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Freaky Friday ~ Signature Theatre

Jordan Wright
October 28, 2016
Special to The Alexandria Times
 

Heidi Blickenstaff (Katherine Blake) and the cast of Disney’s Freaky Friday. Photo by Jim Saah.

Heidi Blickenstaff (Katherine Blake) and the cast of Disney’s Freaky Friday. Photo by Jim Saah.

It was a major coup for Disney Theatrical Productions to select Signature as the off-off Broadway theater to debut Freaky Fridayits latest film-to-stage production.  We all know how well Beauty and the Beast, The Lion King and High School Musical fared.  And need I mention Newsies?  Just a few of the wildly successful shows Disney has produced for Broadway.

And now there’s Disney’s Freaky Friday from the film of the same name.  You might recall the first film version in 1976.  Based on the novel by Mary Rodgers, it starred the adorable Jody Foster as the daughter and Barbara Harris as her mother.  A later version in 2003 had the ever-talented Jaimie Lee Curtis and then-charming Lindsay Lohan (pre-scandal) as the mother/daughter duo.  It opened with the bubble gum tune “So Happy Together” by The Turtles, that morphed into a heavy metal version as the credits started to roll.

Heidi Blickenstaff (Katherine Blake) and Emma Hunton (Ellie Blake). Photo by Jim Saah

Heidi Blickenstaff (Katherine Blake) and Emma Hunton (Ellie Blake). Photo by Jim Saah

The success of these earlier films based on an overworked mother and her teen daughter that magically switch roles, must have been on the minds of Bridget Carpenter (Friday Night Lights), who wrote the book for this musical comedy, Lyricist Brian Yorkey and Composer Tom Kitt, who believed the material could translate into a major musical.  Because it does, and we are treated to an engaging and heartwarming musical that was just waiting in the wings to be launched to stardom.

Christopher Ashley (Memphis, Xanadu, Rocky Horror Show) directs this smashing world premiere production that is already scheduled for theaters around the country.  What’s not to like about a Broadway-alum studded cast and production team, slickly engineered choreography by Sergio Trujillo (2016 Tony Award nominee for Broadway’s On Your Feet), and a Kitt/Yorkey (Tony Award-winners for Next To Normal) score that will have you humming the tunes before you exit the theatre?  This show has smash hit written all over it.

If you remember the quirky premise, single-mom-with-issues Katherine (Heidi Blickenstaff) and her feisty daughter Ellie (Emma Hunton) magically switch roles for a day.  Katherine, who is about to marry the adoring Mike (Alan H Green) wants to shed the day-to-day responsibilities of parenting an angst-filled teen, and Ellie has had it with the restrictions and emotional upheavals of being a high schooler with a helicopter mom.  When the roles are switched and Katherine takes Ellie’s place, she experiences the day-to-day bullying and body shaming her daughter endures and Ellie sees the daily grind of raising kids without a father.

Jason Gotay (Adam) with Robert Walters, Tanisha Moore, Thaddeus McCants, Julian Ramos, Katie Ladner, and Shayna Blass in Disney’s Freaky Friday. Photo by Jim Saah.

Jason Gotay (Adam) with Robert Walters, Tanisha Moore, Thaddeus McCants, Julian Ramos, Katie Ladner, and Shayna Blass in Disney’s Freaky Friday. Photo by Jim Saah.

It’s nearly impossible to single out one or two cast members for recognition, as this ensemble is seamless.  But aside from the above mentioned leads, J.Elaine Marcos as Torrey, Katherine’s long-suffering assistant, Storm Lever as Savannah the bully, Jason Gotay as Ellie’s boyfriend, Adam, and Jake Heston Miller (who we raved about in this year’s Oliver at Arena Stage) as her brother Fletcher, are outstanding.  Fans of Signature will be delighted to see stage veterans, Sherri L. Edelen and Bobby Smith, each with a trio of roles.

Eighteen glorious numbers, backed by Conductor Bryan Perri’s nine-piece band, fill the two acts, giving us a diverse score of touching ballads, 50’s rock styles and Latin beats sung by a cast whose voices are beyond flawless.  And a huge nod to noted Costume Designer, Emily Rebholtz, who perfectly captures and blends the funky-cool energy of teen styles.

Highly recommended.  Run to the box office for this one and be sure to bring the kids.  You can say you saw it before it hit the big time.

Through November 20th at Signature Theatre (Shirlington Village), 4200 Campbell Avenue, Arlington, VA 22206.  For tickets and information call 703 820-9771 or visit www.signature-theatre.org.

