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Jordan Wright
May 12, 2016
Special to The Alexandria Times
 (l-r) Ambassador Kevin O’Malley, USA Ambassador to Ireland – President of the Kennedy Center for the Performing Arts, Deborah Rutter – Taoiseach Enda Kenny with Ambassador Anne Anderson to USA
A film narrated by Liam Neeson was the kick off event for Ireland’s celebratory year of its independence from British rule. Produced by Notre Dame, the documentary, 1916: The Rebellion, tells the story of the Easter Rising and the hard fought quest for Irish independence, and was hosted by Irish Ambassador Anne Anderson.

Beginning next Tuesday, Kennedy Center will now be your go-to venue for dozens of events surrounding the celebration of Irish Culture. The three-week festival runs from May 17th through June 5th and features Fiona Shaw as Artist-in-Residence.
IRELAND 100: Celebrating a Century of Irish Arts & Culture, is an international festival will feature more than 50 performances with the participation of more than 500 artists in venues throughout the theatre complex. This extraordinary schedule of events highlights Ireland’s rich cultural legacy and its major contribution to the fields of theatre, literature, music and dance.
 Colin Dunne in OUT OF TIME ~ photo by Peter Hallward
There will be more than 30 theater, music and dance groups; visual and theatrical installations; and JFK Centennial events.
Staged readings of six new “Tiny Plays for the Ireland 2 and America Literature Series”, and culinary events will also be featured.
 Louis Lovett in The Girl who Forgot to Sing Badley (Theatre Lovett) ~ Image by Pt Redmond
Taking place in the living memorial to President John F. Kennedy, the nation’s most well-known Irish-American President and the first sitting President to visit Ireland, the festival is also part of a yearlong celebration marking the centennial of JFK’s birth. In addition, IRELAND 100 is the centerpiece in the United States of the global commemoration of the 1916 Easter Rising.
 Mary Murray and Sorcha Fox in Fishamble’s Tiny Plays for Ireland 2 ~ photo by Pat Redmond
The festival launches on May 17th with an opening performance in the Concert Hall directed and hosted by Fiona Shaw, one of the most acclaimed Irish actors and directors of our time, also known for her appearances in five of the Harry Potter movies. The multidisciplinary event features the National Symphony Orchestra under the baton of leading Irish conductor, David Brophy, as well as a host of Irish acts that will appear in performances throughout the festival, offering a glimpse at the gamut of Irish arts. As the festival’s Artist-in-Residence, Shaw will also present a master class, a panel discussion with guest artists, and the premiere of her work Blowing the Heart Open.
 Pan Pan Theatre ~ All That Fall ~ photo by Ros Kavanagh
IRELAND 100 also opens with three art installations in the Center’s public spaces. The Ogham Wall, an architectural construct by Grafton Architects and Graphic Relief that is inspired by the Irish Ogham alphabet, will be on display in the Hall of Nations. Meanwhile, the Hall of States will host two exhibits: William Close’s The Earth Harp, a large-scale installation designed specifically to fill this space and which will feature live musical demonstrations; and the Egan Harp, a portable harp from 1820 by Irish harp-maker John Egan, on loan from The O’Brien Collection. All three exhibits will be open to the general public throughout the festival.
 The Gloaming ~ Photo by Rich Gilligan
Newly announced programs include: screenings of three documentary films chronicling President Kennedy’s visit to Ireland in 1963; a performance showcase and unveiling of a special installation honoring the 99th anniversary of JFK’s birth on May 29; free performances on the Millennium Stage; a literary series designed by Maureen Kennelly of Poetry Ireland and Paul Muldoon, which features over 20 Irish and American writers and musicians; and highly anticipated culinary events, including a free cooking demonstration and lecture by Irish chef, Cathal Armstrong, of Alexandria’s Restaurant Eve, as well as tasting events showcasing Irish whiskey, beer, and cheese. The updated announcement also highlights a Family Day, and calls all redheads, and redheads at heart, to participate in special free activities for all ages, and the addition of an outdoor green space—which allows for further free performances and workshops, picnicking, and Irish food and drinks.
Notable performances include Abbey Theater’s The Plough and the Stars, regarded as an Irish masterpiece; the U.S. debut of Tiny Plays for Ireland 2 and America, performed by the Irish theater company Fishamble and directed by Jim Culleton; the U.S. premiere of A Girl’s Bedroom, the second in a series of theatrical installations created by Enda Walsh in collaboration with the Galway International Arts Festival; and the D.C. debut of The Gloaming, a contemporary Irish music supergroup comprised of vocalist Iarla Ó Lionáird, pianist Thomas Bartlett, hardanger player Caoimhín Ó Raghallaigh, violinist/fiddler Martin Hayes, and guitarist Dennis Cahill.
