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Giselle ~ Ballet Nacional de Cuba ~ Kennedy Center

Jordan Wright
June 1, 2018 

With the continuation of the Cuban Arts festival Artes de Cuba: From the Island to the World – the largest presentation of Cuban Arts in the United States – one of the world’s most prestigious ballet companies, the Ballet Nacional de Cuba, performs Giselle through Saturday with additional matinees on Saturday June 2nd and Sunday June 3rd.  I give you this up front so can grab tickets ASAP.

Alicia Alonso takes a bow with principal dancers, Sadaise Arencibia and Dani Hernández, after their performance in Giselle at the Kennedy Center

Alicia Alonso takes a bow with principal dancers, Sadaise Arencibia and Dani Hernández, after their performance in Giselle at the Kennedy Center

After four decades since her last appearance at the Kennedy Center, legendary dancer and choreographer, Alicia Alonso and her acclaimed troupe return to the Kennedy Center.  The nonagenarian, who now serves as both Artistic Director and Choreographer, was on hand to cheer on her dancers, but she too garnered wild applause after the opening night performance when she was led onstage by premier danseurs, Sadaise Arencibia (Giselle) and Dani Hernández (Albrecht, Duke of Silwesia).

Ballet Nacional de Cuba  Giselle Ginett Moncho as Myrtha, Queen of the Wilis ~Photo by Teresa Wood`

Anyone who knows a whit about ballet knows of Alonso’s numerous achievements over her 80-year career.  She was the epitome of a prima ballerina during the 20th century working in America with Mikhail Fokine, George Balanchine, Leonide Massine, Bronislava Nijinski, Anthony Tudor, Jerome Robbins and Agnes de Mille as a principal dancer with the American Ballet Theatre.  So, we were decidedly gobsmacked to see her up and about and traveling back to America to celebrate – and choreograph – both Giselle and Don Quixote whose short run ended May 31st.

Ballet Nacional de Cuba Giselle Ballaeina Troupes ~ Photo by Teresa Wood.

The story of Giselle is that of a peasant girl who falls for a handsome Duke, only she doesn’t know he’s a duke (he’s disguised as a farmer).  She discovers his noble station when she is spurned by his family and fiancé.  The folk tale derives from a Slavic belief that girls who have not become brides before they die, return to earth as sylphs to their true loves, haunting them until death.

Ballet Nacional de Cuba_ Giselle_Raúl Abreu as Albrecht, Duke of Silesia and Sadaise Arencibia as Giselle_Photo by Teresa Wood.

Alonso’s version of Giselle is considered the most accomplished one as it more smoothly merges the pastoral dynamic of Act One to the spirit world of Act Two.  Of particular note is Giselle’s emergence from her tomb to woo Albrecht in an ethereal almost otherworldly solo by Arencibia and Hernandez’s response in a pas de deux that matches her statuesque grace with powerful leaps and gorgeous lifts.

Highly recommended.

At The Kennedy Center, 2700 F St., NW, Washington, DC.  For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.

Camelot ~ Shakespeare Theatre Company

Jordan Wright
May 30, 2018 

The days of light-hearted versions of Camelot may have gone the way of 50¢ bus rides.  The whole frothy, castle keep shtick flies out the window in director Alan Paul’s modern interpretation of Lerner & Loewe’s Broadway hit musical of the early 60’s.  And I must admit, I wasn’t ready for such a sea change.  For those of you who remember the 60’s (you’re excused if you don’t), the original cast starred the magnificent-voiced Robert Goulet, Julie Andrews (‘nuff said) and sex symbol at the time, Richard Burton, before he was actually knighted.  Paul delves deeper into the sociological and psychological implications of the 12th century Knights of the Round Table and comes up with a view edgier, darker, and a lot more Shakespearean.  We should have expected it.

Ken Clark as King Arthur ~ Photo credit Scott Suchman

Paul has assembled a fine cast to see his vision through.  DC-based actor Ted van Griethuysen plays Merlyn the Magician.  Van Griethuysen, an eight-time Helen Hayes Award winner was awarded the Robert Prosky Award for “Outstanding Lead Actor in a Play” at the Helen Hayes Awards this May.  Merlyn is the defining influence on the young King’s life, at least until wise King Pellinore (skillfully played by Floyd King) steps up to the plate as his confidante after Merlyn loses his powers.  Pelli has been around the block.  The sympatico King Arthur (Ken Clark) wants peace and justice to flourish in Camelot in a new social order rejecting violence and bloodshed and stripping the powers of the landed gentry.  Proposition: The feisty knights would be dumped into the dustbin.

