December 19, 2016
Special to The Alexandria Times
The Stephen Schwartz (Composer)/Winnie Holzman (Book) collaboration on Wicked presents us with a fresh interpretation of the classic L. Frank Baum book “The Wizard of Oz”. In this version Glinda the Good Witch is arch-frenemies with Elphaba the wicked witch.
We learn how they met as young girls at sorcerer’s school and how Elphaba became a vengeful witch. “Are people born wicked? Or do they just have it thrust on them?” Simply stated, it delves into life lessons that the book never addressed.
I saw this production several years ago at Kennedy Center and it left me flat – so I was less than enthusiastic about a return viewing. Thankfully, my fears were unfounded. That afternoon I became as rabid a fan as many in the audience who have reveled in its music and redemptive story line many times over. Straight up, this is a fantastic production of Wicked. What’s different? Let’s check those boxes, shall we?
Amanda Jane Cooper as Glinda – A cross between Reese Witherspoon (think Elle in “Legally Blonde”) and Kristin Chenoweth who originated the role on Broadway. Bubbly appeal and killer comedic talent matched only by her soaring soprano voice. A smashingly good witch with excellent sorcery credentials.
Jessica Vosk as Elphaba – A fearless, verdigris witch-with-a-heart who manages to make sisterhood with your fiercest enemy look appealing. Her powerful, spot on vocal range will give you goose bumps. After all, she’s reprising Idina Menzel’s role in the original. She has to be THAT GOOD!
Isabel Keating as Madame Morrible – There’s nothing horrible about Madame Morrible, except her ability to cower children and perhaps her skill at malaprops. Keating brings posh poise to the role of headmistress and sorcery cohort of the Wizard.
Jeremy Woodard as Fiyero (the Prince) – For his good looks, swagger and savoir faire. Another killer voice that brings it home in spades.
Fred Applegate as The Wonderful Wizard of Oz – A spit-and-polish old school wizard whose endearing charm balances out all the evil he conjures up. “I told them the lies they wanted to hear.” Sound familiar?
Kristen Martin as Nessarose – For her ability to transition seamlessly from loving sister to vindictive enemy.
Chad Jennings as Doctor Dillamond – The caprine professor with empathy. He’ll pave a path into your heart while teaching about the dangers of discrimination.
Since this is such a huge production with so many atmospheric elements – flying monkeys, inclement weather (cyclone and thunder!), giant pendulums, and silver dragons with glowing eyes notwithstanding – it’s crucial the gears mesh seamlessly. And they do.
Kenneth Posner on Lighting – Gives us hairy and scary in equal doses.
Susan Hilferty on Costumes – The best and most sparkly ever.
Tom Watson on Wigs – For towering pompadours and saucy curls.
Eugene Lee on Sets – Brighter, greener, more technically sophisticated and lavish than ever.
Through January 8th at the Kennedy Center, 2700 F St., NW, Washington, DC. For tickets and information call 202 467-4600 or visit www.Kennedy-Center.org.