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Nibbles and Sips Around Town ~ July 26, 2016

Jordan Wright
July 26, 2016 

Ashlar at the Morrison House ~ The Return of The Majestic ~ True Food in the Mosaic District ~ Author Luncheons at the Hay Adams ~ Edible Flowers Decorate the Plate 

Swank Modern Interior and New Chef Dazzle at the Morrison House

View of the Morrison House portico from Ashlar

View of the Morrison House portico from Ashlar

At long last the Morrison House the elegant boutique hotel in Old Town, Alexandria has shed its dowdy decor to feature a snazzy redo by Los Angeles–based DH Design.  In the dining room the facelift is reflected in soft colors of sage and sand. Banquettes are covered in a soft honey tone and dark wood tables give a hint of tavern style.  The outdated bar with its clubby red leather wingback chairs has given way to an elegant reception room for private events.

The new, more fashionable style is reflected in the bar area which has moved to just off the foyer.  Black and white photographs of notable intellectuals and their famous quotations signal the hotel’s design aesthetic has moved into the 21st century.  And so has the food.

(l-r) Brian McBride - Chef, Maria Concepcion - Lead Bartender and Bobby Surdam E

(l-r) Brian McBride – Chef, Maria Concepcion – Lead Bartender and Bobby Surdam – Executive Chef

Virginia native, Bobby Surdam, has been brought on as Executive Chef at the re-christened Ashlar Restaurant and Bar where the menu has turned toward colonial traditions and a tavern style of fine dining.  Surdam comes well-schooled by some of DC’s leading chefs including Robert Wiedmaier of Marcel’s and Brian McBride formerly of Blue Duck Tavern.  Of late Surdam helmed the kitchen at Red Owl Tavern in Philadelphia, another Kimpton property.  Surdam’s approach is an upscale interpretation of American regional cooking using the finest ingredients from Mid-Atlantic farms and beef producers, as well as local Maryland seafood.

Complementing Surdam’s dishes, Lead Bartender Maria Concepcion, draws from colonial era spirits once imbibed in homes and taverns in Alexandria.  To that end, Virginia whiskey, beers and wines are well represented.  And that’s fine.  But its her elegant cocktails, flips, syllabubs and punches, made with rum, madeira and sherry, spirits that were once brought into the port city by ship, are the most alluring.  Well-researched colonial era recipes have led her to offer a variety of punches harkening back to the days of Alexandria’s grand balls and receptions.  Sampled at the ribbon-cutting reception in May were two such recipes – one made with Broadbent Rainwater Madeira and another a non-alcoholic Lavender and Honey Lemonade.

Last month we dined at Ashlar and here are highlights from our June supper.

Snapper Crudo

Snapper Crudo

Snapper Crudo with radish, dill, pickled cucumber, jalapeno, beet chips, spring onions and espelette – lovely and light.

Spring Gnocchi

Spring Gnocchi

Spring Gnocchi with asparagus, fiddlehead ferns, fava beans, English peas and mint pest – a sensational dish in which every element harmonizes yet each shines on its own.

Maryland Rockfish bouillabaisse

Maryland Rockfish bouillabaisse

Another is the rockfish, delicate and aromatic with an ethereal smoked tomato broth that includes calamari from Judith Point, briny cockles and Prince Edward Island mussels.

Ashlar's Chocolate Cake with berries

Ashlar’s Chocolate Cake with berries

We bypassed the four different steak cuts for lighter fare, although I’ve heard raves about the bison strip steak from Gun Powder Bison & Trading Co. in Monkton, MD and the American Wagyu hangar steak from Snake River Farms.  All steaks are served with a choice of béarnaise, red wine jus or green peppercorn jus.

If you’ve never visited this unique hotel and just want to get a feel for its charms, try its Happy Hour on the patio and unwind over local oysters and charcuterie, or cheeses from North Carolina’s Goat Lady Dairy.

Ashlar is located at 116 South Alfred Street, Alexandria, VA 22314.  For reservations call 703 838-8000 or visit www.AshlarRestaurant.com

Majestic Restaurant Returns to its Lofty Perch with New Chef 

The Majestic Cafe

The Majestic Cafe

After the departure of Chef Shannon Overmiller and Cathal Armstrong early last year, The Majestic has had its ups and downs.  A new chef to replace Overmiller didn’t last long and the restaurant decided to close its doors for a reboot.  Thank heavens, it did.  The original Art Deco period décor has since been enhanced with a skylight, tin ceilings, a Jazz Age mirrored light and an eclectic collection of prints, paintings and photographs filling every inch of wall space.