Queen Guenevere (Alexandra Silber) and Ken Clark as King Arthur ~ Photo credit Scott Suchman

Meanwhile, the beautiful and spirited Queen Guenevere (Alexandra Silber), and his closest comrade, Lancelot du Lac, the handsomest and most vaunted knight in the land (played by the dashing Nick Fitzer), become lovers and their treasonous romance becomes the talk of the court.  Enter Mordred (Patrick Vaill), the King’s illegitimate son.  Plotting to seize the throne through blood and terror, he threatens to reveal the Queen’s secret love affair.  Nevertheless, the lovers cannot bear to part.  “If Ever I Would Leave You”, sung by Lancelot, is one of the songs everyone remembers.  I could have sworn I heard humming from the audience.

Nick Fitzer as Lancelot Du Lac and Alexandra Silber as Quenn Guenevere ~ Photo by Scott Suchman

Vaill, a Bard College alum, uses his Mick Jagger looks and indelible charm to give us a gutsy-cool, bad boy Mordred – a character who declares “Fie on goodness!” and whose wicked, leather-clad street-thugs prove to be King Arthur’s undoing.  “The table is not round,” Mordred insinuates.  “It is a triangle.”  And as we all know, three’s a crowd. 

Nick Fitzer as Lancelot Du Lac and Alexandra Silber as Quenn Guenevere ~ Photo by Scott Suchman

The cast is wonderful most especially Clark, Vaill and Fitzer whose musical numbers and fiery soliloquies bring the house down.  Led by designer Ana Kuzmanic, STC’s masterful costume department has outdone themselves with yards of heavily embroidered silk, chiffon and velvet for the women, and leather outfits, voluminous capes and gleaming suits of armor for the knights.

Patrick Vail as Mordred, Alexandra Silber as Guenevere and Michael Bingham as Ensemble ~ Photo by Scott Suchman

Alas and alack, I found the unimaginative, wood-paneled backdrops by Walt Spengler to be lackluster, but his use of disappearing platforms for set changes and descending-from-the-rafters bevy of shiny knights to be eye-popping.  Fight choreographer David Leong handles the flashy sword fights and choreographer Michele Lynch delights with the lovers’ waltz among rose petals and the lusty courtiers a-Maying.

Cast of Lerner & Loewe’s Camelot ~ Photo by Scott Suchman

With Music Direction by James Cunningham, Lighting Design by Robert Wierzel, and Sound Design by Ken Travis.

With Melissa Wimbish as Nimbue, Mark Banik as Sir Dinadan, Brandon Bieber as Sir Sagamore, Paul Victor as Sir Lionel, Ben Gunderson as Squire Dap and the adorable Trinity Sky Deabreu as Child.  Knights and Ladies of the Court include Michael Bingham, Veronica Burt, Julio Catano-Yee, Chadaé, Jennifer Cordiner, Bridget Riley, Frankie Shin, and Casey Wenger-Schulman.

Through July 8st at Sidney Harman Hall 610 F Street, NW, Washington, DC 20004.  For tickets and information call 202 547-1122 or visit www.ShakespeareTheatre.org.

Nibbles and Sips Around Town 2018

Jordan Wright
May/June 2018
Photo credit ~ Jordan Wright

District Distilling Co. for Father’s Day ~ Filipino Cuisine at Bistro 1521 Resto + Bar ~ Jackson 20 Launches Pop-Up Beer Garden for NOVA Pride Month ~ Maydān ~ The Occidental Grill & Seafood Restaurant ~ The Fairmont Hotel Royal Wedding Watch Party ~ 2018 Washington National Opera Gala  

Dads Unite at District Distilling Co.  

The complete line of spirits at District Distillery

Father’s Day isn’t just for dads, it’s also for those who love them, and District Distillery has a sweet deal for fathers.  The June 17th program “Bottle Your Own Spirit” will be at their U Street distillery, bar and restaurant just off 14th Street where their extensive line of hand-crafted spirits are distilled and bottled within three joined-together, historic townhouses.

‘Wild June’ Gin

Head Distiller Matthew Strickland will be on hand to take guests on a tour of the copper stills while they learn about their unique distilling methods.  Tastings of their extensive line of spirits – vodka, bourbon, whiskey, gin and rhum – are just part of the fun.  On a recent visit I fell hard for their Wild June Western Style gin made with wildcrafted local juniper berries and a new release – “Embassy Row”, a white crème de menthe made with locally sourced fresh mint (from the chef’s family farm) and local wildflower honey.  This is not your grandparents’ nasty, sickly-sweet green stuff.  This one’s a game changer.  Light and white – it’s perfect for a mint chocolate martini, grownup’s smoothie or your next batch of brownies.

