Key for Two ~ The Little Theatre of Alexandria

Jordan Wright
March 1, 2017
Special to The Alexandria Times

 Charlene Sloan as Harriet, Peter Harrold as Gordon, and Dana Gattuso as Anne - Photos by Keith Waters for Kx Photograhy

Charlene Sloan as Harriet, Peter Harrold as Gordon, and Dana Gattuso as Anne – Photos by Keith Waters for Kx Photograhy

What’s more fun than a British farce by LTA?  It’s the theater’s stock-in-trade and each season they get more masterful at this vehicle.  Written by John Chapman (no relation to our current City Councilman) and Dave Freeman, it is a hoot in the grand tradition of delightfully naughty drawing room comedies.  Freeman began his writing career on The Benny Hill Show and Carry On TV series, later writing for Peter Sellers and other notable British comedians.  Chapman was best known for a slew of British sketch comedies in the 70’s and 80’s.  The writers collaborated on Key for Two, winning “Comedy of the Year” in London’s Society of West End Theatre Awards for their efforts.

Dana Gattuso (Anne), Elizabeth Replogle (Magda) and Charlene Sloan (Harriet) - Photos by Keith Waters for Kx Photograhy

Dana Gattuso (Anne), Elizabeth Replogle (Magda) and Charlene Sloan (Harriet) – Photos by Keith Waters for Kx Photograhy

In Key for Two, Harriet (Charlene Sloan) is mistress to two married men, successful adman Gordon (Peter Harrold) and ship owner Alec (Cal Whitehurst).  They each are unaware of the other, as well as the existence of Harriet’s estranged spouse.  In order to keep the charade alive, the pretty polygamist cleverly concocts a balancing act to entertain them on alternate days.  The fun begins when Gordon twists his ankle, leaving him bedridden in her Brighton flat.  To add to the confusion, her best friend Anne (Dana Gattuso), smarting from a recent separation, arrives unexpected.  Anne’s husband Richard (Justin Latus), a taxidermist, soon shows up drunk as a skunk and still carrying a torch for Harriet.  The two women quickly join forces creating hilarious excuse after excuse to explain away the untenable situation.  “It’s been a very busy year for kept women,” Harriet complains to Anne as the two conspirators attempt to keep the men from bumping into each other.

Cal Whitehurst (Alex) and Charlene Sloan (Harriet) - Photos by Keith Waters for Kx Photograhy

Cal Whitehurst (Alex) and Charlene Sloan (Harriet) – Photos by Keith Waters for Kx Photograhy

There’s a lot of leaping in and out of bed as Harriet pretends to be married to Anne’s fictional husband the women dub “Bob the Murderer” in order to keep Gordon at sixes and nines.  But it’s Anne who has to go the extra mile pretending to be married to Gordon in order to preserve Harriet’s charade.  It begins to unravel when Anne, now pretending to be a caregiver at Harriet’s “nursing home”, claims that Alec has “polygamist palsy” and believes he is married to Harriet.  Are you still with me?  If you can keep that much in mind the rest is a snap…that is until Gordon and Alec’s wives, Magda (Elizabeth Replogle) and Mildred (Liz LeBoo) turn up and all hell breaks loose.  Richard’s brief love affair with Magda’s fox stole is classic.

Liz LeBoo (Mildred), Charlene Sloan (Harriet), Dana Gattuso (Anne) and Cal Whitehurst (Alex) - Photos by Keith Waters for Kx Photograhy

Liz LeBoo (Mildred), Charlene Sloan (Harriet), Dana Gattuso (Anne) and Cal Whitehurst (Alex) – Photos by Keith Waters for Kx Photograhy

Director Eleanore Tapscott (Caught in the Net, Noises Off and I’m Not Rappaport at LTA) corrals a talented cast and puts them to work tickling our collective funny bones with snappy repartee, double entendres, puns and malapropisms.  And to our delight, they never stop.

If you like silly British slapstick comedy, this is the one to see!