Nibbles and Sips Around Town ~ October 31, 2016

Jordan Wright
October 2016
All photo credit to Jordan Wright

701 Gets Jazzy with New Fall Drinks and Dishes – An Afternoon with Andrea Cecchi and His Award-Winning Chiantis – Ottoman Taverna: SCOTUS sighting and Turkish Delight – Sofitel Wine Days and Thanksgiving Dinner – Blackwall Hitch Redux – ‘Night at The Yards’ Gives Back – Ocean Prime Hits All the Right Notes – Junction Bakery Opens in Del Ray – Barboursville Wine Dinner at Airlie

Get Jazzy at 701

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701 Restaurant has rolled out its autumn menu from Executive Chef Benjamin Lambert and the bartender has responded with creative cocktails like the ‘7th & Penn’ made with rye, aged rum, PX sherry, orange and angostura bitters or the ‘Douro Spritz’ concocted with saffron gin, white port, house tonic and soda.

Seasonal cocktails at 701

Seasonal cocktails

The kicker is you can groove to jazzmen of note, Eddie Eatmon and Gary Rowe, both native Washingtonians who are on deck throughout happy hour.

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Cauliflower Shawarma

Lambert’s specialty fall offerings include Chilled Corn Soup – topped with bacon, cornbread streusel and chili-lime sorbet; Bluefin Tuna Tartare with the unique combination of sushi rice ice cream, ponzu and wasabi oil; Corn Fonduta Agnolotti – chanterelle mushrooms, truffle and sungold tomatoes which is indelibly delicious; Cauliflower Shawarma – hummus, golden raisins, tomatoes and lavash; and Smoked Duck Breast – black beans, salsa verde and baby corn.

Chef Benjamin Lambert's latest dishes

Chef Benjamin Lambert’s latest dishes

He’s also got a few sweet endings up his sleeve – a twist on S’mores with toasted marshmallow, chocolate and graham cracker ganache and the especially yummy Sweet Corn Pudding with blueberries, crunchy yogurt and champagne.

701 Pennsylvania Avenue, NW, Washington, DC 20004

Wine Tasting Luncheon with Andrea Cecchi at Ristorante La Perla

The early autumn sun fell languidly through the windows of Ristorante La Perla as Andrea Cecchi, of the famed house of Cecchi, presented his wines at the elegant Georgetown spot, a few blocks from the Four Seasons.

Signore Cecchi prepares to greet his guests

Signore Cecchi prepares to greet his guests

Under shimmering Venetian chandeliers, cream-colored walls studded with celebrity photos (and a certificate from the Pope!), and an Italian mosaic of Botticelli’s Venus rising from the shell, we tasted eight Chiantis, each paired with Owner/Chef Vittorio Testa’s outstanding Italian cuisine.

Botticelli's Venus Rising at La Perla

Botticelli’s Venus Rising

It became a festive afternoon as Signore Cecchi urged us to raise our glasses in celebration of the 300-year anniversary of Chianti Classico as the world’s first designated wine region – Take that France! – while affording our small group a glimpse into the charmed life of a fourth generation winemaker.

His knowledge is boundless on the subject of Chianti and the Sangiovese and Vermentino grapes used for the estate’s wines and he was peppered with many questions. Here’s a tip for buyers: Identify these regional wines by looking for the Gallo Nero, on the label. The “Black Rooster” designation traces its lineage to 14th century Florence.

Signore Cecchi awaits guests with a collection of his estate wines

Signore Cecchi awaits guests with a collection of his estate wines

Established in 1893, Cecchi has estates in both Umbria and Tuscany in Castellino. The wines presented by our charming host ranged from the very affordable 2014 La Mora Vermentino at a suggested retail of around $20.00 to the pricier 2011 Coevo at $106.00. A table favorite proved to be the 2013 La Mora Morellino Di Scansano coming in at a modest $23.00.

For restaurants and stores in our area visit Cecchi wines.

Calamari Insalata at La Perla

Calamari Insalata

 

Wild boar chops at La Perla

Wild boar chops

I’d be negligent if I didn’t mention the excellent lunch dishes – the delicato calamari insalata (there is no substitute for superior olive oil), wild boar chops with sage and rosemary in a Marsala sauce (evoking memories of rustic Tuscan food), perfectly prepared pasta (it can be al dente without sacrificing a tooth!) and decadent house made Italian pastries – an almond cake with a layer of raspberries and Bacio di Napoli, a decadent chocolate cup filled with vanilla ice cream and zabaglione sauce, and topped with chocolate sauce and whipped cream.

Bacio do Napoli at La Perla

Bacio do Napoli

This is an exceptional Italian restaurant that had somehow been off my radar and which merits many return visits.

The dining room at Ristorante La Perla

The dining room at Ristorante La Perla

2600 Pennsylvania Avenue, NW, Washington, DC 20037

Ottoman Taverna Is a Rare Bird

Ottoman Taverna

Ottoman Taverna

Ottoman Taverna is an unquestionably upscale Turkish restaurant – a rara avis that focuses on refined Turkish cuisine in a fashionable series of rooms set apart from a long bar area by lacy wood panels. The bar with its glowing stone top says “Let’s party” while the marble floors and tapestries coupled with modern chandeliers and tobacco-colored leather banquettes suggest, “Let’s settle in for a relaxing meal”.