The Majestic Cafe

The Majestic Cafe

But let’s turn our attention to newly minted Executive Chef Gaby Hakman.  Let’s hope she stays on.  Hakman, who hails from a Greek/Israeli family with a long history as restaurateurs, honed her chops in New York City and Miami’s South Beach where she cooked in some of the hippest restaurants that young people tweet about.  There among the trendoids, she had a chance to strut her stuff and develop her modern approach to Mediterranean cuisine.

Beet Salad

Beet Salad

My first introduction to Hakman’s cooking was a beet salad that I can’t get out of my head.  Beet salads are on nearly every menu these days, but what makes this one stand out is the details.  Hakman roasts sweet baby beets – golden, rosy red and dark purple beets – adds orange supremes, cascades toasted pistachio nuts over the top, and positions the yummy bits over a creamy sauce of whipped goat cheese.  It’s her approach that’s exciting and the combination of earthy, creamy, sweet and fruity that makes this salad sing.

Another is the charred octopus.  Here Hakman treats it to the smoothest puree of chickpeas, a drizzle of harissa and serves the wood-charred tentacle with arugula and plump Greek olives.

Steak Tartare

Steak Tartare

Rosy red steak tartare has the requisite capers, anchovy and cornichons but with a homemade lemon mayonnaise to boot.  Fish is served whole and grilled over a wood fire.  A head-on dorade (aka bream) gets a slather of salsa verde over its crispy skin and is sopped up into tiny roasted potatoes.  It’s a typical Greek preparation found in seaside tavernas.

Two other dishes I heartily recommend are the Roast Chicken Panzanella, a perfectly executed, spit-roasted, soul-satisfying bird and melt-in-your-mouth Lamb Meatballs spiked with currants and pine nuts.  Both are tender and juicy in their own way.

Lamb Meatballs

Lamb Meatballs

Pastry Chef Michelle White, who does double duty at another of Alexandria Restaurant Group’s spots, Virtue Feed & Grain is a treasure.  Her Coconut Cake is truly sublime.  I have slaved over a coconut cake myself and know full well that if done right, it can take half a day’s labor.  I have never baked another, though it’s certainly worth the trouble if you have the time and inclination.  If not, White’s is one of those small miracles.

Nutella Budino with Caramel "Crack" Cookies

Nutella Budino with Caramel “Crack” Cookies

Ditto for what the staff calls her “Caramel Crack Cookies” served with Nutella Budino, a happy marriage of mousse and pudding topped with whipped cream.

The Majestic Café is located at 911 King Street, Alexandria 22314.  For reservations visit www.TheMajesticVA.com

True Food Kitchen ~ A Restaurant from the Master of Healthy Eating 

Phoenix-based Dr. Andrew Weill has your health in mind.  Founder and director of the Arizona Center for Integrative Medicine, Weill is the bestselling author of numerous books on healing, aging, wellbeing and cooking, including his seminal cookbook, True Food: Seasonal, Sustainable, Simple, Pure (Little, Brown and Company, 2012) with Co-Authors, Sam Fox and Michael Stebner.  Many of the 125 recipes culled from the book reflect the philosophy behind his collection of twelve health-conscious True Food Kitchen restaurants.  Located around the country, this one is located in the Mosaic District of Fairfax, VA.

True Food Kitchen

True Food Kitchen

As a world-renowned pioneer in Integrative Medicine, Weill introduces diners to his healthy eating philosophy in this rustically-designed restaurant reminiscent of a Topanga Canyon restaurant.

The first thing you notice when you arrive at the bar is the comforting whirr of juicers churning out cocktails and mocktails made with fresh seasonal ingredients.

A trio of Natural Refreshers x two

A trio of Natural Refreshers x two

The restaurant’s menu trends towards Asian and Mediterranean cuisine as Dr. Weill’s recipes draw inspiration from his own anti-inflammatory food pyramid.  Pizzas are crafted with daily-made spelt and flax dough, eggs are organic, beef is sustainably raised, and fish are sustainably harvested.  All boxes checked!

On a recent visit I sampled a few items from their seasonal menu and found a lot to swoon over and one that didn’t meet the high bar the restaurant sets for itself.

Edamame Dumplings

Edamame Dumplings

Edamame Dumplings and Kale & Avocado Dip got us off to an impressive start, and there was much oohing and aahing over a trio of “Natural Refreshers” – Medicine Man, a combo of anti-oxidants from seabuckthorn, pomegranate, cranberry, honey, black tea and soda;

Kale and Avocado Dip

Kale and Avocado Dip

Kale-Aid, made from kale, apple, cucumber, celery, lemon and ginger; and Honey Bee Ginger Beer from ginger, honey, chai spices and lime.