Through March 18th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

Anything Goes ~ The Little Theatre of Alexandria

Jordan Wright
January 17, 2017
Special to The Alexandria Times

Marshall Cesena (Billy Crocker) and Mara Stewart (Reno Sweeney) = Photos by Keith Waters for Kx Photography

Marshall Cesena (Billy Crocker) and Mara Stewart (Reno Sweeney) = Photos by Keith Waters for Kx Photography

Director Stefan Sittig is no stranger to big song-and-dance productions, and awards committees are no strangers to his considerable talent.  He’s directed and/or choreographed all the major blockbusters from Chicago to Evita, Showboat to Jesus Christ Superstar, A Chorus Line to West Side Story, and many more of our favorite Broadway shows, winning countless awards for his efforts.  But a show is only as good as its performers and thrillingly LTA’s Anything Goes has got a super cast of singers and hoofers – the most indelible being Mara Stewart as Reno Sweeney.  The young Stewart, a recent arrival to our area from Chicago’s stages, is a spectacular singer (think Liza Minelli, Ethel Merman and Barbra Streisand rolled into one) and comedian (conjure up Lucille Ball’s antics, and delving into the archives of vaudeville, Fanny Brice).  She is utterly captivating and surely destined for a stellar career.  Catch her here and you can say, I knew her when.

Marshall Cesena (Billy Crocker) and Tori Garcia (Hope Harcourt) - Photos by Keith Waters for Kx Photography

Marshall Cesena (Billy Crocker) and Tori Garcia (Hope Harcourt) – Photos by Keith Waters for Kx Photography

Set in 1934, a disparate bunch of passengers and gangsters is sailing aboard a luxury liner to England.  Wall Street nabob Elisha J. Whitney (played deliciously by Dick Reed) is just one of the dupes being conned by Moonface Martin (Ken Kemp, a wickedly funny scene stealer) and his cohort, Bonnie (Jaqueline Salvador).  Billy Crocker (Marshall Cesena) is Whitney’s assistant, a starry-eyed boy wonder hopelessly in love with Hope Harcourt (the beautifully voiced Tori Garcia), a girl about to give her hand in marriage to the witless British lord, Sir Evelyn Oakleigh (James Maxted).  If that doesn’t keep it lively enough, there’s the splashy celebrity diva and former evangelist, Reno Sweeney (the aforementioned Mara Stewart) and her four “Angels” – Chastity (Ashley Kaplan), Purity (Katie Mallory), Virtue (Elizabeth Spilsbury) and Charity (Caitlyn Goerner) her backup chorines.

Elizabeth Spilsbury (Virtue), Jon Simmons (Sailor), Ashley Kaplan (Chastity), Kurtis Carter (Sailor), Marshall Cesena (Billy Crocker), Tori Garcia (Hope Harcourt), Katie Mallory (Purity), Drew Sese (Sailor), Michael Gale (Sailor) - Photos by Keith Waters for Kx Photography

Elizabeth Spilsbury (Virtue), Jon Simmons (Sailor), Ashley Kaplan (Chastity), Kurtis Carter (Sailor), Marshall Cesena (Billy Crocker), Tori Garcia (Hope Harcourt), Katie Mallory (Purity), Drew Sese (Sailor), Michael Gale (Sailor) – Photos by Keith Waters for Kx Photography

Coward drew inspiration from the rarefied circles he traveled in, peppering his tales with the gangsters and crooks who plied their cons on the fringes of high society.  With his incomparable talent for witty repartee, Anything Goes is filled with bon mots and zingers on the SS American, where crooks are hapless and gold diggers are adorable.

Caitlyn Goerner (Charity), Katie Mallory (Purity), Jackie Salvador (Bonnie), Elizabeth Spilsbury (Virtue), Ashley Kaplan (Chastity) - Photos by Keith Waters for Kx Photography

Caitlyn Goerner (Charity), Katie Mallory (Purity), Jackie Salvador (Bonnie), Elizabeth Spilsbury (Virtue), Ashley Kaplan (Chastity) – Photos by Keith Waters for Kx Photography

In typical Coward fashion, there’s mistaken identity and hilarious disguises, especially when Billy, in hot pursuit of Hope and against her mother’s wishes, becomes a chef, then a sailor and ultimately a nobleman, “Are you French or Spanish?”, Hope’s mother (Allie Cesena) wonders after he changes into a count with a phony beard cut from a swatch of her fur jacket.  “Neither,” he quips.  “I’m Chinchillian!”.