The wood fired oven at Ottoman Taverna

The wood fired oven at Ottoman Taverna

A spectacular copper wood-fired oven set off by a collection of the-cook-is-serious copper pots, signals that food here is taken very seriously. Ask SCOTUS Elena Kagan who was enjoying dinner with friends at a four-top by the floor-to-ceiling windows while we relaxed with hand-crafted cocktails chilled by hand-made ice cubes.

Ottoman Taverna Executive Chef Ilhan Erkek

Ottoman Taverna Executive Chef Ilhan Erkek

The menu here reflects traditional Turkish cuisine yet on the higher end of the spectrum.

An assortment of mezzes at Ottoman Taverna

An assortment of mezzes

Hot and cold mezes rule the appetizers while fish, lamb, (the doner kebabs are a must have) and slow cooked dishes are the standouts.

Moussaka from Ottoman Taverna

Moussaka

Finish with baklava or the house made hazelnut ice cream. And, if Claudia is there, ask her to “read” your fortune from the muddy sediment that remains in the bottom of your Turkish coffee. Certain patterns will intuit your future.

425 I Street, NW, Washington, DC 20001

Sofitel “Wine Days”

Unfortunately, the “Wine Days” event at the Sofitel which featured the hotel’s new wine program and superb collection of French wines is coming to a close. Held in the posh Presidential Suite overlooking the city, Executive Chef Gyo Santa showcased delectable delights culled from his new menu and now being served at the hotel’s iCi Urban Bistro. Santa presented a fusion of flavors, some Asian-inspired, others adhering to the French menu the hotel is well known for.

From Sofitel's extensive wine list

From Sofitel’s extensive wine list

Smoked duck breast with Maytag blue cheese and a wedge of poached fig and spoonfuls of sesame tuna carpaccio with a sweet and tangy Asian sauce were as irresistible as beet tartlettes with Monocacy Ash goat cheese and a sliver of fresh orange. Naturally there were gorgeous platters of fruits and charcuterie, but the biggest surprise was the house made blackberry gelees and heavenly macarons. You can still find all of these and other treats on the bistro’s menu, along with such vintages as Chateau Greysac Medoc, The Seeker Pinot Noir, Louis Jadot Bourgogne, and Bieler Pere & Fils rosé from Aix-en-Provence. Did you know that rosé is the number one wine consumed in France? Perfect for Thanksgiving!

Smoked duck breast with figs

Smoked duck breast with figs

And that brings me to their Thanksgiving menu – an exceptional feast if you don’t want to cook or clean up. And who does? It starts off with a selection of butternut squash velouté with duck confit, foie gras mousse with raspberry glaze, or salmon gravlax with roasted beets, frisée and horseradish cream.

Beet tartlettes with Monocacy Ash goat cheese

Beet tartlettes with Monocacy Ash goat cheese

Entrées are classic farm raised heritage turkey with wild mushroom stuffing, cranberry jam and mashed potatoes, or lobster risotto in a rich bisque, or roasted lamb loin accompanied by seasonal vegetables and apricot pepper jus.

Assortment of macarons

Assortment of macarons

Have I got your attention yet? Finish with pumpkin cheesecake with caramel filling in a pecan crust or chocolate molten cake with fall spices in a pear purée. At $55 pp plus tax and gratuity, it’s a steal.

806 15th Street, NW, Washington, DC 20005. For reservations and information call 202.730.8800.

Blackwall Hitch Redux

Looking out at the water at Blackwall Hitch

Looking out at the water at Blackwall Hitch

Because Blackwall Hitch is eager to get things right after an uneven start last summer, we went back to see if anything had changed. First off I’m happy to report that service has improved dramatically. The staff is better trained and eager to please.

This is certainly one of the most attractive restaurants in Northern Virginia and notable for its five bars, a spacious lounge, outdoor dining, a seafood bar and a fabulous outdoor fire pit/bar area. Hot toddies, anyone?

The décor is absolutely gorgeous, nautical with chic Hamptons style. But be forewarned. It’s quite noisy when busy, so if you have a choice, ask for a banquette downstairs by the windows overlooking the water, or a high-top table upstairs, if it hasn’t been reserved for a private party. Note: The upstairs lounge and dining area would be ideal for office holiday parties, as would the large private dining room below.

A fall offering of Cauliflower Soup

A fall offering of Cauliflower Soup

One of the highlights here is the live music which starts out most nights at 9pm and goes till 1am. On Sundays it’s from 10am – brunch time – till 3pm. Check the website for the featured artist.