 Anthony Kearns of the Irish tenors
Also of note will be a performance by world-renowned Irish tenor Anthony Kearns on opening night May 17th. Kearns will also headline on May 23rd with Tara Errnaiuught, fresh off the Washington National Opera’s Cinderella.
Ambassador Anne Anderson, Ambassador of Ireland to the United States, said: “We are delighted to partner with the Kennedy Center on this exciting festival to commemorate Ireland’s 100-year journey from the 1916 Rising and the early days of independence to today. The centenary year has had a profound resonance in the United States. The United States has the greatest concentration of our Diaspora and the contemporary ties between Ireland and the US are of extraordinary depth and breadth. This festival will give us an opportunity to express our gratitude for the support that the U.S. has provided to Ireland in so many ways, and will help to renew and strengthen the bonds of friendship for the future.”
For tickets and information visit the IRELAND 100 webpage or purchase in person at the Kennedy Center box office. 202 467-4600.
Jordan Wright
May 2, 2016
Special to The Alexandria Times
 Dylan Morrison Myers and Megan Graves. Photo by Daniel Corey.
After half a decade, Solas Nua, the celebrated Irish-centric performing arts company, has returned with Deirdre Kinahan’s play, Wild Sky. Written in commemoration of Easter Rising, the five-day war for Irish independence, it revisits the occasion of its centenary with a scorching drama filled with fiery passion and emotional sensitivity.
 Dylan Morrison Myers and Megan Graves. Photo by Daniel Corey.
To offer a bit of background, the play takes place one hundred years ago when Irish nationalists took up arms against the British who governed Ireland with an iron hand, outlawing the Irish language and forbidding Irish culture. And though the Dublin-centered battle claimed the lives of many fighters on both sides, it was successful in setting into motion the wheels of change, inspiring Nobel Prize winning poet, W. B. Yeats, and Douglas Hyde, scholar, author and first President of the Republic of Ireland to create the Gaelic League, whose responsibility it was to protect and create cultural expression.
 Dylan Morrison Myers and Megan Graves. Photo by Daniel Corey.
Using the bloody uprising as background, Kinahan gives us a heart-wrenching tale from the viewpoint of Tom Farrell (Dylan Morrison), one of the fighters, his feisty and funny childhood friend, Josie Dunne (Megan Graves), and a Greek female chorus played by Beth Amann, Daven Ralston and Ashley Zielinski. To say it is fierce, is an understatement. To say their performances are spine-chilling, barely does it justice.
 Dylan Morrison Myers – Photo by Daniel Corey.
We see Tom as a young revolutionary. Left behind while his friends have gone to fight the French alongside the British, at first he is eager to take up arms to impress the beautiful Josie. But after a few days of fighting he becomes traumatized by the realities of war and questions his involvement. Josie is frustrated that as a woman she can’t participate in the fighting. Still she is conflicted believing all this killing will amount to nothing. “What was our grand plan?” she asks. “They talked about women’s rights and women’s jobs and it made sense.”
 The cast of ‘Wild Sky.’ Photo by Daniel Corey.
Morrison and Graves give indelible performances heightened by the interweaving of the flat-toned harmonies of mournful Irish ballads played on drum, fiddle and banjo. A particularly haunting tune, “The Wind That Shakes the Barley”, recalls the 1798 rebellion which had also failed to throw off 800 years of British rule. As with performances during the centuries of Irish cultural suppression, these too are presented in the living rooms of private homes. The one I attended was staged in the large living room of a Dupont Circle townhouse with a charming walled garden where cast members offered Gaelic language and dance instruction before the show.
Rex Daugherty, director, choreographer, musician and cast member, brings a profound immediacy to the characters in this absorbing production.
Highly recommended.
Performances run now through May 15th on Thursday and Sunday at 8pm, Saturday and Sunday at 2pm and 8pm – and June 3rd – 5th at 8pm. For tickets, locations (all in Washington) and information visit www.SolasNua.org or call 202 315-1317.
 Dylan Morrison Myers – Photo by Daniel Corey.
Jordan Wright
May 3, 2016
Special to The Alexandria Times
 Nehal Joshi as Amir, with Joe Isenberg, Felicia Curry and Ivy Vahanian, in Disgraced at Arena Stage at the Mead Center for American Theater, April 22-May 29, 2016. Photo by C. Stanley Photography.