The best of British humorists, P. G. Wodehouse and Guy Bolton wrote the book and it’s popping with Brit wit.  Kit Sibley and Jean Schlichting bring massive glamour to the costumes – from spangles, sequins and feather boas to sassy chorus girl sailor suits and gowns slit up to there with plenty of leg.  Sibley also does double duty on the terrific period hair and wigs.

Conductor and keyboardist Francine Krasowska leads a nine-piece, onstage orchestra who play a total of fourteen instruments in a glorious bonanza of 17 of Porter’s greatest hits – among them some of his most memorable – “You’re the Top”, “Let’s Misbehave”, “It’s De-Lovely” and “I Get a Kick Out of You”.

Highly recommended.

Through February 4th 2017 at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

The Cast of "Anything Goes" performing "Anything Goes - Photos by Keith Waters for Kx Photography

The Cast of “Anything Goes” performing “Anything Goes – Photos by Keith Waters for Kx Photography

A Christmas Carol ~ The Little Theatre of Alexandria

Jordan Wright
December 5, 2016
Special to The Alexandria Times
 

Tony Gilbert (Scrooge) - Photo credit Doug Olmstead

Tony Gilbert (Scrooge) – Photo credit Doug Olmstead

It’s that jolly, spooky, heartwarming, Charles Dickens time of year again and, like The Nutcracker, many families hold dear the tradition of seeing A Christmas Carol together.  The Little Theatre of Alexandria has been mounting this play for eons, but each year it’s a different version depending on who’s directing and what elements of the story they choose to emphasize.  For Director Michael J. Baker, Jr. it was important to delve into the original book, plumb the depths of Dickens, and cherish some of the best lines.  “Bad lobster in a dark cellar”, in which Scrooge describes the face of Marley during his first ghostly encounter, was taken from the original, but I’d never heard it before.  There’s a certain ominous and indelibly charming alliterative ring to it that sets the tone for shades of things to come.

 Penelope Gallagher (Belle’s Daughter), Eva Jaber (Belle’s Child #1), Clare Baker (Ghost of Christmas Past) - Photo credit Doug Olmstead

Penelope Gallagher (Belle’s Daughter), Eva Jaber (Belle’s Child #1), Clare Baker (Ghost of Christmas Past) – Photo credit Doug Olmstead

Clearly Baker has done his homework.  As a veteran of the role of Scrooge (five times!), he brings an actor’s perspective and a director’s experience to the classic tale of the penurious, humbugger, Ebenezer Scrooge.  In one particular instance young Scrooge is abandoned by his family at his boarding school, Baker draws on Dickens’ love of Ali Baba and plunks a parrot outside the window.  It’s subtle but it’s there, as is a reference to “Robin” Crusoe, from Defoe, another of Dickens’ favorite authors.

Eva Jaber (Want), Janette Moman (Ghost of Christmas Present), Morgan Jay (Ignorance) - Photo credit Doug Onlstead

Eva Jaber (Want), Janette Moman (Ghost of Christmas Present), Morgan Jay (Ignorance) – Photo credit Doug Onlstead

Baker and Music Director Linda Wells weave in lots of traditional Christmas carols and Sound Designer Lynn Lacey throws in plenty of spooky effects as the trio of spirits (they’re a new addition too) and the Ghosts of Christmas Past (Clare Baker), Future (Pat Jannell) and Present (Janette Moman, who does notable double duty as the hilariously crooked Mrs. Dilber) haunt the ‘dickens’ out of Scrooge.

Tony Gilbert (Scrooge) and Josh Gordon (Tiny Tim) - Photo credit Doug Olmstead

Tony Gilbert (Scrooge) and Josh Gordon (Tiny Tim) – Photo credit Doug Olmstead

The sets, too, have changed.  Set Designer Mary Hutzler treats us to a charming Victorian village with chapel and schoolhouse and scenes of the streets that include both the poor and the posh sides of London town.

