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Beautiful – The Carole King Musical – Kennedy Center

Jordan Wright
October 9, 2015
Special to The Alexandria Times

(l to r) Curt Bouril (“Don Kirshner”), Liam Tobin (“Gerry Goffin”), Abby Mueller (“Carole King”), Ben Fankhauser (“Barry Mann”) and Becky Gulsvig (“Cynthia Weil”). Photo by Joan Marcus.

(l to r) Curt Bouril (“Don Kirshner”), Liam Tobin (“Gerry Goffin”), Abby Mueller (“Carole King”), Ben Fankhauser (“Barry Mann”) and Becky Gulsvig (“Cynthia Weil”). Photo by Joan Marcus.

Where were you when you first heard The Righteous Brothers sing “You’ve Lost That Lovin’ Feeling” or “Will You Love Me Tomorrow” by The Shirelles?  Maybe you were dancing to “Locomotion” by Little Eva or “Up On the Roof” by The Drifters, all songs written by Brooklyn-born Carole King (Abby Mueller) and her husband Gerry Goffin (Liam Tobin).  Working for music producer Don Kirshner (Curt Bouril), known as “The Man With the Golden Ear”, their partnership produced hit after hit keeping them on the pop charts throughout the 60’s.

During their early career lyricist Gerry and the precociously talented composer Carole churned out hits at Aldon Music, a music publishing house and hit factory in New York’s Brill Building, where they worked side-by-side with fellow hit makers, Cynthia Weil (Becky Gulsvig) and Barry Mann (Ben Fankhauser) in friendly competition.

Carnegie Hall. Abby Mueller (“Carole King”). Photo by Joan Marcus

Carnegie Hall. Abby Mueller (“Carole King”). Photo by Joan Marcus

Beautiful tells the story of their romance, marriage and tumultuous breakup.  The simple story chronicles their struggles and successes and ultimately King’s solo career, which broke the pop mold with the release of her first album – the four-time Grammy Award-winning, “Tapestry”.

The show opens with a medley of hits from the 50’s before the duo got their start – “Poison Ivy”, “Love Potion #9”, “Yakety Yak” to name a few.  Dressed in sharkskin suits and skinny ties, actors playing The Drifters appear to perform some of their numbers, as do the ersatz The Shirelles wearing their trademark beaded dresses with chiffon shoulder drapes, Little Eva (Ashley Blanchet), who had been their babysitter, and the entirely fictitious Janelle Woods (Rebecca E. Covington), a pop singer who becomes Gerry’s extramarital lover.

The Shirelles. (l to r) Britney Coleman, Rebecca E. Covington, Ashley Blanchet and Salisha Thomas // The Drifters. (l to r) Dashaun Young, Paris Nix, Josh A. Dawson and Noah J. Ricketts

The Shirelles. (l to r) Britney Coleman, Rebecca E. Covington, Ashley Blanchet and Salisha Thomas // The Drifters. (l to r) Dashaun Young, Paris Nix, Josh A. Dawson and Noah J. Ricketts

The musical is heavy on songs, twenty-seven numbers backed by a twelve-piece orchestra, and light on script.  But that’s just fine as you’ll probably be silently singing along recalling your first dance, or first kiss, to these memorable songs that are timed to reflect the state of Carole and Gerry’s rocky marriage.  Goosebumps kick in with “Some Kind of Wonderful”, Gerry and Carole’s first duet, but the audience gives an collected audible sigh for The Righteous Brothers big number, “You’ve Lost That Lovin’ Feeling”.

Scenic Designer Derek McLane captures the mood by drawing on the 1930’s architecture of the historic Brill Building, tricking it out with hundreds of neon-colored lights.  Spare sets feature the mid-century modern furnishings of the period, while “On Air” signs suggest the atmosphere of a sound studio.

Abby Mueller does a fine job as Carole, especially at the end of Act Two when she lets loose her powerful voice on the biggest hits from “Tapestry” – “Natural Woman”, later covered by Aretha Franklin and Mary J. Blige, and “Beautiful”, a reflection of her coming of age as an independent composer and soloist.

See it if you love the music of this era, or even if you just like music with lyrics you can understand.

Through October 25th at the Kennedy Center, 2700 F St., NW, Washington, DC.  For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.

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