A cruel wind descended onto the stage in the Kreeger Theatre with Disgraced. It swept over five intimately connected characters, unmasking their prejudices and ripping their psyches to smithereens. It left Emily, Amir, Abe, Isaac and Jory and their harmonic one-world aspirations in its wake. Upsetting friendships and loyalties, the play is about our words as much as our actions and it made me long for a sequel.
Playwright Ayad Akhtar doesn’t hold out much hope for us humans, not even for educated, sophisticated, liberal New Yorkers where his drama is set. He forces us to examine the roots of our bigotry by drawing it to the surface and exposing its presumptions. Who do we become when we are offended by someone of another race? How superficial or deeply held are our personal relationships, our loyalties to one another, our religious beliefs? In this play we see how flimsy are the underpinnings, how vulnerable we all are, and how quickly we descend into hatred and fear with an insensitive remark or ill-considered assumption. Our emotions and frustrations are not so very far beneath the surface, Akhtar seems to say.
 (L to R) Nehal Joshi as Amir and Ivy Vahanian as Emily in Disgraced at Arena Stage at the Mead Center for American Theater, April 22-May 29, 2016. Photo by C. Stanley Photography.
Emily (Ivy Vahanian) is an artist in love with Islam and its beautifully articulated symbols. She is married to Amir (Nehal Joshi), a successful New York attorney, working in a Jewish law firm. Amir has been hiding the fact that he is actually Pakistani, a dangerous admission in this post 9/11 world, and intentionally fudges his job application to promote himself as of Indian heritage. Conflicted by his Muslim heritage and married to a Christian American, he readily repudiates the 7th century precepts of the Koran and the sexism and intolerance adopted by extremist factions. But when his life and career fall apart can he truly rid himself of those early lessons of prejudice and intolerance? Can anyone?
 (L to R) Samip Raval as Abe and Nehal Joshi as Amir in Disgraced at Arena Stage at the Mead Center for American Theater, April 22-May 29, 2016. Photo by C. Stanley Photography.
Abe (Samip Raval), his nephew, is a careless youth, defiant of convention and desperate to fit into a society that has already made him an outcast. When his imam gets in trouble with the law, Emily is determined that Amir should defend him, even though her husband fears jeopardizing his position in the firm to take up the case of a man who has been labeled a terrorist.
 (L to R) Joe Isenberg as Isaac and Felicia Curry as Jory in Disgraced at Arena Stage at the Mead Center for American Theater, April 22-May 29, 2016. Photo by C. Stanley Photography.
An ostensibly lapsed Jew, Isaac (Joe Isenberg), Emily’s agent and their mutual friend, is married to Jory (Felicia Curry), an African American attorney working alongside Amir. Isaac assures Emily her cultural appropriation of Islamic symbols in her paintings is acceptable. “Without the Arabs we wouldn’t have visual perspective,” he declares. We soon discover that what sounds rational in the abstract, does not necessarily square with one’s emotional reactions in the real world.
Director Timothy Douglas does a superb job of ramping up and cooling down the explosive revelations while still maintaining a steady pace, and Tony Cisek’s sleek mid-century modern set proves to be a deceptive distraction to the tension.
Divided into segments, the one-act play centers around a liquor-fueled dinner party among the friends, devolving into a racially-charged, rage-filled examination of our conflicting beliefs – where they come from, how deeply ingrained they are in our psyches, and if we have the ability, or desire, to overcome the prejudices and precepts of religion in modern society.
Intense both emotionally and politically, it raises our consciousness to the complex issues facing society today. And that’s a good thing. Flawless performances all around.
Through May 29th at Arena Stage, 1101 Sixth St., SE, Washington, DC 20024. For tickets and information call 202 488-3300 or visit www.ArenaStage.org.
Jordan Wright
April 29, 2016
Special to DC Metro Theater Arts

Spliff, doobie, joint. You can’t smoke em here, but it’s assumed you’ll come high as a kite to this first time munchies extravaganza where pot aficionados in the DMV will be schooled in the fine art of cooking with weed. Organizers, Al Goldberg, owner of Mess Hall, and Nevin Martell, author of Freakshow Without a Tent, hope their trippy food fest will lure the stoner elite.

Snacks rule when you’re feeling a buzz and who better to amp up the gourmet goods than Tarver King, molecular gastronomist and Executive Chef of the much-lauded The Restaurant at Patowmack Farm in Lovettsville, Virginia. King will prepare “cannabutter” during one of the three marijuana cooking classes in the demonstration kitchen. Other demos will teach fans how to make THC tincture for the ultimate munchies.