But any production of A Christmas Carol must have its adorable children (and these are as sweet as candy canes and hot chocolate on a cold winter’s day), its grisly ghosts (note well Larry O. Grey, Jr. as he smoothly segues between the dual roles of Marley’s ghost-in-chains and the jolly Fezziwig, two of the most disparate characters in the play) and its courtly gentlemen.  Ryan Phillips shines as both Young Scrooge and Topper and Matthew Fager is notable as the kindly Bob Cratchit.  But the thread that holds the piece together is indeed Tony Gilbert as Scrooge whose ability to go from curmudgeonly to compassionate is absolute perfection.

Find the true meaning of the season here and in your hearts.

Through December 17th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

Full cast of A Christmas Carol ` Photos by Doug Olmsted

Full cast of A Christmas Carol ` Photos by Doug Olmsted

A Party to Murder ~ The Little Theatre of Alexandria

Jordan Wright
October 23, 2016
Special to The Alexandria Times
 

L to R: Eva Seville Coll (O’Karma/Henri), James McDaniel (Rev. Merryweather/Elwood), Danielle Comer (Evelyn/McKenzie), Laura Peterson (Mrs. McKnight/Valerie), John Henderson (Konrad/Charles). Photo credit John Olmstead

L to R: Eva Seville Coll (O’Karma/Henri), James McDaniel (Rev. Merryweather/Elwood), Danielle Comer (Evelyn/McKenzie), Laura Peterson (Mrs. McKnight/Valerie), John Henderson (Konrad/Charles). Photo credit John Olmstead

Oh, how I love it when The Little Theatre does a murder mystery – especially when it’s the time of the year when things go bump in the night.  And you’ll know you’re in for a spooktacular adventure when the sign outside the theater reads, “Warning: This show contains special effects such as thunder, lightning, gun shots and explosions.”  Oh, my!  Even with this foreshadowing of a peculiar night with peculiar people, I’d advise you to hold tight to your seat and put your brain in plot-solving mode. 

R to L: Danielle Comer (Evelyn/McKenzie), John Henderson (Konrad/Charles), Eva Seville Coll (O’Karma/Henri), Damian John Legacy (Ernie/Willy).  Photo credit - Doug Olmsted

R to L: Danielle Comer (Evelyn/McKenzie), John Henderson (Konrad/Charles), Eva Seville Coll (O’Karma/Henri), Damian John Legacy (Ernie/Willy). Photo credit – Doug Olmsted

Director Jim Howard and a nifty cast take playwrights Marcia Kash and Douglas E. Hughes’ homage to Agatha Christie and brighten up the murderous antics – yes, antics – as there is gallows humor aplenty to accompany the ghoulish plot.  Stranded on an island at Haddington House in the rustic hunting lodge of famed British author, Charles Prince (John Henderson), five well-heeled guests play a parlor game, adopting the roles of priest, housemaid, conjurer, politician and model.  But are they?  Or are they just recreating a game played by the infamous ‘Phantom Five’, a group of house guests who disappeared on the island during a murder mystery game, never to be seen or heard from again.  What kind of game is this devious host playing? 

James McDaniel (Rev. Merryweather/Elwood), Damian John Legacy (Ernie/Willy), Danielle Comer (Evelyn/McKenzie), John Henderson Konrad/Charles) Photos by Doug Olmsted

James McDaniel (Rev. Merryweather/Elwood), Damian John Legacy (Ernie/Willy), Danielle Comer (Evelyn/McKenzie), John Henderson Konrad/Charles) Photos by Doug Olmsted

When a dead body shows up, especially one each has a grudge against, it’s a rollicking good time trying to figure out which one is prevaricating and which one is posing.  Could it be corporate scions Valerie (Laura Peterson) and her sister Henri (Eva Seville Coll) whose Addison Industries has been found to be poisoning Michigan’s water supply?  Hmmm.  Timely reference.  They know they could be ruined, their father’s company reduced to pennies on the dollar if the truth came out.  Or could it be Mackenzie (Danielle Comer), the street smart model who has it in for her abusive lover, the wealthy corporate magnate, Elwood (played by James McDaniel)? Another prime suspect is the wheelchair-bound Willy (Damian John Legacy) who is worried his dark business dealings with the deceased will soon be revealed.  And then there’s our charmingly debonair host, Charles, who does a devious job of pointing the finger at everyone else.  Could he have engineered the whole thing to shift the blame away from himself? 