Braised Artichoke Pizza

Braised Artichoke Pizza

Crisp-crusted braised artichoke pizza showed nice acidity from lemon ricotta, and the vegetarian Street Taco was a satisfying choice for my vegan accomplice.

Sea Bass

Sea Bass

Unfortunately, my sea bass, a lovely and delicate white-fleshed fish, had spent too much time in the saute pan, though its accompanying cushion of asparagus, sugar snap peas and roasted mushrooms in a lemon-nooch emulsion was heavenly.  Did I tell the server it was dry?  Yes.  Did they offer to redo it?  Of course.  Did I know what “nooch” was?  No.  But I did a bit of research and discovered it’s short for nutritional yeast.  I am not a vegan.  End of discussion.

Strawberry Crumble

Strawberry Crumble

We went for a trio of desserts.  All the better to try three out of four of the daily in-house made sweets.  On this day they were strawberry crumble, coconut chia pudding and a chocolate delight topped with ice cream.  Though I can’t recall the precise descriptions, I can only hope we didn’t disturb the surrounding tables by fighting over the final spoonful.

Open 11am till 11pm, True Food Kitchen is located in the Mosaic District at 2910 District Avenue, Fairfax, VA 22031  www.TrueFoodKitchen.com

When to Spring for a Lavish Luncheon 

Author Kristin Hannah takes questions from the guests. Photo credit Dan Chung

Author Kristin Hannah takes questions from the guests. Photo credit Dan Chung

The stimulating “Author Series” at the Hay-Adams recreates the salons of yesterday when acclaimed writers held court in private homes.  Though the trend of the ever-popular bookstore tradition of nightly author talks continues, those fold-out chair gatherings can’t compete with a lazy afternoon spent on the 9th story rooftop of the Hay-Adams listening to a featured author while enjoying an elegant three-course luncheon.

Provençal Vegetable Salad with herb pistou vinaigrette

Provençal Vegetable Salad with herb pistou vinaigrette

Nicolas Legret, who has been promoted to Executive Chef since the departure of Chef Peter Schaffrath, has shifted the hotel’s cuisine to reflect his heritage.

Seafood Boudin Blanc with bouillabaisse reduction

Seafood Boudin Blanc with bouillabaisse reduction

His superb execution of familiar French classics – a Provencal vegetable salad, an exquisite seafood boudin blanc with bouillabaisse reduction, and seasonal peach and cherry clafouti with crème fraiche ice cream – accompanied by champagne and Sancerre, proves that the hotel is serious about stepping up its culinary profile in a very competitive town.

Peach and Cherry Clafouti

Peach and Cherry Clafouti

At last month’s white linen event the conversation was lively between noted author Kristin Hannah and the assembled guests.  Hannah explained how she began writing with her mother who was terminally ill with cancer.  At the time Hannah was studying law and this was a way for the women to spend more time together.

Her first manuscript was 600 pages, but when she submitted it her agent’s response was, “You may have talent, but frankly it’s impossible to tell.”  Thankfully for her legion of fans she kept at it.  “I had an insatiable appetite for writing,” she revealed.

Selwa "Lucky" Roosevelt at the book signing

Selwa “Lucky” Roosevelt at the book signing

Now a successful author of 21 historical romance novels, the tawny blonde told guests that she writes in longhand and she doesn’t like to diagram characters, plot and motivations.  “I realized that my best writing is when I am more fluid,” she said in answer to a question about her methodology.  She also spoke of her commitment to writing romance novels.  “Women’s stories are far too often lost, forgotten or overlooked.”

After lunch Hannah signed books for the tony crowd who included author, journalist and former U. S. Chief of Protocol, Selwa “Lucky” Roosevelt.

Next in the series will be Executive Editor and Executive Vice President of Random House, Jon Meacham, whose latest book, Destiny and Power: The American Odyssey of George Herbert Walker Bush, will undoubtedly draw a different crowd.  The Pulitzer Prize-winning author of Thomas Jefferson: The Art of Power, will speak on the relevancy of the Bush era model of governing by diplomacy and prudence in domestic affairs.

The Hay-Adams is located across from the White House at 800 16th Street NW, Washington, DC 20006.  Tickets to the September 23rd luncheon will be available for purchase online beginning September 3rd.  For more information email [email protected] or call 202.835.2263.

