January 17, 2017
Special to The Alexandria Times
Director Stefan Sittig is no stranger to big song-and-dance productions, and awards committees are no strangers to his considerable talent. He’s directed and/or choreographed all the major blockbusters from Chicago to Evita, Showboat to Jesus Christ Superstar, A Chorus Line to West Side Story, and many more of our favorite Broadway shows, winning countless awards for his efforts. But a show is only as good as its performers and thrillingly LTA’s Anything Goes has got a super cast of singers and hoofers – the most indelible being Mara Stewart as Reno Sweeney. The young Stewart, a recent arrival to our area from Chicago’s stages, is a spectacular singer (think Liza Minelli, Ethel Merman and Barbra Streisand rolled into one) and comedian (conjure up Lucille Ball’s antics, and delving into the archives of vaudeville, Fanny Brice). She is utterly captivating and surely destined for a stellar career. Catch her here and you can say, I knew her when.
Set in 1934, a disparate bunch of passengers and gangsters is sailing aboard a luxury liner to England. Wall Street nabob Elisha J. Whitney (played deliciously by Dick Reed) is just one of the dupes being conned by Moonface Martin (Ken Kemp, a wickedly funny scene stealer) and his cohort, Bonnie (Jaqueline Salvador). Billy Crocker (Marshall Cesena) is Whitney’s assistant, a starry-eyed boy wonder hopelessly in love with Hope Harcourt (the beautifully voiced Tori Garcia), a girl about to give her hand in marriage to the witless British lord, Sir Evelyn Oakleigh (James Maxted). If that doesn’t keep it lively enough, there’s the splashy celebrity diva and former evangelist, Reno Sweeney (the aforementioned Mara Stewart) and her four “Angels” – Chastity (Ashley Kaplan), Purity (Katie Mallory), Virtue (Elizabeth Spilsbury) and Charity (Caitlyn Goerner) her backup chorines.
Coward drew inspiration from the rarefied circles he traveled in, peppering his tales with the gangsters and crooks who plied their cons on the fringes of high society. With his incomparable talent for witty repartee, Anything Goes is filled with bon mots and zingers on the SS American, where crooks are hapless and gold diggers are adorable.
In typical Coward fashion, there’s mistaken identity and hilarious disguises, especially when Billy, in hot pursuit of Hope and against her mother’s wishes, becomes a chef, then a sailor and ultimately a nobleman, “Are you French or Spanish?”, Hope’s mother (Allie Cesena) wonders after he changes into a count with a phony beard cut from a swatch of her fur jacket. “Neither,” he quips. “I’m Chinchillian!”.
The best of British humorists, P. G. Wodehouse and Guy Bolton wrote the book and it’s popping with Brit wit. Kit Sibley and Jean Schlichting bring massive glamour to the costumes – from spangles, sequins and feather boas to sassy chorus girl sailor suits and gowns slit up to there with plenty of leg. Sibley also does double duty on the terrific period hair and wigs.
Conductor and keyboardist Francine Krasowska leads a nine-piece, onstage orchestra who play a total of fourteen instruments in a glorious bonanza of 17 of Porter’s greatest hits – among them some of his most memorable – “You’re the Top”, “Let’s Misbehave”, “It’s De-Lovely” and “I Get a Kick Out of You”.
Through February 4th 2017 at The Little Theatre of Alexandria, 600 Wolfe Street. For tickets and information call the box office at 703 683-0496 or visit www.thelittletheatre.com