Fried soft shell crabs at Blackwall Hitch

Fried soft shell crabs

So far the wine selections have been pedestrian and the food can be uneven. A delicious cauliflower soup was light and frothy with its ring of balsamic vinegar and maitake mushroom foam, and the fried softshell crabs when in season are large and succulent. But fish can be overcooked, as was a large portion of swordfish. (It’s a travesty when a beautiful piece of fish is ruined by overcooking.) And pass on the leaden, fire-roasted flatbreads, that can’t sub for an actual pizza.

Oyster platter at Blackwall Hitch

Oyster platter

Recommendations: Oysters on the half shell, fish and chips, seared Ahi tuna, crab cakes, shrimp and crab seviche, and killer sweet potato fries. I haven’t had the best of luck with the entrees since they opened. But key lime panna cotta with toasted almonds and strawberry sauce and an authentic 9-layer Smith Island cake were true winners.

Key lime panna cotta

Key lime panna cotta

Update: A new fall menu was just about to launch since I visited in late September, and newcomer Chef de Cuisine Arra Mente Lawson, a protégé of Jean Louis Palladin, aims to turn things around. Look for his daily specials he calls, “Ode to Palladin” in which he evokes dishes influenced by the great French chef. With Lawson’s experience in French cuisine along with his Southern roots, the menu is slowly evolving and I hope to keep an eye on his progress.

A basket of fluffy biscuits inspired by Chef Lawson's Southern roots

A basket of fluffy biscuits inspired by Chef Lawson’s Southern roots

Note: The restaurant will be serving a traditional Thanksgiving buffet with all the trimmings for $38 pp, plus tax and gratuity. Oysters and jumbo shrimp included!

5 Cameron Street, Alexandria, VA 22314. For reservations call 703.739-6090.

Night at the Yards Gives Back

As one of four judges at the 9th annual “Night at The Yards”, I was privileged to represent Washington Life magazine while tasting some fabulous offerings from area restaurants.

The event benefits education and job training programs serving at-risk youth and young adults. Here are the results of the competition. Best FoodCapital Crab Company; Best Food PresentationFarmers and Distillers; Best Booth Set UpIce Cream Jubilee; Best BrewDistrict Chophouse; Best CocktailLavagna. My favorite beer that didn’t win was ‘Hefeweizen’ wheat beer from Gordon Biersch. Tastiest dish that didn’t win was a creative salad from Art-Drenaline in the Anacostia Art Center. Meanwhile upstart LA/San Francisco coffeemaker, Philz Coffee, now in Adams Morgan and The Yards, was getting all the buzz.

Kids enjoy a myriad of programs from Living Classrooms of the National Capital Region

Kids enjoy a myriad of programs from Living Classrooms of the National Capital Region

Described as casual-festive, the event raises critical funds for Living Classrooms of the National Capital Region‘s hands-on education, workforce development, and violence prevention programs for at-risk youth and young adults.

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Two live bands – The Psycho Killers (a Talking Heads Tribute Band) headlined followed by a tribute to Stevie Wonder presented by Squaring the Circle & Friends. Legendary saxophonist Ron Holloway was on board and a dance performance by the young Queen Beez who are from the program that uplifts DC young girls through music and leadership.

Over 30 of the area’s restaurants served up nibbles and sips along with beer, wine and craft cocktails while guests bid on sports memorabilia, gift cards to local restaurants and businesses, and a tour through France’s Bordeaux wine country. For more info on these and other events visit. .

Ocean Prime Hits the Heights

A wall of wines at Ocean Prime

A wall of wines

Destination: Over the top luxury restaurant, tailor made to impress guests, clients and your significant others. A place to see and be seen.

'Berries and Bubbles' gets hand poured at table at Ocean Prime

‘Berries and Bubbles’ gets hand poured at table

On opening night at Ocean Prime, the sky was the limit. Seafood towers billowed with dry ice as they reached for the rafters, smoking cocktails (more dry ice), massive steaks, lobster mashed potatoes and richly lavish desserts. This is not the place to count calories. Your only challenge will be to decide from the drool-worthy items on the menu. Bring a crowd. You’ll want to try everything.

The smoking seafood tower at Ocean Prime

The smoking seafood tower

Housed in the former Ceiba, the restaurant is now a glam spot with plenty of razzle dazzle. Four of us ate our way through the menu (well, we tried) beginning with that smoky cocktail ‘Berries and Bubbles’, a champagne and Belvedere vodka fresh fruit sparkler that brought oohs and aahs as it was hand poured at table.

Filet mignon with hollandaise at Ocean Prime

Filet mignon with hollandaise

We remarked on the fresh briny oysters and the quality of the shrimp and lobster, that sang of the sea. Prime steaks come with an assortment of sauces including black truffle butter, béarnaise, and garlic shrimp scampi, while Maine lobster tails are simply bathed in butter. Want a 16-ounce rib eye? It’ll set you back $51, but you’ll be making steak sandwiches for days.