Food and Flowers ~ Recipes from Kitty Morse’s Book “Edible Flowers” 

A recent trend to decorate dishes with edible flowers hasn’t been lost on author and TV and radio personality Kitty Morse whose book Edible Flowers – A Kitchen Companion with Recipes (Chefs Press) was first published in 1995.  Morse was in the forefront of the food-and-flower movement and a revised and expanded issue of this book is still sought after by cooks and caterers who like to pretty up the plate with eye-catching blossoms.

7-ns

I was intrigued by Morse’s book which reminded me of my first experience using flowers in food.  Inspired by famed naturalist and author Euell Gibbons’ book Stalking the Wild Asparagus (1962), I bravely sautéed daylily buds into a stir-fry.  From there I graduated to sprinkling violets, marigolds, redbud blossoms and dandelion greens into salads.  I’d come a long way from the child who spent summers sucking the nectar out of honeysuckle flowers.

Morse, a native-born Moroccan, has penned ten cookbooks, five of them on the cuisine of Morocco and North Africa.  Her memoir with recipes, Mint Tea and Minarets: A Banquet of Moroccan Memories, was chosen Best Arab Cuisine Book/USA/2013 by the Gourmand World Cookbook Awards.

Morse has graciously allowed me to share two of her recipes with you.  Note: If you don’t have a garden to forage from, farmers’ markets often carry edible flowers.  But be sure your blossoms haven’t been sprayed with any chemicals.  Another source for edible flowers is online at www.MarxFoods.com.

Cherry Clafoutis with Lavender Blossoms

13-ns

Serves 4
The subtle aroma of lavender infuses this classic clafoutis, a rustic dessert from the Limousin region of France featuring cherries suspended in a thick pancake-like batter that puffs up.

  • 3 tablespoons fresh or dried lavender blossoms, divided use
  • 1 cup warm milk
  • 3 tablespoons butter
  • 2 1/2 to 3 cups fresh or frozen Bing cherries, pitted
  • 1/3 cup plus 2 tablespoons granulated sugar
  • 3 eggs
  • 1/2 teaspoon pure almond extract
  • 1/4 cup all-purpose flour
  • 2 tablespoons almond meal
  • Fresh or dried lavender blossoms, for garnish
  • Whipped cream, for garnish if desired

If using fresh blossoms, strip them off the stems. Place 2½ tablespoons of the fresh or dried blossoms in a small sachet or tea infuser and place in the warm milk. Cover and infuse for 30 minutes. Discard sachet and set aside.

Preheat the oven to 375°F. Grease an 8×8-inch baking dish or 4 individual dishes and dot the bottom(s) with the butter and cherries.

In a bowl, whisk the infused milk, sugar, eggs, almond extract, flour, almond meal, and remaining lavender blossoms. Pour the mixture over the cherries. Set the baking dish or dishes inside a larger pan filled with enough warm water to reach halfway up the dish sides.

Bake for 55 to 60 minutes, or until set. I prefer this served warm. Garnish with lavender blossoms and a dollop of whipped cream, if desired.

Chilled Lilyed Melon & Mango Soup

Serves 4 
Daylily (Hemerocallis species and cultivars) live a mere 24 hours. This graceful native of Asia, one of the few edible lily varieties, has long been prized for its color and beauty, as well as for its culinary properties. The petals are crunchy and fresh testing, much like a crisp lettuce leaf. In China, tiger lily buds (Hemerocallis fulva), or “golden needles,” are dried and added to soups or stir-fries. Beautifully presented, this chilled melon-mango dish makes a light and refreshing summer starter or dessert.

  • 1 mango, cubed
  • 1 medium in-season melon, cubed
  • 1/4 cup fresh orange juice
  • 1 cup sliced strawberries
  • 1 tablespoon granulated sugar
  • 2 tablespoons orange liqueur
  • 5 daylilies, for garnish

In a blender, purée the mango, melon, and orange juice in batches until smooth. Transfer to a bowl and refrigerate. Rinse the blender and purée the strawberries, sugar, and orange liqueur. Transfer to a bowl and refrigerate. Chill the purées for 2 hours before serving. To serve, ladle the melon mixture on one side of a shallow soup bowl. Ladle the puréed strawberries next to it without mixing. Cut 1 daylily into thin strips and sprinkle on top. Decorate each bowl with a whole flower and serve immediately.

The Phantom of the Opera ~ Kennedy Center

Jordan Wright
July 24, 2016
Special to The Alexandria Times

The news was worrisome and unexpected. A sudden trip to the hospital sent Phantom lead Chris Mann in for an emergency appendectomy, thus delaying media review night for an extra week. For the many who ask why we haven’t reviewed a show you’ve already seen, the reason is simple. An embargo exists for critics until the official press night. So even if we were to see a show on opening night, we couldn’t post our reviews until the day after press is brought in. So we waited and fretted for another week.

