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Sleepy Hollow ~ Synetic Theater

Jordan Wright
October 10, 2018

Warning: This is not your childhood storybook version of Sleepy Hollow.  Thanks to Director Paata Tsikurishvili, Washington Irving just got woke.  This reimagining foretells a far darker, far cooler, swashbuckling horror story of a headless horseman and his nemesis, Ichabod Crane.  Zombie lovers, this one’s for you.

Photo credit : Synetic

Adding to their ever-popular wordless series of dramas, Synetic gives us a wholly different dynamic to ponder.  And, hey, it works.  You didn’t really expect the Headless Horseman to talk.  Did you?  Here the HH is presented in a more sympathetic light after he is beheaded by the marauding Ichabod in a bloody battle against Hessian troops.  Not only does the HH return to haunt and torment Ichabod, but he messes up Ichy’s romance with the beautiful and feisty Katrina Van Tassel.

Suitably ghoulish and intentionally macabre, Ichy finds the HH’s head and, clutching it like a trophy, dances with it.  There are hauntings by the ghosts of dead soldiers and a relentless chase to hunt down Ichabod and his cohorts.  The darker scenes are lifted by a lavish banquet, comical drinking scenes, and a passionate love scene between Ichabod and Katrina in which he pledges his troth.

Vato Tsikurishvili as Ichabod ~ Photo credit : Synetic

Acts of war and death seen through Katrina’s eyes become slow motion flashbacks. These vigorous fights are executed with the soldiers moving backwards and it is quite spectacular.  There is nothing like murder and mayhem done in slo-mo.

Vato Tsikurishvili as Ichabod cuts a most imposing figure.  His massive size and glowing bald head belie his graceful abilities in the fight scenes, but even more so in the height he achieves with his leaps, tumbles and lifts, striking a perfect contrast to the delicate Katrina.

Maryam Najafzada as horse puppet – Photo credit Synetic

But there is another fantastical creature that commands our attention in this fast-paced, riveting tale and it is the giant metal puppet of the horse portrayed with great expressiveness by Maryam Najafzada and her three puppeteers.  To watch her mimic the characteristic movements of a horse, twitching her long tail and pawing the air, is mesmerizing, and adds an important element of charm and vulnerability.

Phil Charlwood’s rafters-high, twisted metal ‘trees’ and branch-covered organ provide escape routes for the many chases, while Konstantine Lortkipanidze’s eerie electronica music and spooky sound effects put us in mind that Halloween is just over the horizon.

McLean Jesse as Katrina and the Puppeteers/Ensemble cast of Jordan Clark Halsey, Anne Flowers, Megan Khaziran and Matt Stover. ~ Photo credit: Synetic

Recommended for ghosts and goblins and those who love them.

With the beautiful McLean Jesse as Katrina, Scott S. Turner as the Headless Horseman, Justin J. Bell as Brom, Thomas Beheler as Van Tassel/Ensemble, and the Puppeteers/Ensemble cast of Jordan Clark Halsey, Anne Flowers, Megan Khaziran and Matt Stover.

Choreography by the inimitable Irina Tsikurishvili, Assistant Direction by Tori Bertocci, costumes by Erik Teague and lighting by Brian S. Allard.

Through November 4th at Synetic Theater, 1800 South Bell Street, Arlington, VA in Crystal City.  For tickets and information call 1-866-811-4111 or visit

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