When I caught up with King by phone earlier this week, he was excited to be participating. “It’s great to get in on the ground floor with an event like this,” he told me, “We’re all over it! Back in high school we used to eat it on the 4/20, rather than smoking it,” he recalled using the universal euphemism for the annual consumption of cannabis. King admits to scarfing down tacos from Taco Bell after the toke fest. To get the high the teens were seeking, “we threw a bunch of weed in.” But he’s evolved since then. “The nerd in me wondered if it would work better in fats.” To that end he’s played around with a potent version of “cannabutter” which he’ll demo in one of the classes. He claims this technique “draws out the THC and makes it ten times stronger”. In actuality he admits he doesn’t smoke it often. “I can get paranoid,” he says, relating an incident when the act of eating popcorn sounded so loud he thought he was disturbing his wife’s TV watching.

It was perfect timing for Mathew Ramsay of PornBurger whose eponymously named cookbook just launched. Ramsay, whose burgers Martell calls, “gloriously gluteus burgers that you want to have sex with”, will be on hand to sign his new book PornBurger: Hot Buns and Juicy Beefcakes (Ecco 2016). He’ll also demonstrate how to make a weed-laced burger.
 Buenos Aires Art in Washington DC by designer Jon Wye
After the three-class session, guests can chill out in the beer hall/food court where vintage cartoons mix with the sounds of stoner soul and where Astro Doughnuts & Fried Chicken, Fry Brothers, Sloppy Mothers Barbecue and Westray’s Finest Ice Cream are available for purchase. Be sure to indulge in deluxe flavors from this locally-made ice cream. Owner Westray Paul promises to bring a few exotic specialties from his “Adventurous” line of cold treats, including Coffee & Doughnuts, Burnt Sugar, and Honey Buttermilk Strawberry. The hall also features marijuana-related paraphernalia, graphics-adorned gear from designer Jon Wye, and hip logo tees from Kelly Towles.

The Deets – Tickets are $42.00 for General Admission and include an Astro Doughnut sandwich (a savory rosemary doughnut sandwich with pimento chicken salad and Gordy’s pickled jalapenos) and a beer. The $75.00 VIP pass gives you front row seating plus an exclusive Kelly Towles t-shirt and a swag bag from DC area restaurants. Entry times are at 11 A.M., 12:30 P.M., 2 P.M, 3:30PM and 5PM. For tickets and more info visit https://t.co/zJu179jVG3
Mess Hall
703 Edgewood St., Northeast
Washington, DC 20017
Jordan Wright
April 27, 2016

To pen a collection of recipes using ingredients gleaned from the great outdoors, you ought to have some street cred – or shall I say hunter/gatherer credibility. Author Susan L. Ebert is not only skilled at all the activities listed in the cookbook’s title, she prepares and shares these foods within her circle of likeminded friends.
She’s part Euell Gibbons, wildcrafter, Michael Pollan, food philosopher, Alice Waters, natural foods proponent and Barton Seaver, chef and guardian of sustainable seafood. For Ebert, who’s all of these icons rolled into one, food – including the gathering, preparing and preserving of it – translates into being outdoors. The Texas transplant learned her skills from her Kentucky grandparents, Mamaw Grace and Papaw Dorsey, who valued the art of canning and drying their foods. As a young woman Ebert turned her attention to organic gardening, working under J. J. Rodale at Organic Gardening magazine where she learned about the dangers of pesticides and embraced the importance of caring for the earth.
With a poet’s passion and an environmentalist’s commitment, she learned to fish, hunt and glean wild edibles while publisher and editor of Texas Parks & Wildlife magazine. It was then she realized, as a single mother, she could feed her two young children from nature’s all-organic supermarket.
In The Field to Table Cookbook – Gardening, Foraging, Fishing & Hunting (Welcome Books – a division of Rizzoli International Publications – 2016) recipes are organized by hunting, fishing and gardening seasons. Here are 150 of Ebert’s favorite, non-GMO, wild foods recipes presented with love, humor, and a respectful compassion for God’s creatures.