The Company performs “Masquerade.” Photo by Matthew Murphy.

The Company performs “Masquerade.” Photo by Matthew Murphy.

But we needn’t have worried if Mann would be up for the task. He was. In spades. And on steroids. His powerful voice and physical prowess were not one bit compromised. The surprise came in the program on a tiny slip of paper announcing that the lead role of Christine Daaé would be filled by Julia Udine’s understudy Kaitlyn Davis. Again worries were quickly brushed aside in the first number, “Think of Me”, when Davis wowed the audience in a splendid display of her acting abilities and gorgeous, multi-octaved voice.

The promise of an exciting new production of Andrew Lloyd Webber’s long-running, multiple Tony Awarded opera slash musical, was kept by Producer Cameron Macintosh and the unusually named Really Useful Group, along with Director Laurence Connor. It is lavish and lush and as eerie as you’d expect. Thankfully there are no phantoms to jinx it.

Katie Travis (Christine))and Chris Mann (The Phantom). Photo by Matthew Murphy.

Katie Travis (Christine))and Chris Mann (The Phantom). Photo by Matthew Murphy.

The beauty of this show about a haunted Parisian opera house is that it is still thrilling. Webber’s music and Charles Hart’s lyrics grab you from the get-go and its sense of imminent danger keep the audience enthralled. As for its premise, I won’t attempt to examine the irony of a young ballerina thrust into a lead role as an understudy. (Truth was stranger than fiction on this night!) Or a young girl’s need for a muse to guide her to stardom as Webber did with Sarah Brightman, the cast’s original Christine. That would be too facile.

Just let yourself be taken away by the sweeping music of the night conducted by James Lowe and Dale Rieling, the eye-popping sets by Paul Brown, the pyrotechnics and illusions by Paul Kieve, and the dreamy 19th century costumes by the late Maria Björnson. The New Year’s Eve danse macabre in the song, “Masquerade” is absolutely mesmerizing.

Anne Kanengeiser (Madame Giry). Photo by Matthew Murphy

Anne Kanengeiser (Madame Giry). Photo by Matthew Murphy

Look for clues like the 666 lot number on the chandelier at the opera house’s auction, the singerie period music box and the flurry of anonymous notes to the producers insisting they cast Christine in the lead or else murder and mayhem will ensue. It does and it’s as enthralling and haunting as Paule Constable’s eerie lighting design.

Highly recommended.

Through August 20th at the Kennedy Center, 2700 F St., NW, Washington, DC. For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.

Born for This: The BeBe Winans Story ~ Arena Stage

Jordan Wright
July 10, 2016
Special to The Alexandria Times

 (L to R) Juan Winans as BeBe, Deborah Joy Winans as CeCe and Kirsten Wyatt as Tammy Faye Bakker in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

(L to R) Juan Winans as BeBe, Deborah Joy Winans as CeCe and Kirsten Wyatt as Tammy Faye Bakker in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

Checking out the program before curtain up, I counted 27 original numbers with two reprises. How would we get through all these tunes, I pondered?  But BeBe Winans, who wrote the music and lyrics, uses snippets of songs to underpin his story and what a surprising saga it is.

Working alongside of Director and Co-Scriptwriter, Charles Randolph-Wright (Motown the Musical), the collaborators regale us with the four elder Winans brothers’ rise to fame which came before BeBe (played by real life nephew, Juan Winans) and sister CeCe’s (played by real life niece, Deborah Joy Winans) road to glory on the The PTL Club.

(L to R) Chaz Pofahl as Jim Bakker and Kirsten Wyatt as Tammy Faye Bakker in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

(L to R) Chaz Pofahl as Jim Bakker and Kirsten Wyatt as Tammy Faye Bakker in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

Back in the 80’s the PTL (Praise the Lord) Television Network show was the number one global evangelical Christian station then hosted by the illustrious Jim and Tammy Faye Bakker.  For those of us who thought of the Bakkers as “whitebread” as they come, the story stunningly reveals that it was Tammy Faye and Jim (Chaz Pofahl as Tammy’s straying husband) who sheltered the gospel singing teens from the racist threats of the station’s Southern listeners who preferred cutesy, saccharine singing groups like Up With People.

Clearly BeBe and CeCe’s early success is inexorably linked to the Bakkers who raised the kids as their own and are as intrinsic to the story as that of the Winans’ own family.   It also provides us with some of the funniest lines.  As Winan’s mother Cynthia puts it when she discovers they’ve been signed to the show, “Ooh!  Those are some crazy Caucasians!”