Twin Maine lobster tails at Ocean Prime are served with asparagus

Twin Maine lobster tails are served with asparagus

 

Ten layer carrot cake with pineapple syrup at Ocean Prime

Ten layer carrot cake with pineapple syrup

This was not a night for chicken, though it is organic and antibiotic-free and is sourced from Freebird Farms in Maryland. Nor did we have our eyes on a Duroc pork chop, though they are dry-aged and beautifully marbled. The consensus at the table was to order the most decadent dinner imaginable, and that’s exactly what we got.

As an added attraction the service is impeccable – bow-and-scrape all the way. And, though the place is lively, and separated from the bar by a lacy coral screen, you can hear your tablemates, though the back dining room is quieter and more private.

A view to the bar at Ocean Prime

A view to the bar

Ocean Prime is the 25th restaurant of renowned restaurateur, Cameron Mitchell, and boasts an impressive wine list honored by Wine Spectator.

Five stars, if I gave them out. Book now for the Inaugural weekend.

1341 G Street, NW, Washington, DC 20005. For reservations call 202.393.0313.

Junction Bakery & Bistro Opens in Del Ray

If you like rustic baked breads, muffins, brioche, croissants, cakes, cookies, scones and assorted pastries, trot over to Junction Bakery & Bistro, the newest kid on Monroe Avenue, and the latest venture by Noe Landini of Landini Brothers restaurant in Old Town Alexandria, and chef Nathan Hatfield.

With cold-pressed juices from their own Grateful Juice Co. and Culpeper native, Commonwealth Joe Coffee Roasters, keggers of ‘Nitro Cold Brew Coffee’, it’s an all-around hit in the neighborhood.

The day's breads at Junction Bakery

The day’s breads

Eat in or pick up grab-and-go sandwiches for breakfast or lunch. Try the Short Rib Grilled Cheese on roasted garlic sourdough or, for a vegan option, Golden Quinoa with summer veggies, fava beans, caramelized onions and almond mint pesto. Chicken Liver Toast with onion jam called to me. Soups change each day on the whim of the chef. And I loved the seasonal Pumpkin or Apple hand pies as a capper.

Junction Bakery bakes its rustic breads, muffins and sweet pastries on site in the gleaming kitchen behind the register

Junction Bakery bakes its rustic breads, muffins and sweet pastries on site in the gleaming kitchen behind the register

1508 Mount Vernon Avenue, Alexandria, VA 22301.

Airlie Plans Barboursville Wine Dinner

Airlie House

Airlie House

Located in horse country in Warrenton, the beautiful Virginia hills unfold to reveal the magnificent estate and resort of Airlie, a property of over 600-acres.

On Thursday, November 17th they will host the last of their ‘Signature Dinner’ series wine dinners featuring award-winning wines from Barboursville Vineyards.

Barbourville Wines

Executive Chef Hector Cruz and his culinary team have drawn on autumnal flavors to expertly pair with varietals from Barboursville. The evening begins at 5:30pm with a welcome reception featuring passed hors d’oeuvres and select Barboursville wines. Guests will have the opportunity to meet winemaker Luca Paschina, as he shares the story of how his humble roots in Piemonte, Italy inspired his lifelong passion for wine, food, and the soil.

Chefs in Airlie's Local Food Project Garden

Chefs in Airlie’s Local Food Project Garden

Chef Cruz will prepare a flavorful menu using vegetables and herbs from Airlie’s 4-acre organic garden as well as provisions from a hyper-local networks of farms.

The menu includes an Amuse Bouche, Scallops and Cream Polenta paired with Barboursville Viognier Fall Salad paired with Barboursville Chardonnay, all natural Grilled Veal Rack paired with Barboursville Cabernet Franc, Poached Pear, Garden Lavender and Rainey’s Dream Cheese Ice Cream paired with Barboursville Phileo.

Tickets are $75 pp and available at Dinner Reservation featuring Barboursville Wines or call 540.341.3299. For out-of-towners think about staying the night. For room reservations call 540.347.1300.

A Party to Murder ~ The Little Theatre of Alexandria

Jordan Wright
October 23, 2016
Special to The Alexandria Times
 

L to R: Eva Seville Coll (O’Karma/Henri), James McDaniel (Rev. Merryweather/Elwood), Danielle Comer (Evelyn/McKenzie), Laura Peterson (Mrs. McKnight/Valerie), John Henderson (Konrad/Charles). Photo credit John Olmstead

L to R: Eva Seville Coll (O’Karma/Henri), James McDaniel (Rev. Merryweather/Elwood), Danielle Comer (Evelyn/McKenzie), Laura Peterson (Mrs. McKnight/Valerie), John Henderson (Konrad/Charles). Photo credit John Olmstead

Oh, how I love it when The Little Theatre does a murder mystery – especially when it’s the time of the year when things go bump in the night.  And you’ll know you’re in for a spooktacular adventure when the sign outside the theater reads, “Warning: This show contains special effects such as thunder, lightning, gun shots and explosions.”  Oh, my!  Even with this foreshadowing of a peculiar night with peculiar people, I’d advise you to hold tight to your seat and put your brain in plot-solving mode. 