Dishes as diverse as Doves in Blackberry Molé, American Beauty Backstrap (Dry-Aged Venison Backstrap with American Beautyberry Cumberland Sauce), Rancho El Rey con Guajalote (King Ranch Casserole with Wild Turkey) and Peaches ‘n’ Cream Pie, tempt the cook with stunning food and landscape photographs by Robert Peacock. In every recipe Ebert shows an intimate awareness of nature’s cupboard, from pickling redbud flowers in Spring to gathering wild muscadine grapes in early Fall. Even the bourbon she chooses for her Bluegrass Country Mint Julep must be just so and from one of two distilleries that use non-GMO corn. Only Wild Turkey or Four Roses will do.
For those who may not be handy with a gun, Ebert lists mail order sources for farm-raised and ethically harvested wild game, along with specialty gristmills for stone ground grains and flours.
Here’s Susan’s recipe and notes for Roasted Rabbit with Chipotle Sauce
 Roasted Rabbit with Chipotle Sauce
Americans are eating more rabbit than at any time since World War II. Seems trendy chefs have discovered what many hunters already know: Rabbit’s delicious white meat is high in protein, low in fat, and rich in omega-3 fatty acids. In fact, rabbit meat has a higher protein-to-fat ratio than beef, pork, lamb, chicken, or turkey, and even a farm-raised rabbit is an environmentally responsible protein choice—the amount of food and water needed by a cow to produce 1 pound of meat will yield 6 pounds of rabbit meat.
Texas has no closed season on rabbits and hares—the most renowned of which are jackrabbits (actually hares), weighing between 4 and 8 pounds, and ranging throughout the western U.S. and all of Texas, except East Texas. Swamp rabbits (cane-cutters) weigh 3 to 6 pounds, with a range confined to East Texas’s marshes and riverine areas. The 2- to 3-pound cottontail rabbits range throughout the eastern half of the U.S., making them as plentiful as they are tasty. Go with a tightly choked light-gauge shotgun—20 ga., 28 ga., or even a .410—stoked with No. 6 to No. 7 ½ shot for best results afield, or buy organic domestic rabbit from a growing number of sources. [Fossil Farms, Boonton, New Jersey 973 917.3155 or visit www.FossilFarms.com]
Roasted Rabbit with Chipotle Sauce
Serves 4
- 1 field-dressed cottontail or farmed rabbit
For the brine:
- ½ cup sea salt
- 2 cinnamon sticks
- 1 tablespoon whole black peppercorns, crushed
- 4 allspice berries, crushed
- ½ cup organic dark brown sugar
- 1 tablespoon grated fresh ginger
- 2 teaspoons chipotle chile powder
- 1 teaspoon whole cloves
- 2 bay leaves
For roasting:
- ½ cup (1 stick) unsalted butter, melted
- Sea salt
- Freshly ground black pepper
- Cherry wood chips
- Blueberry–Chipotle Barbecue Sauce (recipe follows)
- Pour the cooled brine into a nonreactive container large enough to hold the rabbit, and add 4 to 6 cups ice water.
- Submerge the rabbit in the brine, weighing it down with a heavy plate if necessary.
- Brine the rabbit until about 1 hour prior to cooking, then remove and pat dry with paper towels.
- Place the rabbit on a wire rack over a baking sheet to dry and come to room temperature.
- Before grilling, brush the rabbit with some of the melted butter inside and out, and season with salt and pepper, both inside and out.
- Build a fire on one side of your grill (or if using gas, light only one burner) and bring the grill temperature to at least 400° F.
- Using long tongs over the hot fire, sear both sides of the rabbit to a golden brown. Move the rabbit to the cooler side of the grill, and roast over low indirect heat, with the grill
- covered, for 2 to 4 hours, basting occasionally with melted butter, until a meat thermometer placed in the thickest part of the thigh reaches 170° F. (Add cherry wood chips that have been soaked in water for at least 30 minutes to flavor the smoke.)
- Baste with barbecue sauce, then loosely tent under foil for 10 minutes prior to carving.
- Serve with more barbecue sauce on the side.
Blueberry–Chipotle Barbecue Sauce
This recipe came from a plethora of blueberries (30 pounds!) after a berry-picking excursion to a nearby organic blueberry farm. While it’s exquisite with roasted rabbit, the sauce also pairs nicely with game birds, poultry, or pork. Or, as my daughter Cristina suggested, why pair it with anything? Simply drink it with a straw, or perhaps brush your teeth with it!