 (L to R) Juan Winans as BeBe, Kiandra Richardson as Whitney Houston and Deborah Joy Winans as CeCe in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

(L to R) Juan Winans as BeBe, Kiandra Richardson as Whitney Houston and Deborah Joy Winans as CeCe in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

Much of the action takes place on Set Designer, Neil Patel’s rendering of PTL’s live stage where teleprompters urge listeners to donate and Tammy Faye (Kirsten Wyatt) skitters around shrieking “Thank you, Jesus!!!” in capital letters affectionately referring to the Winan kids as her ‘chocolate drops’ or ‘chocolate babies’.  Her ignorance notably preceding her affection for the teens.  Wyatt is phenomenal as Tammy Faye and plays it to the hilt, just as Tammy did in real life and the show overflows with highlights both lyrical and emotional.  Artistic Director Molly Smith calls it a “story of faith and redemption”, and the arrival of Whitney Houston (Kiandra Richardson), a close friend and advisor to the Winans, seconds that claim.

Outstanding are Nita Whitaker, as Mom Winans, whose spellbinding crystal clear voice shows itself on “Seventh Son”, Milton Craig Nealy as Pop Winans, the no-nonsense dad who triumphs in “I Got a Home”, Brad Raymond with the Teddy Pendergrass voice as brother Ronald, and BeBe and Penny (Alison Whitehurst) BeBe’s White girlfriend, dueting on “Forbidden Love”, a ballad destined to become a classic.

(L to R) Nita Whitaker as Mom Winans and Milton Craig Nealy as Pop Winans in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

(L to R) Nita Whitaker as Mom Winans and Milton Craig Nealy as Pop Winans in Born for This: The BeBe Winans Story, which runs July 1-August 28, 2016 at Arena Stage at the Mead Center for American Theater. Photo by Greg Mooney, courtesy Alliance Theatre.

Costumes by famed Broadway designer William Ivey Long (Hairspray, Cinderella, Crazy for You) are totally spot on, especially for Tammy Faye if you remember those shoulder pads that launched into outer space, and the cutesy matching outfits of the PTL singers.  Long and Wig Designer Lashawn Melton follow the styles of BeBe and CeCe as their wardrobe and hairstyles become ever more sophisticated with Houston’s assistance.

As it stands now, the musical is overly long – 2 ½ hours – even with the short songs.  But how to cut the rich, lush tones of these voluptuous voices and the come-to-Jesus gospel sounds of the Winans?  And who would want to?

Highly recommended.

Through August 28th at Arena Stage, 1101 Sixth St., SE, Washington, DC 20024.  For tickets and information call 202 488-3300 or visit www.ArenaStage.org.

The Bridges of Madison County ~ Kennedy Center

Jordan Wright
July 3, 2016
Special to The Alexandria Times
 

Katie Klaus (State Fair Singer) and the company of the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

Katie Klaus (State Fair Singer) and the company of the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

A huge applause erupted from the audience at the Kennedy Center when it was announced that the show’s composer, orchestrator and lyricist, Jason Robert Brown, would conduct the evening’s performance.  The three-time Tony Award-winning Brown, who also tours as a singer and pianist, brought both energy and depth to this lush, sweeping score and the 9-piece orchestra’s response was as palpable as the performances.

The Bridges of Madison County, the 2014 Broadway smash hit musical, evolved from Robert James Waller’s 1992 best seller of a married Italian immigrant who meets a handsome photographer documenting the covered bridges of Iowa for National Geographic.  It is a tender love story of mutual passion, appreciably devoid of the syrupy schmaltz that often passes as romance in this genre.  Leading man, Andrew Samonsky as Robert, who has movie star good looks and spectacular tenor’s pipes, is just part of the appeal.  Another is the steely charm, wry delivery and soaring operatic voice of Elizabeth Stanley as the conflicted housewife and mother, Francesca.

Over a period of four days, while husband Bud (Cullen R. Titmas) takes the children Michael (Bryan Welnicki) and Carolyn (Caitlin Houlahan) off to the Indiana State Fair to show Carolyn’s prize steer, the strangers connect.  And oh, how they connect.

Elizabeth Stanley (Francesca) and Andrew Samonsky (Robert) in the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

Elizabeth Stanley (Francesca) and Andrew Samonsky (Robert) in the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

In their exploration of one another’s motives, Robert sings, “Temporarily Lost”, admitting he has been looking to restore the light in his life.  By the ninth number, “The World Inside a Frame”, Samonsky’s heart-stopping solo, he has learned to trust again and Francesca regains her lust for life.  She is Italian after all.  (In a particularly seductive scene, Francesca removes Robert’s crisp white shirt from his tight blue jeans and a woman’s excited gasp could be heard throughout the theater to the audience’s delight.)

