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A Comedy of Errors ~ Shakespeare Theatre Company

Jordan Wright
October 3, 2018 

Let me start by saying, if Alan Paul is directing anything… anything!  Go!  His imaginative interpretations of the classics are both fabulous and stylishly modernistic.  In this send-up version of A Comedy of Errors, Paul sets the action in 1950’s mid-century modern Greece though it seems more like La Dolce Vita meets Saturday Night Fever meets SNL meets… oh, never mind.  It’s an indescribable mash-up of frothy, farcical slapstick as two sets of identical twins muddle through moments of mistaken identity at breakneck speed.  Opa!

Following the plots of Shakespeare’s plays that start off with voyagers lost in a storm at sea, here twins come together as grown men, unaware of each other’s fate... or identity.  One is married to Adriana (the slinky, foxy, Veanne Cox).  The other is in love with her sister Luciana (Folami Williams).  Separately they frequent the local hangout, Zorba’s Seafood café, where the fishmongers look like Super Mario and where you are just as likely to dine on a seafood tower as get in a food fight with octopi.  Opa!

Twin brothers, Antipholus of Syracuse (Gregory Wooddell) and Antipholus of Ephesus (Christian Conn), who coincidentally inherited a silver spoon life, tool around on a Vespa in GQ threads while insulting their twin servants and lusting for women at the Porcupine Club – a flashy nightclub where leather boys fan their feathers for a lusty mama played deliciously by Eleasha Gamble as the Courtesan.  “I’m glad I’ve got these quills.  They bring in dollar bills,” she croons.

With a plethora of entrances and exits that prevent chance meetings, the action is non-stop certifiably crazy, including ongoing chase scenes between Luce (J. Bernard Calloway in Madea drag) and Dromio.  Great job on the casting Carter C. Woodell.  Confusion reigns.  I don’t know which Dromio is which.  Opa!

There is tap-dancing by the local constabulary and singing with music composed by Michael Dansicker, a Twyla Tharp alum.  Bet you didn’t expect that!  Gabriel Berry’s costumes run the period gamut from Dior’s ‘New Look’ for Adriana to court jester garb for the twin servants, Dromio of Ephesus (Carter Gill) and Dromio of Syracuse (Carson Elrod).  The queenly Angelo (All hail, Tom Story!) reminds us of the disco looks of the 70’s with gold chains and open-to-the-waist, multi-colored polyester shirt.  Dr. Pinch (Sarah Marshall with an over-the-top, scene-stealing performance), a bible-toting revivalist preacher, arrives on scene in a white suit ready to horseback ride Dromio to his death before being interrupted by the Abbess Emilia (Nancy Robinette) and her nuns.

Highly recommended.  A crack cast plus talking parrot keeps audiences in hysterics.  Opa!

With Ted van Griethuysen as Egeon, Merchant of Syracuse; Matt Zambrano as Tailor/Second Merchant; Matt Bauman as Officer; and Matt Bauman, John Cardenas and Justin G. Nelson as Proteans.

Scenic Design by James Noone, Lighting by Mary Ellen Stebbins; Sound Design by Christopher Baine; Choreography by Karma Camp; Fight Choreography by David Leong; and Musical Direction by Victor Simonson.

Through November 4th at the Shakespeare Theatre Company’s Lansburgh Theatre 450 7th Street NW, Washington, DC 20004.  For tickets and information contact the box office at 202 547.1122 or visit www.ShakespeareTheatre.org.

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