R to L: Danielle Comer (Evelyn/McKenzie), John Henderson (Konrad/Charles), Eva Seville Coll (O’Karma/Henri), Damian John Legacy (Ernie/Willy).  Photo credit - Doug Olmsted

R to L: Danielle Comer (Evelyn/McKenzie), John Henderson (Konrad/Charles), Eva Seville Coll (O’Karma/Henri), Damian John Legacy (Ernie/Willy). Photo credit – Doug Olmsted

Director Jim Howard and a nifty cast take playwrights Marcia Kash and Douglas E. Hughes’ homage to Agatha Christie and brighten up the murderous antics – yes, antics – as there is gallows humor aplenty to accompany the ghoulish plot.  Stranded on an island at Haddington House in the rustic hunting lodge of famed British author, Charles Prince (John Henderson), five well-heeled guests play a parlor game, adopting the roles of priest, housemaid, conjurer, politician and model.  But are they?  Or are they just recreating a game played by the infamous ‘Phantom Five’, a group of house guests who disappeared on the island during a murder mystery game, never to be seen or heard from again.  What kind of game is this devious host playing? 

James McDaniel (Rev. Merryweather/Elwood), Damian John Legacy (Ernie/Willy), Danielle Comer (Evelyn/McKenzie), John Henderson Konrad/Charles) Photos by Doug Olmsted

James McDaniel (Rev. Merryweather/Elwood), Damian John Legacy (Ernie/Willy), Danielle Comer (Evelyn/McKenzie), John Henderson Konrad/Charles) Photos by Doug Olmsted

When a dead body shows up, especially one each has a grudge against, it’s a rollicking good time trying to figure out which one is prevaricating and which one is posing.  Could it be corporate scions Valerie (Laura Peterson) and her sister Henri (Eva Seville Coll) whose Addison Industries has been found to be poisoning Michigan’s water supply?  Hmmm.  Timely reference.  They know they could be ruined, their father’s company reduced to pennies on the dollar if the truth came out.  Or could it be Mackenzie (Danielle Comer), the street smart model who has it in for her abusive lover, the wealthy corporate magnate, Elwood (played by James McDaniel)? Another prime suspect is the wheelchair-bound Willy (Damian John Legacy) who is worried his dark business dealings with the deceased will soon be revealed.  And then there’s our charmingly debonair host, Charles, who does a devious job of pointing the finger at everyone else.  Could he have engineered the whole thing to shift the blame away from himself? 

This nifty, tightly written, cleverly acted whodunit is filled to the rafters with twists and turns.  Highlighted by David Correia’s spooky sound design; sinister lighting by the JK Lighting Designs team of Jeffrey Scott Auerbach and Kimberly Crago; and spine-tingling special effects by Art Snow, the eerie experience is enhanced to a fare-thee-well.  A special nod to longtime alum, Carol Strachan who designed the myriad of props with Susan Driscoll.  And kudos to John Downing for one of the best sets at LTA. 

Go!  It’s Halloween!  It’s a hoot and a howl. 

Through November 12th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

The Year of Magical Thinking ~ Arena Stage

Jordan Wright
October 16, 2016
Special to The Alexandria Times
 

Kathleen Turner as Joan Didion in The Year of Magical Thinking at Arena Stage at the Mead Center for American Theater, October 7-November 20, 2016. Photo by C. Stanley Photography.

Kathleen Turner as Joan Didion in The Year of Magical Thinking at Arena Stage at the Mead Cente . Photo by C. Stanley Photography.

Joan Didion’s 2005 memoir The Year of Magical Thinking forms the basis of this one-woman monologue starring Oscar-winning film and stage star Kathleen Turner.  The dramatic version of which first appeared on Broadway in 2007.  Much has been written about Didion’s style of writing, both before her death and after.  But whether favorable or not, she was considered one of the most important writer/journalist/essayists of her time.  In a way she ushered in the “Me” generation with her self-absorbed, edgy style of writing.  You either like her, or you don’t.  Either way you slice it, she was an influential voice for decades. 