“Texas Muleshoe” signature cocktail served in a frosty copper mug

After the tour, fill your bottle with their award-winning C&O Tradesman Whiskey – unfiltered and cask strength – from the French rhum or apple brandy casks. The bottle then gets a personalized label.  Reservations are a must.  202.629.3787

While there, plan to dine on Executive Chef Justin Bittner’s seasonal American cuisine.  Since the event is on a Sunday, plan on brunch.  Or, if dad has plans to sleep in, they’re open for lunch and dinner too.  Faves: Smoked Trout Rillettes with cornichons, pickled onions, and pumpernickel toast points;

Chef Frank’s meatballs

Chef Frank’s Meatballs with pork, veal, lamb, fontina cheese, mascarpone polenta and house marinara; Beets Six-Ways Salad with beet raisins and beet jelly, served with herb buttermilk yogurt;

Squid ink tagliatelle

and Squid Ink Tagliatelle with shrimp, calamari, piquillo pepper and saffron cream.  Save room for a delicious slice of chocolate pecan pie à la mode.

Smoked trout rillettes

District Distillery Co. is located at 1414-1418 U Street, NW, Washington, D.C. 20009. 202.629.3787  www.District-Distilling.com

Bistro 1521 Resto + Bar ~ On the Cutting Edge of Filipino Cuisine 

In a sunny corner spot along Glebe Road in the Clarendon neighborhood sits Bistro 1521, the latest outpost for Filipino food.  The spacious contemporary design features rows of booths, a large bar and plenty of outdoor seating.  The six-month old spot takes its name from a historical expedition in 1521 undertaken by noted Portuguese explorer, Ferdinand Magellan, who, traveling under the Spanish crown, discovered the archipelago that later formed the nation of the Philippines.  Because of that happy accident, the typical Filipino cuisine reflects a combination of Spanish, Malaysian, Chinese and, in more recent decades, U. S. influences.

After sampling their cuisine at an afterglow party at Mosaic Theatre a few months ago, we excited to delve further and were not disappointed.  In fact, we were delighted to extend our knowledge of this much-trending cuisine and found some amazing dishes along with beautifully balanced, fantasy-like cocktails.

Kiwi cocktail ~ Delicious cocktails

Filipino cooking will remind you somewhat of other Asian cuisines, but with a twist.  They use ingredients not found on most menus – like jackfruit, tamarind, palm fruit, kalamansi (we know it as calamondin), casava and purple yams.

Ukoy fritters

Pinoy (Filipinos) love adding fruits to dishes of all kinds – beef, chicken and fish like bangus, a type of tropical fish also known as chanos or ‘milkfish’ prepared here in a dish called ‘Seafood Sinigang” – that are balanced against spicy, tart and salty ingredients.

A basket of lumpia

Expect cellophane and rice noodles in many different interpretations, as well as hot and spicy dips and smooth sauces often tempered with coconut milk.  Thankfully the menu explains everything in detail and servers can offer precise details about preparation. I even got a quick lesson in the correct pronunciation of their vowels.

Halo-halo

Halo-halo has a short ‘a’.  Unlike what an angel or saint has around its head.  Very useful, as I expect to return and don’t care to sound like a total dunce.

Palabok (cellophane noodles)

Vegetarians will find plenty of options at Bistro 1521.  If you’re in the neighborhood try the $9.99 weekday special lunchtime rice bowls or drop in for Happy Hour – weekdays from 3pm – 7pm.

Fair warning: Highlights are mind-blowing desserts like ginataan, ube cheesecake, turon, kalamansi pie and halo-halo.

Calamansi cake

Halo-halo is a fantastically festive, tripped out confection with layers of colorful fruits and ice cream – usually made from purple yams called ube.  Toppings include a combination of jellies and fruits.

Ube cheesecake

Our version had ube with lychees, jackfruit, coconut jelly squares, sweetened condensed milk and coconut shavings.

Bistro 1521 is located at 900 North Glebe Road, Arlington, VA 22203.  For information and reservations call 703.741.0918.  Email to place a catering order.

Jackson 20 Launches June Pop-Up Beer Garden for Pride Month 

The lobby of The Alexandrian hotel – home to Jackson 20

A beautifully planned, well-executed Spring Forager Dinner at Jackson 20 by Executive Chef James Hudson, brought wows from the journalists in attendance last month.  It began with an amuse bouche of compressed watermelon drizzled with balsamic vinegar, bits of goat cheese and micro mint.  I could have eaten a bowl of this refreshing combination.  But no.

Corn chowder with Maryland blue crab

This was just to whet the appetite for the inspired four-course dinner.  The amuse was followed by a corn and roasted red bell pepper chowder garnished with Maryland blue crab.

Skillet cornbread

I’m regaling you with all of these dishes not to torment you, but to let you know that Hudson has been killing it in the kitchen since his arrival earlier this year.