Yields 2 quarts
- 4 tablespoons unsalted butter
- 2 shallots, minced
- 4 cloves garlic, minced
- 1 teaspoon grated fresh ginger
- 8 cups tomato puree (10 to 12 medium tomatoes,
- peeled, cored, and pureed)
- 4 dried chiles de árbol (rat tail chiles), stemmed and
- seeded
- 1 (7 ½-ounce) can chipotles in adobo sauce
- 2 cups blueberries, fresh or frozen
- 1 teaspoon sea salt
- 1 teaspoon dry mustard
- 1 teaspoon ground cayenne
- 1 teaspoon celery seeds
- ½ teaspoon ground cinnamon
- ¼ teaspoon ground mace
- ¼ teaspoon freshly grated nutmeg
- 1 cup unfiltered organic apple cider vinegar (I use
- Bragg’s)
- 1 cup dark agave nectar
- Juice of 2 lemons
- Melt the butter in a 4- to 5-quart stockpot over medium heat. Add the shallots and sauté for about 10 minutes, until lightly browned.
- Add the garlic and ginger and sauté for 1 minute more.
- Add the tomato puree, reduce the heat to low, and simmer for 15 to 20 minutes, stirring occasionally.
- Place the chiles de árbol in a blender with ½ cup boiling water, cover, and let them steep for 10 minutes to soften, then puree on high speed.
- Add the pureed chiles, the chipotles in adobo, blueberries, salt, dry mustard, cayenne, celery seeds, cinnamon, mace, and nutmeg to the stockpot, and increase the heat to medium to achieve a lively simmer.
- Once the pot is bubbling, add the vinegar, agave nectar, and lemon juice and reduce the heat to low.
- Let simmer for 45 minutes, stirring occasionally, until the liquid is reduced by about half.
- Remove from the heat and let the pot sit for 15 minutes, then ladle the sauce into a blender (fill the blender no more than half-full to avoid splatters) and batch-process until smooth. Freezes well.
Jordan Wright
April 26, 2016
Special to The Alexandria Times
 Roz White ~ Teresa Castracane ~ Photo credit Chris Banks
Sandra L. Holloway’s searing production of Black Pearl Sings opens to the haunting music of a Black chain gang singing in cadence as they swing their pickaxes to the dirge-like rhythm. This indelible, spine-tingling chant leads us to Alberta ‘Pearl’ Johnson who has spent ten miserable years in a swamp-surrounded prison in southeast Texas for the murder of her abusive husband. The story is inspired by folklorist John Lomax’s real life discovery of the legendary folk singer and guitarist, Huddie ‘Lead Belly’ Ledbetter.
In this telling, Johnson is discovered by Susannah Mullally, an ambitious, and not incidentally, White ethnomusicologist employed by the Library of Congress to uncover America’s earliest indigenous music, and, by deduction, its African roots. “You are a doorway to our past,” Susannah pleads. Playwright Frank Higgins, whose previous work has starred such notable actresses as Blythe Danner and Gwyneth Paltrow, gives pathos and humor to this sensitive portrait of a woman hardened by a segregationist South and the destructive men in her life.
 Roz White and Teresa Castracane ~ Photo credit Chris Banks
At first Susannah’s attempts to coax the old plantation songs out of Johnson are met with a steely rebuke. But eventually, after a considerable period of enmity and suspicion and her description of the suppression of her country’s Gaelic language, the two women form a partnership with Susannah gaining Pearl’s freedom, hard-fought trust and a wealth of songs.
Twenty memorable American folk songs and spirituals weave in and out of this musical, performed entirely in a capella by Roz White’s sinuous contralto and Teresa Castracane’s lilting Irish mezzosoprano and led by legendary Musical Director William Hubbard. Their shared struggles, Pearl’s to earn enough money to track down her long, lost daughter, and Susannah’s seeking success as a woman in a man’s world, eventually bring the women together culminating in a heart-wrenching duet with “Six Feet of Earth” at the end of the second act. Other numbers familiar to many of us are “Down on Me”, later made famous by Janis Joplin (also called “Pearl”), “This Little Light of Mine”, the Gospel favorite “Do Lord, Remember Me”, the sultry “Don’t You Feel My Leg”, and the universal peace anthem, “Kum Ba Yah”.
 Roz White and Teresa Castracane ~ Photo credit Chris Banks
There are many funny bits but one that gets knowing laughter is when Pearl makes reference to her birth home on the Gullah island of Hilton Head, which back then was a desolate island off the coast of South Carolina populated by the descendants of African slaves. After hearing a developer recount his vision of a golf course and condos on the tiny island, she decides to use it to motivate her to follow Susannah’s vision for her success. It’s knowing how that turned out, that resonates with us.
Highly recommended.
At MetroStage through May 29th – 1201 North Royal Street, Alexandria, 22314. For tickets and information visit www.metrostage.org.
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