The plot chronicle’s Didion’s personal journey while mourning the tragic loss of her husband, author John Gregory Dunne and tending to her ailing daughter, Quintana, who lies in a comatose state.  From her early life in New York City as part of an elite group of writers (a 70’s version of the famed Algonquin Round Table), to her later life in fashionable Brentwood and Malibu enclaves, “I drove my Corvette down the PHC [Pacific Coast Highway for you non-Californians],” she quips, the conservative Republican author was eager to be regarded as a style-setter with the street cred of a bi-coastal, jet-setting journalist and wife of a successful Hollywood screenwriter. 

Kathleen Turner as Joan Didion in The Year of Magical Thinking at Arena Stage at the Mead Center for American Theater, October 7-November 20, 2016. Photo by C. Stanley Photography.

Kathleen Turner as Joan Didion in The Year of Magical Thinking at Arena Stage at the Mead Center. Photo by C. Stanley Photography.

In this drama the grieving Didion explores her mental breakdown during the most disastrous year of her life warning us repeatedly that, “This will happen to you,” as a way of explaining what can and will befall an ordinary life.  With the discipline of a scholar, and naming the posh hospital she held vigil in, “Doctors Hospital, which became Beth Israel Medical Center, was right across from Gracie Mansion,” she proudly quips, she takes comfort in memorizing diagnoses and researching medical treatments and medications.  Struggling to maintain her sanity, she micro-manages the doctors and nurses and chronologizes her daughter’s failing health.  Some of it is humorous – though you can imagine feeling pity for the nurses she abuses – and some of it is superficial, as she namedrops her celebrity pals and notes her fondest memory of her daughter is her blond hair bleached by the California sun. 

In her attempt to grapple with the day-to-day realities of planning her husband’s funeral and caring for her daughter, she seizes on primitive man’s anthropological concept of “magical thinking”.  But notwithstanding her attempts at the spiritual, she soon learns that all of her maneuvering can’t protect her from the anguish and the debilitating vortex of despair.  

Director Gaye Taylor Upchurch does a fine job of keeping the pace lively and Turner proves a more than capable candidate to channel Didion’s internal conflicts. 

Through November 20th at Arena Stage, 1101 Sixth St., SE, Washington, DC 20024.  For tickets and information call 202 488-3300 or visit www.ArenaStage.org. 

The Curious Incident of the Dog in the Night-Time ~ Kennedy Center Opera House

Jordan Wright
October 11, 2016
Special to The Alexandria Times
 

Adam Langdon and The Curious Incident North American Tour Cast 2016 Photo Credit Joan Marcus

Adam Langdon and The Curious Incident North American Tour Cast 2016 Photo Credit Joan Marcus

A most unusual and fascinating wonder of a show burst onto the stage of the Opera House theatre last week.  Packed with drama, pathos and indelible charm, this stupendous Tony Award-winning show explodes with energy.  It’s an unusual premise and a real thinking person’s show with power and magnetism.  You’d be well-advised to afford it the space in your head to spirit you away on its “curious” journey.

(L to R) Adam Langdon, (Background) Felicity Jones Latta and Gene Gillette of The Curious Incident North. Photo Credit Joan Marcus

(L to R) Adam Langdon, (Background) Felicity Jones Latta and Gene Gillette of The Curious Incident North. Photo Credit Joan Marcus

Simon Stephens’ play, based on the novel by Mark Haddon, The Curious Incident of the Dog in the Night-Time is a story of a high-functioning autistic boy, Christopher Boone (Adam Langdon), whose parents are about to get divorced.  Christopher is a brilliant, precise and very detailed 15-year old who loves math, astronomy and all things formulaic.  When his neighbor’s beloved dog, Wellington, is mysteriously killed, he sets about, to the consternation of his father, to solve the crime.

The crime itself is the thread employed to delve into Christopher’s complicated and challenging world, as well as the vehicle for our understanding of his fears and challenges.  But it by no means defines the magnetic experience of climbing inside the mind of an autistic, quasi-savant teen.

(L to R) Adam Langdon, (Background) Maria Elena Ramirez and Gene Gillette. Photo Credit Joan Marcus

(L to R) Adam Langdon, (Background) Maria Elena Ramirez and Gene Gillette. Photo Credit Joan Marcus

For example, Christopher takes metaphors at face value, which is hilarious, especially when you think of the things we say every day that are not near as dire or nor as realistic as the descriptive words we use.  Langdon portrays Christopher’s tenderness and his clashing emotions with a captivating performance.  He is well-matched by Gene Gillette in his ability to portray both anger and compassion in the role of his father, Maria Elena Ramirez, as his patient and loving schoolteacher Siobhan, and Felicity Jones Latta as his irresponsible mother Judy.  The rest of the crack cast appear in a myriad of revolving roles.