Seared red snapper with saffron sauce

The “Starter” (I tried to pace myself.  Insert slap-to-the-forehead emoji here.) was a large portion of seared red snapper with a mixed watermelon, arugula and toasted almond salad finished with creamy saffron sauce and crisp bacon.

Hickory smoked sous vide beef short rib

You could have left me right here to die until the arrival of the hickory smoked sous vide beef short rib which was falling-off-the-bone tender and served with tri-colored fingerling potatoes.

A brief note about the wine pairings carefully selected by General Manager Chris Ratier who knows wine as we have learned from past visits.  He chose a Jefferson Vineyards Chardonnay Reserve out of Charlottesville, VA to serve with the amuse bouche and a Kim Crawford Sauvignon Blanc for the soup.  I have written about the well-priced Kim Crawford collection in the past and highly recommend these New Zealand wines.  A Ravenswood’s Sonoma Zinfandel complemented the braised short rib.

Strawberry galette

After all that, I worried that dessert might prove overkill.  But Hudson, clever as a fox, knew to bring on something light and seasonal and offered up a strawberry galette with vanilla bean gelato.

BREAKING NEWS – Okay, call it an update if you like.  In partnership with Port City Brewing Co., an Alexandria, VA-based brewing company, Jackson 20 will host a month-long beer garden in the hotel’s outdoor courtyard starting June 3rd.  That makes Alexandria, VA home to one of the area’s only pop-up outdoor beer gardens, a Prohibition-era staple.  New seasonal brews will be featured every weekend and a portion of all proceeds will benefit NOVA Pride, a non-profit organization founded to educate, advocate and celebrate in services to the LGBTQ+ community of Northern Virginia, in celebration of Pride Month.

Jackson 20, 440 King Street, Alexandria, VA 22314. 703.549.6080 www.TheAlexandrian.com

The Occidental Keeps History In Its Place 

New bar entry at the Occidental

The Occidental has had a redo, but never fear.  The dozens of iconic black-and-white photographs of formidable figures in Washington political history remain on the storied walls, but the bar has been relocated to the upstairs level accessed by the outdoor steps just beyond the outdoor fountain.  The two-tiered street level is now just for dining and gazing out at guests sitting beneath royal blue patio umbrellas.

About the bar.  It is now a showcase for the very talented Frankie Jones to concoct cocktails to an appreciative audience.  Jones reads his clientele like a seer.  Depending on your preferences, the DC native will design a drink to your specifications or suggest one he’s created from the new cocktail menu.  I like that kind of service.  It’s rare.  Give yourself over to Frankie’s expertise.

Dinner here is white tablecloth with tiny table lamps providing a soft glow over the dark wood.  New York-bred Jake Addeo is the recently appointed Executive Chef and has brought a few ideas of his own to the menu.  Many favorites still remain, though some have been reinterpreted to highlight local ingredients and confirm that you are indeed in the South.  I felt famed chef Sean Brock’s influence in a number of dishes.

Addeo is understandably proud that sauces, soups, savory relishes and crisp-crusted, skillet cornbread served with honey butter, are all made in house.

Lobster bisque

These are the dishes we had, and loved, and one we didn’t.  Begin with the lobster bisque.  I insist.  It is not laden with heavy cream, but boasts a rich, deeply flavored stock made with the oven-roasted shells of the cold water crustacean with lovely nibblets of lobster meat and dotted with candied fennel compote.

Pan seared foie gras

Please order the Hudson Valley foie gras.  A beautifully decorated plate of pan-seared foie gras playing off huckleberry sauce, golden raisin gel, onion confit and spiced foie gras bread pudding.  Decadent and divine.

Grilled Spanish octopus and Cheshire pork belly

We tripled our odds with grilled Spanish octopus and Cheshire pork belly, lacquered with sorghum and partnered with sunchoke cream and green tomato relish.

Eastern seaboard halibut

For entrées we chose Eastern seaboard halibut and pan seared duck breast.  The halibut with celery root purée, fried artichokes and lobster glacé was mouthwateringly delicious.  The duck, not so much.  If you like your duck with a crisp skin, and I do, this one’s not for you.

Gloss over that misstep and head straight for dessert.  We swooned over the lemon-ginger crème brûlée crowned with a cookie and a slice of chocolate dulce de leche bar (who wouldn’t?), but we were on opposing sides regarding the vinegar pie.  A quintessential American custard pie immortalized by Laura Ingalls-Wilder of The Little House on the Prairie fame, it uses vinegar in the same way that you would add vanilla – just a smidge.