That Robert’s truck hasn’t left the farm in four days is well-noted under the watchful eyes of Marge (Mary Callanan), Francesca’s true friend, and Marge’s husband Charlie (David Hess), family friends who live within binocular range.  Callanan is wondrously comic as the neighbor who revels in Francesca’s forbidden tryst, while trying to get a rise out of her spouse in a what-would-he-do-if-it-was-her scenario.

Andrew Samonsky (Robert) and Elizabeth Stanley (Francesca) in the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

Andrew Samonsky (Robert) and Elizabeth Stanley (Francesca) in the national tour of THE BRIDGES OF MADISON COUNTY. (Photo by Matthew Murphy)

Bartlett Sher’s tight direction and Donald Holder’s superb lighting are crucial to the effect as many of the scenes play out on alternate sides of the stage sequentially as steamy love scenes unfold around a kitchen table or a large wrought iron bed.  Michael Yeargan’s pastorally-evocative sets animate the rural setting.

Through it all we root for the lovers to hightail it arm-in-arm into the gathering twilight in this fairy-tale fantasy.  We can dream.  Can’t we?

Highly recommended for its sensuality, brilliant singing and indelible score.

Through July 17th at the Kennedy Center, 2700 F St., NW, Washington, DC.  For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.

Kurios – Cabinet of Curiosities ~ Cirque du Soleil

Jordan Wright
July 1, 2016
Special to The Alexandria Times

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel  © 2014 Cirque du Soleil

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel © 2014 Cirque du Soleil

Steam Punk – as in Victoriana science fiction meets techno wizardry – is the quirky new style of Cirque de Soleil’s show, Kurios – Cabinet of Curiosities arriving in Tysons Corner on July 21th.   The story, set in an alternate yet familiar past, features a voyage Jules Verne would have envied.  Think leather goggles, steam train gadgets and a spectacular array of tricked out props.

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel  © 2014 Cirque du Soleil

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel © 2014 Cirque du Soleil

The tale of Kurios takes us on a journey into a deeper realm neatly hidden inside the larger-than-life curio cabinet of the “Seeker”.  Within this Dr. Caligari-like cabinet he finds a hidden, invisible world where he encounters bizarre curiosities that begin to animate.

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel  © 2014 Cirque du Soleil

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel © 2014 Cirque du Soleil

Unlocking this Pandora’s box unleashes a collection of otherworldly characters who step into his makeshift mechanical world.  The outlandish, yet quite benevolent, creatures turn his world upside down with a touch of poetry and and a ton of humor in an attempt to ignite the Seeker’s imagination and discover a parallel universe.  Heart-stopping and brilliantly imagined, it’s a magical journey worth taking.

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel  © 2014 Cirque du Soleil

Photo: Martin Girard / shootstudio.ca Costumes: Philippe Guillotel © 2014 Cirque du Soleil

Written and directed by Michel Laprise, Kurios leads us into the birth of technology during the late 19th century and on a journey into the fantastical minds of the inventors of the great Industrial Age.  Laprise, a former actor, director and artistic director, who started his own theatre company in Montreal and trained at the National Theatre School of Canada, has been with Cirque for the past 16 years.  He also worked with Madonna on her Super Bowl XLVI halftime appearance and later directed her MDNA tour.  He recently sat down with this writer for a brief interview.

You were a Special Events Designer on Cirque’s specialty shows.  How did you transition into becoming a director of a large scale production?

I had ten years of theatre myself and pitching to raise money.  The department grew and they offered me the job.

How would you describe the story of Kurios?

It’s about a scientist, The Seeker, who looks through the portal at a time when electricity was bringing the world together.

There are 46 artists in Kurios.  How are the artists chosen?

In the beginning they were pre-selected through 3-minute demos, and later improvisation auditions.  Later I discovered that by directing them, the artists performed better, allowing us to really see their skills.  It became a workshop where I honed my director’s abilities.

How long does it take to put together these complex productions?

It took two years of choreography and theatricality and being in the training studio each day to get ready for Kurios.  In addition, on site we have a director, two coaches and a captain who continue training the artists every afternoon.

What’s different about this show?

When we started to create it we had heard from our audiences that we were becoming predictable.  So I eliminated everything that was habit and predictable.  We took out traps and turntables, and the artists are now closer to the stage and the audience can connect to the characters.  We also do a tribute to Shelley’s Dr. Frankenstein.  It all came out of an 80-page scenario.