This nifty, tightly written, cleverly acted whodunit is filled to the rafters with twists and turns.  Highlighted by David Correia’s spooky sound design; sinister lighting by the JK Lighting Designs team of Jeffrey Scott Auerbach and Kimberly Crago; and spine-tingling special effects by Art Snow, the eerie experience is enhanced to a fare-thee-well.  A special nod to longtime alum, Carol Strachan who designed the myriad of props with Susan Driscoll.  And kudos to John Downing for one of the best sets at LTA. 

Go!  It’s Halloween!  It’s a hoot and a howl. 

Through November 12th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com

To Kill a Mockingbird ~ The Little Theatre of Alexandria

Jordan Wright
April 25, 2016
Special to The Alexandria Times

Richard Fiske (Atticus) and Larry Boggs (Tom Robinson) - Photos by Matt Liptak

Richard Fiske (Atticus) and Larry Boggs (Tom Robinson) – Photos by Matt Liptak

It’s been fifty-six years since Harper Lee’s classic To Kill a Mockingbird was published and less than one year since its re-conceived version Go Set a Watchman hit the bestseller lists to a flood of controversy.  Much has changed since 1960.  Or has it?  A quick glance at today’s headlines reveal that bigotry, the murder of unarmed Black men, and racial intolerance continue unchecked both on the streets and in certain presidential campaigns.  Given the current political climate and the emergence of the Black Lives Matter movement, it is particularly timely that we find opportunities to re-examine the role of racism in America.  And how better to revisit these issues than with this cautionary tale?  To that end LTA’s Producers, Rachel Alberts, Bobbie Herbst and Robert Kraus, have chosen well to select Frank Pasqualino to direct this well-crafted and impressively cast production.

As you may recall, the story, narrated on stage by Jean Louise “Scout” Finch as Scout thirty years later (Melissa Dunlap), is set in a small town in the Deep South, where Jim Crow laws were still firmly set in stone.  Black families lived on one side of town and whites, another.

Courtroom scene with cast. Photos by Matt Liptak

Courtroom scene with cast. Photos by Matt Liptak

Atticus Finch (Richard Fiske), a liberal lawyer in a town of bigots, nosy parkers and those best described as adherents to the Klan, is a wise and calming presence in an otherwise lightning hot moment in time.  His young daughter, Scout (Olivia McMahon), is an outspoken child with a wealth of curiosity about everything, especially the peculiar nature of prejudice and intolerance.  Her slightly older brother Jem (Jack Kearney) does his best to keep her innocent queries in check as does their trusted housekeeper, Calpurnia (Brenda Parker), who cares for them with a no-nonsense attitude and a guiding hand.

When their young friend, Dill (Nathaniel Burkhead), comes from Mississippi to live with them their world grows a little larger and their adventures a little bolder.  As they roam the town together the children become targets of racist slurs about their father, who is defending a field hand against the rape of a white woman.  Atticus urges them to turn the other cheek.  “If you want to understand someone, you gotta walk around in their skin,” he cautions them.

Brenda Parker, Olivia McHahon and Richard Fiske.  Photo by Matt Liptak

Brenda Parker, Olivia McHahon and Richard Fiske. Photo by Matt Liptak

The first act explores their small family, the mysterious “Boo” Radley (Derek Bradley), an elusive neighbor who’s been holed up in his house for thirty years, and their relationships to the townspeople of Maycomb, setting the stage for the trial, and attempted railroading, of Tom Robinson (Larry Boggs) that unfolds in Act Two.  The townsfolk present a polyglot of opinions on race – those that are educated and liberal, those of the hardworking Black families, and, in sharp contrast, their antagonists who are White, poor, uneducated and bigoted.  Bob Ewell (Paul Donahoe), Tom’s accuser, and his daughter Mayella, the presumed victim (Skye Lindberg), fall into the category of the latter.

The trial and its aftermath are the most gripping aspects of this story.  It is here in a small, segregated courtroom that the viciousness and brutality of racism is revealed in the cold, harsh light of day.

An excellent cast delivers humor and pathos with brilliance and dignity.  Especially outstanding are Olivia McMahon, Brenda Parker, Richard Fiske, Paul Donahoe, Tony Gilbert as Judge Taylor, and Skye Lindberg.

Highly recommended.

Through May 14th at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com