The Occidental Grill & Seafood Restaurant, 1475 Pennsylvania Avenue, NW, Washington, DC 20004.  www.OccidentalDC.com  202.783.1475

The Fairmont Hotel Throws a Royal Watch Wedding Party 

Everybody celebrated including Yours Truly

Either you were curled up in bed watching Prince Harry and Meghan Markle tie the knot at o’dark hundred, or you were out gallivanting in a fascinator at one of the many parties that gave Anglophiles something to cheer about.  After all, even if the royals bore you to distraction, this wedding was nothing like the pinkies-up wedding of Prince William and Kate, nor the mega-nuptials of Prince Charles and Diana.  Not even close.  Meghan has broken the mold for all future royals.  As an American, an actor, a bi-racial self-determined feminist, global ambassador for World Vision, and Time magazine’s 100 Most Influential People in the World, this beautiful 36-year old stunner has won the hearts and minds of both Brits and Yanks.

A trio of royal watchers ~ Old and young enjoy the royal festivities

Some watch parties around town began their festivities at the ungodly hour of 7am to synchronize with British time.  Wisely, The Fairmont chose to start at the civilized hour of 10am.  Because, really, did we need to see it in real time when we could watch it in perfect comfort and well-tended bliss on wide screen TVs?

The artistically-decorated, Union Jack-influenced, ‘Summer Berry Trifle’

After receiving our Union Jack flags for waving at the royals, bartenders mixed up G & Ts, Pimm’s Cup, and offered glasses of rosé and flutes of champagne.  Dozens of canapés flew by –  I recall duck confit and salmon-and-cucumber sandwiches.  For the sweet tooth there were cups of mixed berry trifle and squares of lemon elderflower wedding cake made from the same recipe as Harry and Meghan’s royal wedding cake.  It was an all-around posh assemblage of ladies, gents and a few Beefeaters memorializing the union of Harry and Meghan’s marriage.  No one spoke of the American War of Independence, because this was a revolution that united, rather than divided, the two countries.

Royal wedding watchers gather to celebrate

Update – The Fairmont recently unveiled their $27 million renovation – lobby, guest rooms, ballroom and courtyard gardens – and it’s absolutely beautiful.  Stayed tuned for news about the restaurant’s upcoming redo.

The Fairmont Hotel, 2401 M Street, NW, Washington, DC 20037 – 202.429.2400

Washington National Opera Gala 

Cast and chorus take their bows at the WNO Gala

On a glorious late spring evening guests gathered on the promenade for the annual Washington National Opera (WNO) Gala at the Kennedy Center.

Pre-concert buffet

The reception kicked off promptly at 4:30pm with passed canapés and a lavish hors d’oeuvres table that could have passed muster as dinner – rockfish with orzo and veal filet shared buffet table space with assorted salads and scrumptious pea and goat cheese gougéres.

Live Grecian muses grace the fountains along the promenade

Guests swanned about, champagne flutes in hand, with fellow board members, supporters, celebrities and journalists as live Grecian muses stood gossamer-clad and motionless around the fountains.

Pretty veggie posies

A lovely flutist in lavish medieval costume wandered musically amid the thousands of roses, peonies and liatris decorating the fountains.

A masked flutist strolls among the guests

Kennedy Center President Deborah Rutter, Chairman David M. Rubenstein and WNO Artistic Director Francesca Zambello were tuxed, gowned and glam along with the hundreds of guests who came for the pre-dinner concert.  The evening celebrated the music of famed American composer Leonard Bernstein and his daughter, writer/broadcaster/filmmaker, Jaimie Bernstein was on hand to regale the audience with tales of her father.

Performers included Julie Gunn, Nathan Gunn, Isabel Leonard and Kathryn Luwek, Eliza Bonet, Allegra De Vita, Michael Hewitt, Christopher Kenney, Madison Leonard, Alexander McKissick and Kerriann Otaño along with mega Broadway leading lady, Patti Lupone who hilariously sang both the Tony and Maria parts of “Tonight” from West Side Story, that she declared to be her childhood favorite musical.

Famed conductor, John DeMain, who had conducted the world premiére of Bernstein’s last opera, A Quiet Place, led the WNO orchestra and the rousing chorus.  Those with premier tickets went on to deluxe post-theatre dinners at a dozen embassies around town.

Maydān 

Flames leap to the top of the copper hood as a unicorn keeps watch

Something about Maydān feels prehistoric.  As if man had just discovered fire as a way to cook food.  A massive open-flame grill in the center of the room is where chefs dart about in a cook’s ballet of sorts.  Bright orange-red flames rise up to lick the top of the massive copper dome providing much of the light to the cavernous warehouse as a silver unicorn head perches above signifying what, exactly.  Your guess is as good as mine.

The approach to the two-story brick space is through an alleyway, reminiscent of the souk markets of the Middle East.  An arched doorway washed in slate blue leads to a small anteroom curtained off from the bar and dining area.  There you wait until you are shown to your table and enter into a world apart.