Talk about the cool steampunk props?

The props speak to the art of recycling.  I wanted it to look low-tech to make it very genuine.  This show uses 426 props – the most props of any Cirque show ever.

What’s new about the music?

We have the A Team!  The composer, Raphael Beau, comes from Paris and every note is a vulnerability.

What are you working on now?

Last October I started working on my next show for Cirque in Buenos Aires where I spent three months putting together Soda Stereo.  It’s based on the legendary Latin rock band and debuts in 2017.

Through For tickets and information to Kurios visit www.CirqueduSoleil.com

Kinky Boots ~ Kennedy Center

Jordan Wright
June 21, 2016
Special to The Alexandria Times
 

‘Kinky Boots’ National Touring Company. Photo by Matthew Murphy.

‘Kinky Boots’ National Touring Company. Photo by Matthew Murphy.

A beacon of hope shone down mightily onto the stage at Kennedy Center’s Opera House this week.  It was more than hope, really.  It was a balm for the soul of Orlando’s LGBTQ community and their friends and supporters around the world.  A clearing of the clouds, if you will – if only for a few hours.

In this timely story of tolerance, love and self-acceptance, Lola (J. Harrison Ghee), a black drag queen from the seedier side of London, performs with her chorus line of queens.  When, in a stroke of fate, she meets Charlie (understudy, Adam Kaplan, who appeared to be struggling in the role), the reluctant scion of a fourth generation shoe factory in the hinterlands, she schools him in ‘dragdom’ and what it means to be absolutely fabulous in six-inch high-heeled boots.  When she alludes to the challenge of strutting her stuff in ladies’ boots, ill-designed to support the weight of a man, Charlie becomes sympathetic to her plight.

(l to r) Macho Don (Aaron Walpole) the floor manager and George (Jim J. Bullock). Photo by Matthew Murphy.

(l to r) Macho Don (Aaron Walpole) the floor manager and George (Jim J. Bullock). Photo by Matthew Murphy.

Intrigued by Lola, soubriquet “Kinky”, and the idea of making boots for a niche market, he offers her the job of Head Designer at his factory.  Unfortunately, it’s run by a crew of narrow-minded blue collar workers.  Lola, bullied by the male workers tries to fit in by wearing suits instead of dresses – a transition that falls flat.  Hoping to present Lola’s racy designs at the shoe show in Milan, the workers, especially the females of the crew who are enamored of Lola’s femininity, get on board.  Macho Don (Aaron Walpole) the floor manager and George (Jim J. Bullock) the numbers cruncher remain reluctant.  And therein lies the rub.

Contrary to what you may imagine, the romance in Playwright Harvey Fierstein’s six-time Tony Award winning musical is not between Charlie and Lola, but with Charlie’s fiancée, Nicola (Charissa Hogeland), who has grander ideas for their future in real estate development, and one of his employees Lauren (Tiffany Engen) who believes in his dreams.  Guess who wins out.

Jerry Mitchell, who received the Tony Award for his choreography in the original Broadway production, both directs and choreographs this production, along with famed Costume Designer Gregg Barnes, Scenic Designer David Rockwell and Lighting Designer Kenneth Posner.

Lola (J. Harrison Ghee) and her Angels in ‘Kinky Boots.’ Photo by Matthew Murphy.

Lola (J. Harrison Ghee) and her Angels in ‘Kinky Boots.’ Photo by Matthew Murphy.

Ghee is a force of nature.  Fierce and fabulous with a leggy, Amazonian frame that complements an astonishingly versatile voice, he delivers a show-stopping performance tinged with raw emotion.  The duet with Kaplan in “Not My Father’s Son” is especially spell-binding.  And Engen too, will steal your heart with her solo, “The History of Wrong Guys”.  And should you ever question what drives men wild, Lola (aka Simon) sets us straight in “Sex Is in the Heel”, adding, “Red is for sex, and sex shouldn’t be comfy.”  Got it?

‘Kinky Boots’ National Touring Company. Photo by Matthew Murphy.

‘Kinky Boots’ National Touring Company. Photo by Matthew Murphy.

Through it all, pop diva Cyndi Lauper’s show-your-true-colors score is as sustaining as a hummingbird’s heartbeat and her emotionally-stirring ballads and electrifying show tunes add up to a winning night of crazy, funny, wonderful theatre.

Highly recommended for, according to Lola, “Ladies and Gentlemen, and those who have yet to make up their minds.”

Through July 10th at the Kennedy Center, 2700 F St., NW, Washington, DC.  For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.