Director Marianne Elliott crafts an intricate adventure with precision and comedic intrigue, which is mesmerizingly pulled off by the complex choreography of Scott Graham and Steven Hoggett for Frantic Assembly.  Thanks to a spectacular light show using pixel-mapping technology on a grid with roving arc lights and pulsing strobes mastered by Paule Constable; and a sound system engineered by designer Ian Dickson for Autograph, the energy level is mind-blowing.  For all you techies out there, Constable uses an ETC EOS Titanium system guaranteed to knock your socks off.  Kudos to Finn Ross for crafting the eye-popping video design.  It’s like attending a rock concert sans music, but with a heartwarming and emotionally charged story.

Highly recommended.

Through October 23rd at the Kennedy Center, 2700 F St., NW, Washington, DC.  For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.

The Little Foxes Brings Lillian Hellman Festival to Arena Stage

Jordan Wright
October 1, 2016
Special to The Alexandria Times

(L to R) Megan Graves as Alexandra Giddens and Kim James Bey as Addie in Lillian Hellman’s The Little Foxes at Arena Stage at the Mead Center for American Theater, running September 23–October 30, 2016. Photo by C. Stanley Photography.

(L to R) Megan Graves as Alexandra Giddens and Kim James Bey as Addie in Lillian Hellman’s The Little Foxes . Photo by C. Stanley Photography.

Artistic Director Molly Smith kicked off the theatre’s Lillian Hellman Festival, with one of the playwright’s better-known plays, The Little Foxes. Hellman, one of America’s greatest women writers, was an iconoclast whose career spanned six decades. Branded a Communist during the McCarthy era and blacklisted in Hollywood, she nevertheless continued her groundbreaking work for the stage. With this play she exposed the dark underbelly of the South during the turn of the 20th century, weaving together themes of racism and internecine family rivalry. The drama is said to be based on her great uncles and aunt.

(L to R) Gregory Linington as Oscar Hubbard, Edward Gero as Benjamin Hubbard and Stanton Nash as Leo Hubbard in Lillian Hellman’s The Little Foxes at Arena Stage at the Mead Center for American Theater, running September 23–October 30, 2016. Photo by C. Stanley Photography.

(L to R) Gregory Linington as Oscar Hubbard, Edward Gero as Benjamin Hubbard and Stanton Nash as Leo Hubbard in Lillian Hellman’s The Little Foxes at Arena Stage. Photo by C. Stanley Photography.

It portrays the Hubbards, a family whose successes and failures are umbilically linked by greed and jealousy. The brothers, Benjamin (Edward Gero) and Oscar (Gregory Linington), run the family business with young Leo (Stanton Nash). In an effort to shore up their failing cotton plantation, they strike a deal with a Northern businessman, William Marshall (James Whalan) to modernize their operation. But their sister, Regina Hubbard Giddens, a woman of considerable connivance (played by the incomparable Marg Helgenberger), is determined to get a cut of the deal.

Regina is married to the much older and wheelchair-bound Horace (Jack Willis), a man of considerable fortune. However, as primogeniture was the custom of the period, and women did not inherit estates, Regina envisions a far more glamorous future for herself when Horace passes.

 (L to R) Edward Gero as Benjamin Hubbard, Gregory Linington as Oscar Hubbard, Isabel Keating as Birdie Hubbard and Marg Helgenberger as Regina Giddens in Lillian Hellman’s The Little Foxes at Arena Stage at the Mead Center for American Theater, running September 23–October 30, 2016. Photo by C. Stanley Photography.

(L to R) Edward Gero as Benjamin Hubbard, Gregory Linington as Oscar Hubbard, Isabel Keating as Birdie Hubbard and Marg Helgenberger as Regina Giddens in Lillian Hellman’s The Little Foxes at Arena Stage. Photo by C. Stanley Photography.

Isabel Keating plays Oscar’s wife Birdie, whose vast plantation, Lyonette, the Hubbards now have in their control. In other words, the conniving Oscar has married her for her lands and she’s been taken to the cleaners. Her son Leo is equally as unscrupulous – finding a way to steal the funds necessary to close the deal without Horace’s approval.

Fortified by a decanter of elderberry wine, Keating’s Birdie affords us the most amusing, and bittersweet, highlight of the drama. Add to that fine performances from Kim James Bey as Addie and David Emerson Toney as Cal.

Director Kyle Donnelly’s staging lends an ominous air to the deceit and collusion between Oscar, Leo and Ben, and later Regina. It’s enough to make your hair stand on end.

Set Designer Mikiko Suzuki Macadams presents us with an opulent Victorian living room with raised dining room and a stark treeless backdrop and Jess Goldstein gives us period costumes to match.

Warning: Do not jump out of your seat, as I did, when you hear the “N” word which occurs several times during the course of the play.

Through October 30th at Arena Stage, 1101 Sixth St., SE, Washington, DC 20024. For information and tickets for the Lillian Hellman Festival visit www.arenastage.org/hellman-festival or call 202 488-3300.