The bar scene at Maydan

Inside it’s dark, cave-like, loud and festive.  Menu covers are inspired by Lebanese-American prophet, painter and poet Gibrán Khalil Gibran, and there is a distinct Middle Eastern ambiance reflected in the blue-and-white ceramic plates and handmade tiles.  A cozy booth, tucked beside the kitchen and lit with a pierced metal lantern, reminded me of Morocco.  The décor explains owner Rose Previte’s choice of ‘maydan’ – from the Persian meaning meeting place.

Lamb kebab with pickled onions

So, we are meeting… over kebabs and muhamarra, marinated lamb shoulder and baba ghanoush.  A modest supper, nevertheless lavish with exotic spices and delicious flavors.  You’ll find fresh mint and yoghurt feature prominently as do nuts and pomegranates, tahini and ras el hanout, the North African spice mix redolent with the aromas of cumin, ginger, coriander, allspice, pepper and cloves.

A sample of dishes tahini

Another spice mix you’ll find here is za’atar.  Used to season all manner of dishes in Syria, Palestine, Lebanon and Israel as well as other countries in the Arab world, it is made from the dried berries of the sumac tree, hyssop, thyme, sesame seeds, marjoram and oregano, and is used liberally to season meats, labneh and breads.

Lamb kebab with pickled onions

The menu is arranged by salads, spreads, condiments, “from the fire dishes”, seafood and grilled kebabs.  Two Executive Chefs Chris Morgan and Gerald Addison share the helm on alternate nights.  It’s mostly meze (small plates) with the exception of three larger main dishes – whole chicken prepared with turmeric, coriander and toum (a Lebanese whipped garlic sauce), a large ribeye spiced with fenugreek and adjika (a spicy Georgian paste), and a lamb shoulder seasoned with Syrian seven spice.  These are meant to share.

My advice.  Bring a group, otherwise you might be sharing a four-top, which is fun or not, depending if you are on a date, which we weren’t, but our table strangers were and love was in bloom.  Order more condiments than you think you need.  At $1 each it’s not a big deal.  And no matter what mains you decide on, be sure to get at least three or four spreads.  All dishes come with fluffy naan bread straight from the tandoor oven.  Ask for more and ye shall receive.

Maydān – 1346 Florida Avenue, NW, Washington, DC 20009 – 202 370.3696  Reservations are advised.

Waitress ~ The National Theatre

Jordan Wright
May 17, 2018 

I now know why New York critics went gaga over Waitress.  It earned Tony nominations for Best Musical and Best Original Score in 2016, won a Drama Desk Award, and an Outer Critics Award too.  This sweet, funny, big-hearted musical by composer Sara Bareilles continues its run on Broadway with its first national tour here in DC at the National Theatre.  How apropos!

Desi Oakley, Charity Angel Dawson and Lenne Klingaman in the National Tour of WAITRESS – Photo Credit Joan Marcus

Bareilles, if you recall, became successful as a singer/songwriter/actress and New York Times best-selling author.  Nominated for six Grammys, the California native has composed a score loaded with catchy tunes and tender ballads transforming the rather dark original movie version into a feel-good musical tailor made for foodies.  It’s Fried Green Tomatoes meets Nine to Five with the added attraction of a musical score.

Nick Bailey and Desi Oakley in the National Tour of WAITRESS – Photo Credit Joan Marcus

Set in a diner in a sleepy Southern town, waitress and amateur piemaker Jenna (Desi Oakley) discovers she is pregnant, just when she was planning to leave her abusive husband Earl (Nick Bailey).  Her co-workers and gal pals, Dawn (Lenne Klingaman) and Becky (Charity Angel Dawson), and their boss Cal (Ryan G. Dunkin) try to keep her spirits up in spite of cranky customers and Earl’s insults.  “You’re no Sara Lee,” he tells her as she secretly makes plans to enter the state pie contest.

Maiesha McQueen, Desi Oakley and Bryan Fenkart in the National Tour of WAITRESS – Photo Credit Joan Marcus

Soon Jenna meets the handsome gynecologist Dr. Pomatter (Bryan Fenkart) with whom she stealthily starts an affair.  Meanwhile addled-headed Dawn and wise-cracking Becky are busy looking for Mr. Right.  Soon Dawn finds Ogie, a poetry-spouting accountant á la Don Knotts who only eats white food and plays Paul Revere in reenactments.  He’s a perfect match to her Betsey Ross fantasies.  Recreating his Broadway role, scene-stealer Jeremy Morse plays Ogie.  Veteran Broadway actor Larry Marshall plays Joe, the diner’s octogenarian owner and perennial grouch.

