashley Spencer play lead characters and love interests, Bobby and Polly, and they make the dance routines in LaLa Land look amateur.  Think Fred Astaire and Eleanor Powell.  Spencer is light as a feather and Gardner, who is equally as nimble, mirrors her moves with dazzling athleticism.

The storyline is basic.  Banking scion Bobby Child wants to be on the stage, but his well-heeled mother, played to perfection by Sherri Edelen (who later appears as travel book author Patricia Fodor) wants none of it.  The ever-versatile Natascia Diaz as Bobby’s demanding girlfriend, Irene, wants marriage – and pronto.  But Bobby, ignoring their pleas, spends his time at the theater and its bevy of flashy, feathered, Follies girls presided over by Russian impresario Bela Zangler (Bobby Smith).  There are too many funny bits to mention, but key in on Smith’s hilarious bottle opening bit played in tandem with Polly, and hayseed Pete’s erudite interpretation of famous playwrights.  The silly one-liners and sight gags are sure to catch you off guard.  They did me.

Danny Gardner as Bobby Child, Sherri Edelen as Fodor Ashley Spencer as Polly Baker (these are the three people in the center), and the ensemble ~ Photo Credit – C. Stanley Photography

Danny Gardner as Bobby Child, Sherri Edelen as Fodor Ashley Spencer as Polly Baker (these are the three people in the center), and the ensemble ~ Photo Credit – C. Stanley Photography

Scenic Designer, Paul Tate dePoo III, gives us the look of New York’s Broadway by night – glamourous and glitzy, that is until Bobby’s mother sends him to Deadrock, Nevada to foreclose on an old family investment – a bankrupt theater where dePoo’s backdrop switches to Lank Hawkins’ (Cole Burden) saloon in a one-jalopy ghost town.  There, way before Vegas was a thing, Bobby falls for the feisty postmistress Polly who keeps company with a motley crew of miners and cowboys.  His plans to revive the theater and resurrect the town involve getting these drunken malingerers to dance and sing.  No mean feat, but with Polly’s help, and the arrival of eight sexy chorines from New York, they do whip the Deadrock deadbeats into shape.

I found myself utterly rapt while mentally singing along to all eighteen Gershwin tunes – like “Bidin’ My Time”, “Someone To Watch Over Me”, “Slap That Bass”, “Embraceable You”, and “Nice Work If You Can Get It” conducted flawlessly by Jon Kalbfleisch’s 14-piece orchestra.  But just watching these über-amazing performers dance their brains out whilst singing their lungs out was epic, especially in numbers that required complex props – farm tools and kitchen utensils to keep the beat – as in the mind-blowing number “I Got Rhythm” and the chain-rattling, floor-quaking, “Chin Up”, performed partly tabletop.

Cole Burden as Lank Hawkins and Natascia Diaz as Irene Roth ~ Photo Credit – C. Stanley Photography

Cole Burden as Lank Hawkins and Natascia Diaz as Irene Roth ~ Photo Credit – C. Stanley Photography

Costumes by Tristan Raines run the gamut from 1930’s sparkly glam gowns, elegant black tie and frothy chorus girl costumes to dusty Western wear.

Highly recommended.

Through January 14, 2018 at Signature Theatre (Shirlington Village), 4200 Campbell Avenue, Arlington, VA 22206.  For tickets and information call 703 820-9771 or visit www.sigtheatre.org.

 

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