Desi Oakley and Larry Marshall in the National Tour of WAITRESS – Photo Credit Joan Marcus

Standout numbers by Dawson in “I Didn’t Plan It”, Morse with “Never Ever Getting Rid of Me” which brings the house down, and Oakley’s rendition of “She Used to Be Mine”, a tender ballad.

Ryan G. Dunkin and the Cast of the National Tour of WAITRESS – Photo Credit Joan Marcus

So, if it’s pie you want, be it ‘White Knuckle Cream Pie’, ‘Betrayed By My Eggs Pie’, ‘Mermaid Marshmallow Pie’, ‘Doesn’t Want The Baby Pie’ or any other of Jenna’s quirkily-named pies, you will love this sunny, funny, honey of a show.  Just remember sugar, butter, eggs are just the start.

Highly recommended.

Breaking news from the diner!  Six-time Grammy nominee and composer of Waitress, Sara Bareilles will be at the National Theatre to host “Cast Album Karaoke” following the 8pm show this Saturday, May 19.  Limited seats for that performance remain. Interested audience members at that show will be chosen at random for the chance to sing any song from Waitress on the National Theatre’s historic stage accompanied by the show’s band.  It’s the first time Sara Bareilles has hosted a post-show “Cast Album Karaoke” during the national tour of Waitress.

Two familiar faces from Washington, D.C.’s WUSA9 will host “Cast Album Karaoke” on Friday, May 25 and Friday, June 1: “Get Up DC!” host Reese Waters (May 25) and Andi Hauser from “Great Day Washington” (June 1).

Book by Jessie Nelson, orchestrations by Sara Bareilles, directed by Diane Paulus, conducted by Jenny Cartney, choreographed by Lorin Latarro, Set Design by Scott Pask, Costume Design by Suttirat Anne Larlarb, Lighting Design by Ken Billington and Sound Design by Jonathan Deans.

With Grace Stockdale as Mother, Jim Hogan as Father, Maiesha McQueen as Nurse Norma, Kyra Kennedy as Francine, and Alexa M. Lueck and Eva Pieja as Lulu.  With ensemble members Mark Christine, Donterrio Johnson, and Gerianne Pérez.

Through June 3rd, 2018 at The National Theatre, 1321 Pennsylvania Avenue, NW, Washington, DC.  For tickets call 202.628.6161 or visit online.

Saint Joan ~ Folger Theatre

Bedlam Theater Company
May 16, 2018 

A dizzying modernized version of George Bernard Shaw’s notable play, Saint Joan, is now at the Folger Theatre presented by the New York-based Bedlam theater company.  Historically, and even contemporarily, it’s relevant to the discussion of church v. state v. the ruling classes.  That’s what Joan, or Jeanne as the French have it, is all about. Whether tis nobler to have the church or nobility or the patriarchy back your lofty ideals, is the question.  Alas, in the end, poor Joan managed to piss them all off.

Robert de Baudricourt (Eric Tucker) tries in vain to put the peasant girl, Joan (Dria Brown) in her rightful place. Photo by Teresa Wood.

In the relentlessly verbose classic, four characters take on twenty-five roles, some switching roles mid-paragraph.  Joan is the only character that stays herself.  It’s clever.  There are tons of funny bits, but after nearly three hours it feels overly long. Besides, knowing her fiery ending as well as her legacy, it seems more than a little overblown to listen to repeated reassessments of both her value (initially they bought into her hearing voices) and her condemnation as a heretic which came after she led the French to victory.

Is it instructive?  Yes.  Is it well-acted?  To a person.  Does it speak to our modern sensibilities?  Somewhat.  In an age of serfdom, where knights were ransommed and the church and aristocracy reigned supreme, landowners had great sway.  One’s family dictated one’s ultimate station in life and thus one’s future opportunities.  Joan broke too many rules, most importantly the one that didn’t allow women to leave their household duties, don armor and go to war.  So as a feminist piece, it is culturally interesting that Shaw thought it important to write of the inequality of the sexes.  As a religious diatribe, the Church feels threatened by Mohammad, calling him the anti-Christ.  They accuse Joan of being a nationalist and call out the Jews as treacherous.  And their justifications for burning her at the stake, are entirely self-serving.  As social commentary, the interest lies in the playwright’s condemnation of the church and the folly of the aristocracy.

The Earl of Warwick (Eric Tucker, left) discusses the fate of Joan of Arc with the Bishop of Beauvais (Sam Massaro), as chaplain John de Stogumber (Edmund Lewis) listens intently in Saint Joan. Photo by Teresa Wood.

But in our modern world, with a pope who has a social conscience, nobility who has little influence, and governments who rule predominantly by individual vote, would we have a Joan of Arc?  Today we call them cult leaders, known in the 15th century as sorcerers, and they are equally reviled.  Mostly for good reason.

But we come to like this true-hearted teenager who is dogged in her determination to save France from the expansionist policies of England. “There is something about the girl,” as the bishops and the Dauphin acknowledge.

Brother John Lemaitre, the Inquisitor (Eric Tucker) and John de Stomgumber (Edmund Lewis) await the trial of Joan in Saint Joan at Folger Theatre. Photo by Teresa Wood.

Bedlam’s Artistic Director Eric Tucker (who also created the costumes and sound design) uses every trick in the book to keep it fresh – sight gags, pratfalls and slow-motion fights.  A dozen or more audience members are invited to sit onstage adding to the immediacy of the response.  I must say, I don’t know how the actors find their way around all the chairs and spout their lines without taking notice of their proximity.  No mean feat!

The Inquisitor (Eric Tucker) leads the accused Joan (Dria Brown) to her seat to stand trial in Bedlam’s Saint Joan. Photo by Teresa Wood.

Be your own critic, especially if you love Shaw.  After all, Bedlam’s staging of Saint Joan was honored by Time magazine as a Top Ten Play and listed in the New York Times’ Best of Theater list.

Lighting by Les Dickert.  Roles played by Dria Brown as Joan; Edmund Lewis as the Dauphin, John de Stogumber and others; Sam Massaro as Cauchon, Poulengey and others; and Eric Tucker as Dunois, Warwick and others.

Through June 10th at the Folger Theatre at the Folger Shakespeare Library, 201 East Capitol Street, SE, Washington, DC 20003.   For tickets and information call 202 544-7077 or visit online.

Hamlet ~ The Royal Shakespeare Company from Stratford-upon-Avon at The Kennedy Center

Jordan Wright
May 7, 2018 

Gasp!  The Royal Shakespeare Company at The Kennedy Center!  Unfortunately, they blew into town as quickly as they departed.  Four days only.  Nonetheless they made a thunderous impression on this reviewer and the audience too, who went crazy for this wonderful interpretation.

Paapa Essiedu and Buom Tihngang with the cast of Hamlet. Photo by Manuel Harlan.

So… Hamlet (Paapa Essiedu), goes mad when his dad the king dies, and mom marries his uncle, and he drops Ophelia like a stone, except she floats.  But you already knew that.  So, I’ll spare you all the deets.  What’s refreshing is the eighteen-member troupe – African, British and Jamaican, with the exception of three white cast members, Byron Mondahl as the Professor of Wittenberg, James Cooney as Horatio and Eleanor Wyld as Guildenstern, gifter of English biscuits.  And though they speak of Denmark, director Simon Godwin uses themes from both ancient and modern-day Africa to achieve this fresh, new dynamic.  (There’s a Wakanda salute from Hamlet to Horatio. Watch for it!)  What’s exciting is this alternative perspective – imagining how the tragedy would go down in contemporary society.  It’s entirely relatable.

Paul Will’s contemporary design demands richly colored kente cloth costumes and lofty headdresses for Queen Gertrude with formal military dress uniforms for King Hamlet.  Palace guards, Barnardo and Francisca, sport stylish camouflage and Cordelia’s four-inch heels and dreadlocks beside Hamlet’s hipster get-ups and drummers in dashikis, assure us we are firmly in the present day.

Mimi Ndiweni and Paapa Essiedu in Hamlet. Photo by Manuel Harlan.

Will envisions Hamlet as a graffiti-painting, boombox-toting lad who’s gone off the rails.  (For some unknown reason, I thought of Prince Harry’s rebellious period after the loss of his mother.)  In a mash-up of past and present, the mood shifts precipitously from formal Danish court to ancient African rituals and indigenous dances.  As in The Lion King, characters frequently dash down the aisles and leap onstage.  Composer Sola Akingbola sets the tone with fierce drumming and African music from calypso to tribal.

Of particular note was the ghost of Hamlet’s father, spotlighted up in the balcony, and the handling of Ophelia’s speech about the flowers – fennel, pansy, rue, columbine – as she mourns Hamlet’s repudiation of her love.  It is in this tragic scene that she, grief-stricken, pulls out locks of her hair, one for each flower she names, to give to the King and Queen.

With Lorna Brown as Queen Gertrude, Clarence Smith as Claudius, Joseph Mydell as Polonius, Buom Tihngang as Laertes, Mimi Ndiweni as Ophelia, James Cooney as Horatio, Romayne Andrews as Rosencrantz, Patrick Elue as Marcellus, Lucianus and Fortinbras, Kevin N Golding as Barnardo and Tracy-Anne Green as Francisca.

Direction by Simon Godwin, Design by Paul Wills, Lighting by Paul Anderson, Composed by Sola Akingbola with Fight Direction by Kev McCurdy.

What a joy and privilege to experience this brilliant production by a such fine cast!